Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

Etching, tightly trimmed to round shape ("tondo"), 8 5/8" by 8 5/8" (12" diameter in quality round, gold modern framing by Los Angeles framers Jerry Solomon Enterprises Inc.), the title "The Satyr Family", dating to 1657. This is a fine 17th century etching by a talented Old Master...

Stephen Parrish, American, 1846-1938, etching, "Mills at Mispek, N.B.", image size: 8 3/4 x 11 3/4 inches, 1884, seconds state, cat. Schneider-104, pencil signed lower right.

Alfred-Alexandre Delauney, French, 1830-1894, engraving after Peter Paul Rubens, "Marche de Silene", image size: 13 17/16 x 18 1/8 inches, framed.

John Taylor Arms, American, 1887-1953, etching, "Aspiration, La Madeleine Verneuil-Sur-Avre", image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Stephen Parrish American, 1846-1938, "Bethlehim ,Pennsylvania, etching, image size 3 7/8X8 3/8 inches,pencil signed

Pierre Aveline, French, 1656-1722, engraving after the painting by Georgion de Castel-Franco", "Moses Presented to the Daughter of the Pharoh", circa 1740, provenance: Gray Collection, Fogg Museum (on Verso #123) image size: 12 7/16 x 24 7/8 inches

Lithograph on paper, the title "Nuit Blanche" ("White Night"), 17 1/4" by 12" inside the innermost of two mats (20 1/2" by 15 3/4" as framed), signed in pencil within the image at lower right by the well-known Belgian-born modern artist PIERRE ALECHINSKY (1927-), and numbered at lower left 222/300. This a modern image was published in 1969. The artist is a major figure in late 20th century art's CoBrA movement, counted as one of the founders of it in 1949...

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed...

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent condition. 11 1/2 by 19 1/4 image alone. Titled and numbered 7/25 in pencil l.l. Signed "Wendell H. Black '61 by Elaine" l.r. Plate 9 in The Lost Prints of Wendell H. Black by Henry Sayre. Provenance available.

Etching on paper, 1923, measuring 9" by 13" (15" by 18 3/4" framed---no glass), titled "La Lagune--Venise" in pencil in lower right margin, signed in pencil at lower left margin and numbered there 80 from an edition of 100, by the important artist EDGAR CHAHINE (1874-1947). The influence of Whistler's similar graphic works and drawings featuring Venice is very obvious, what with the big sky and tiny silhouettes of the buildings on the horizon far away...

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

Reproductive etcher and watercolourist; born in Walkern, Hertfordshire; studied at Bedford Park School of Art and St John's College, Richmond; a gold medalist at St Louis in 1904, his first major success; exhibited from 1895 at the Royal Academy, Grosvenor Galleries, Royal Glasgow Institute for the Fine Arts, Paris Salon, Connell and Sons, Walker Art Gallery, Liverpool and with the Society of Mezzotint Engravers; commissioned by major publishers: Henry Graves, Frost & Read and James Connell to p...

"Veltliner, Zurich". Photograph by Jost Honk. #2/50. 19 x 23". Frame Size 36 x 32".

A pair of fine lithograph prints on Arches paper, from an edition of 300 examples, signed in the plate, printed in 1966 in Paris by Andre Sauret for Mourlot Freres. The prints are from a set of twelve images that were used as illustrations in the book "Stempeniou" by Cholen Aleikhem. The major Jewish-Ukrainian artist, EMANUEL MANE-KATZ (1894-1962) began working on the project in Geneva in 1958, at which time he created the gouaches on which the prints were later based...

This is an original lithograph by the famous French artist MARC CHAGALL (1887-1985), titled "Le Clown Fleuri" (Clown with Flowers), 1963, from "Lithographes Originales de Marc Chagall", printed by Mourlot. There was a signed (1962) edition with margins, and examples sell between $6,000 and $12,000 at auction (size significantly larger). This appears to be from the unsigned 1963 edition of 2,000 examples, which were of this smaller size...