"William Hogarth" Moses brought to Pharaoh's Daughter The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Joseph Hirsch, American, 1910-1981, Lithograph, "Conference at the Bench", 1946, image size: 13 3/4X9",Edition of 250, published by Associated American Artists, Printed by George Miller, pencil signed

A circa 1940's restrike print of the popular ice skating scene from "American Winter Scenes" series, measuring 17" by 23 3/4" inside the mat and 23 3/4" by 30 1/2" framed. The title was evidently cut off from central bottom portion at one point and was then affixed to reverse side. Coloring is in the print most likely and not hand coloring. Retains old brown framer's label of "The Brown Shop", a mid-century Pasadena, California art and frame shop...

Haku Maki Poem 71 92 - was done in 1971, one of the four years in which Maki did over 100 different prints. In 1971 he did about 5 Big prints – at least two sides are over 30 inches. In his total oeuvre he did 20+ big ones but only one Yellow This is it. It seems to be a single yellow stroke piercing the black; it is also the kanji for Mind in Maki’s mind...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol...

Charles P. Renouard, French, 1845-1924, Etching, "Bathers", image size: 4 7/8X6 3/4", pencil signed

St Pauls and Ludgate Hill from Fleet Street Etching, printed in colours, on wove, signed and numbered in pencil, 540mm x 435mm (21 1/4in x 17 1/5in) Luigi Kasimir (1881–1962) was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist. Kasimir was among the first to develop the technique of the coloured etching.[1] Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner...

Original color intaglio by Gloria Garfinkel (USA, New York, born 1929). This work is signed lower right by the artist, titled "Ginza I" and numbered 13/20. Also dated 1993. Mary Ryan Gallery label verso. In its original gallery frame.

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

An original 19th century antique "small folio" Currier & Ives lithograph print with hand coloring, "A Home on the Mississippi", measuring 9 3/4" by 13 1/4" inside the present mat, 16" by 20 1/2" as framed. Condition is above average with no major damage as viewed; hand coloring is rich and not light-struck. There are minor flaws as typically seen in prints of this age such as slightly uneven paper tone. The 1871-dated print is of desirable southern subject matter...

Maki Poem 616 earluy print still with single layer of paper. The image is of a Bird and Moon. This print has been fully restored

Large format Japanese limited edition woodblock print depicting a path through traditional buildings titled in kanji at the lower left "Kashiwabara" (station 60) from the series "Kisokaido" by Katsuyuki Nishijima (b. 1945). Pencil-signed and with the artist's red seal at the lower right margin. Numbered 1/500 at the lower right margin corner. "Kisokaido" is printed in kanji at the center of the bottom margin. Paper size 14 3/4" x 20 3/4" (image: 12 3/8" x 18 3/8")...

An example of a lithograph print after the famous 1924 painting "Dempsey and Firpo" by the highly important American artist GEORGE BELLOWS (1882-1925). The print is apparently not from the artist and printer-signed edition of 103 which brings upwards of $25,000 when offered at auction. This appears to be a later, posthumous example. The image measurements are 17 3/8" by 21 3/8" (sheet 17 3/4" by 21 3/4") and 25 1/2" by 29" framed...

William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.

In 1990 Haku Maki produced as many as 6 different images of famed Mt Fuji(Fuji-san). Here are three, each one printed from a different block.

A most interesting Mid-Century, as late as 1980's perhaps, multiple: a so-called "cast stencil", "cast paper", or "relief" print, therefore three dimensional, featuring a grid pattern of elongated shapes, with air brush paint application on the striking blue and red sections, signed at lower right in pencil and numbered 34/250 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is typical imagery by the artist and sculptor...

Albert Abramovitz, Latvian/American, 1879-1963, "Construction Work, Moscow". A remarkable original linocut, image size 8 3/4 x 11 1/2 inches, c. 1930s, pencil signed and titled. Albert Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris...

Lithograph print in elegant gray and white on black paper, 27" by 22", (and 30" by 25" in simple silvered wood modern frame) {UPDATE: may be currently unframed, inquire}, pencil signed at lower right, and numbered 7/100 at lower left. The title is "Daphne and Apollo", the imagery consisting of idealized male and female figures with leafy trees in the background, creating a most interesting and modern composition that looks almost like a "solarized" photo. Considering the complexity of this image...