Contemporary Japanese limited edition etching titled “Twilight” by Ryoko Hirone depicting a woman drinking a cup of tea observing a scene outside her window with a coyote and rabbit among leafless trees. Pencil-signed, titled, and numbered 7/30 in the lower margin. Paper size: 9 5/8" x 13 7/8" (image: 7 1/2" x 6 3/4"). Very good overall condition. An exhibit of mezzotints and etchings by Ryoko Hirone was held in Japan at Gallery Saoh & Tomos in 2003...

Picasso photolithograph poster for an exhibition held in early 1956 at the Galerie Lucie Weill in Paris. The measurements are 24 1/2" by 16 3/4". There is a narrow inexpensive black frame, and no glass. On the reverse of the framing materials is written in pencil, "Picasso/Papiers colles dessin M.F./photolitho 67 x 46 cm./1000 copies"...

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

Japanese Woodblock 1950s Boy Playing a Flute 31x25 inches In the ancient style but with a modern twist We have a collection of Japanese art and woodblocks dating from 1860

Early early 19th century “The Prodigal Son In Misery” Eighteenth Century Print 12x10”

A mezzotint printed in colors of a large Holderness cow, a type of Holstein Friesian. Printed on woven paper. The image is 18 by 24 inches, overall it is 24 ¾ by 30 inches and the mat is 26 by 31 ½ inches. The print, with dedication on the lower margin, depicts a large rectangular cow in front of a barnyard with a dog, cowherd and a well dressed man in the foreground. In the lower left below the image is printed, “painted by G. Gerrard.” In the center, “Pub. April 9th 1798 by G...

This larger (19 3/4" by 36") work "GRAVITY -- Commission Ellwood Kieser" dates to the year 1973. The message, reading "gravity-like, He draws us lovingly into that deep dark center which is Himself. Ego dying. Soul reborning. Meaning revealing. Psyche healing. Shackle bursting. Mind spreading. Love empowering. Ellwood E Kieser" is placed in the rich green area. This colorful print is by SISTER MARY CORITA KENT (1918-1986)...

A Fine Japanese Woodbocl Print by Paul Jacoulet (1902-1960): Japan, Dai oban Yoko-e, 18 3/4” x 14” incl...

"William Hogarth" Royal Masquerade Somerset House The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926

Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition

Oban tate-e: 10 x 14 ¾ in.

The size of Sheet: 22" x 16 1/2"
The size of Image: 20" x 14"
The Artist: Dennis Schmidt(1950- ).
The title: "After the Rain".
The year of made: 1980.
Signed and numbered in lower left, Edition numbered: 39/900
This is limited edition offset lithograph print done by renown Texas artist, Dennis Schmidt who was self taught artist...

This is an image of a original watercolor of one of the cove beaches on Marginal Way which starts at Ogunquit Beach Maine and ends at Perkins Cove Maine. This has been recently knife painted as a small oil...

Etching of Anna Pavlova and a Saltimbanque. Ernst Oppler (19 September 1867 – 1 March 1929)[1] was a German Impressionist painter and etcher born in Hanover. Oppler, was a founding member of the Berlin Secessionist. He was the son of Edwin Oppler (1831-1880), a prominent German-Jewish architect...

These are 3 different “takes” of the kanji for Stone. Red is Work 74-58 (Stone) ; Green is 76-56 (Stone); Blue is 76-54 (Stone). The green one is larger than the other two. All have the striking black sun as one stroke of the kanji.

A **PAIR** of mid century offset prints after earlier works by the famous Russian-French Jewish artist MARC CHAGALL (1887-1985) These prints are both hand signed in blue ballpoint pen in margins by Chagall at lower right (considered what is called a "complimentary signature"), perhaps at a special gallery or printer event. They appear to have been framed in the 1950's or 1960's at latest and remain sealed since then. I believe the signatures to be authentic and will stand by that being the case...

After the Salvador Dali 1959 painting "Virgen de Guadalupe", this is a circa 1982 pencil signed lithograph print measuring 28" by 16 3/4" inside the mat (36" by 25" as framed). The piece is pencil signed at lower right and numbered 132/300 at lower left. This particular print is widely considered a late, unauthorized edition so is offered strictly as manner of or after the great Dali's work, the signature not by Dali, who died in 1989 and was not signing in the years before his death. It is ...

One of a number in my shop inventory, this is a fresh and clean example of one of William Russell Flint's fine color photolithographs issued for collectors over a period of decades. This example, published in 1961 in an edition of 750, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "The Shower". The print measures 17 3/4" by 22 1/2" inside the mat and 26 1/2" by 30 1/2" as framed. The models, artistically placed in a rising ...

Lithograph print "The Tyresmith", 1890, featuring a Chelsea (London) wheelwright's shop, by JAMES ABBOTT McNEIL WHISTLER (1834-1903). Forges and smithies are said to have been a lifelong favorite subject of Whistler. My research online suggests that this example is one of the 500 to 1000 examples printed from a transfer stone, to be published in The Whirlwind 2, no. 20, issue of November 15, 1890. It is printed on wove paper and has been laid down to a board so it has not been possible to sea...