Antique garment fragment, judging from button loops, the front of a coat, 21" by 14 1/2" framed, a dragon design at center. The fragment shows his age, with a stain at bottom and overall aging of the material. Probably late 19th or early 20th century. Material is likely silk.
1930's Chinese Bronze Enamel Bracket Clock Hardwood Carved Stand
It is 13 inches (33 cm) tall by 8.6 inches (21.8 cm) wide. It weighs 8.1 lb.
It has oxidation, hairline cracks to the enamel face and hairline crack to the glass front panel. The wood box has stains, traces of residue, stains, cracks, warped and shrink wood panels, gaps, small chips, stains and discolored silk lining, and surface wears and scratches...
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors...
Leslie Pina describes this piece as "Bischoff bearded collie dog in gray and white alabastro with black and white eyes, and curled tail, 1969" in her book, "ARCHIMEDE SEGUSO, LACE & STONE", P. 178. These bottles were made to hold cherry brandy (this one is empty). Liquor bottle aside, the sculptural quality of this opalino beauty is notable! This fine vessel is 11 1/2" H, 4"W, 3" D, maintains its original Bischoff label, has a nicely polished base and is in perfect condition.
This lovely vase was made in the early 1950s by Dino Martens for Aureliano Toso. Marc Heiremans documents the model #5148 and date of 1952-53 in his book DINO MARTENS, p. 163 and 190.
Aventurine, champagne and opalino half filigree embrace the body of the vessel and ribbon details were applied to the lip and neck. The vase measures 5 1/2"H, 4 1/2"D. and is in good vintage condition.
Oversized limited edition Japanese serigraph (silkscreen) print layered with special heavy textured inks to create a dimensional effect by Yukio Katsuda (b. 1941), pencil titled "No. 99," signed Y. Katsuda, dated '76, and numbered 57/100 on the bottom margin. Paper: 17 3/8" x 12 5/8” (image: 14" x 9 1/2"). Very good overall condition. Printed on thick laid paper with full margins. The original price of 12,000 yen is on the bottom right corner of the back...
Oversized limited edition Japanese serigraph (silkscreen) print layered with special heavy textured inks to create a dimensional effect by Yukio Katsuda (b. 1941), pencil titled "No. 94," signed Y. Katsuda, dated '76, and numbered 29/100 on the bottom margin. Paper: 17 1/2" x 12 1/2” (image: just over 14" x 9 1/2"). Very good overall condition. Printed on thick laid paper with full margins. The original price of 12,000 yen is on the bottom right corner of the back...
OFUKUSAN
Humorous Japanese *Ofukusan pottery figurine with such powerful face. Showa period, 20th century. approx...
Westmoreland Glass Company made English Hobnail from 1917-40's. There are no chips or cracks in the glass. Thanks for looking.
2 are available
Hocking Glass Company made Old Colony from 1935-38. There are no chips or cracks in the glass. Thanks for looking.
5 are available
Hocking Glass Company made Old Colony from 1935-38. There are no chips or cracks in the glass. Thanks for looking.
6 are available
Jeannette Glass Company made Swirl from 1937-38. There are no chips or cracks in the glass. Thanks for looking.
5 are available
Fukagawa Japanese porcelain vase of square section with indented corners, and underglaze blue and enamel decoration of a flowering prunus tree with chrysanthemum flowers at its roots. Excellent quality painting, skilled use of gold, green, tomato red, yellow and white enamels. Marked in blue enamel on the bottom with a mountain and inscribed FUKAGAWA TSUKURU (made in Fukagawa). Height 7 1/8 inches.
Studio Japanese porcelain vase with bulbous body, wide shoulders and delicate Kakiemon palette enamel decoration of flowering chrysanthemums issuing from rocks. Great potting, underglaze blue painting of the rocks, fantastic quality painting with red, lilac, blue, yellow and 2 shades of green enamels, in excellent condition. Signed on the bottom KISEN in underglaze blue. Height 8 1/2 inches, diameter at the widest 7 1/4 inches.
1930s Japanese studio porcelain vase of modified double gourd shape with delicate Kakiemon palette enamel decoration of a flowering branch with leaves and blossoms. Great potting, fantastic quality painting with red, blue, green, yellow and black enamels, in excellent condition. Signed on the bottom AKIYAMA in red enamel. Height 7 3/8 inches.
Three(3) Japanese Door Handles, two(2) in shaped Bronzed finish on copper with same design, one(1) is oval shape in black lacquered on copper , 1930's, the condition is used good condition, shows the age.
Long obi, woman’s sash for fastening a kimono. Silk with decoration in yuzen silk painting technique and silk and gold- and silver-thread embroidery. The story of Momotaro, Peach Boy, fully illustrated. The old couple, Momotaro’s foster parents, the boat that brings Momotaro and his friends the dog, the monkey and the pheasant to the island of the demons (Onigashima), the demons surrendering the treasures they stole. Momotaro, with the banner ‘Nihonichi’ (no...
Piece #2 Fine Tibetan antique bronze figure with traces of red orange paint. The sculpture shows Vajradhara ( Manjushri), in his tantric aspect in embrace with his consort, Shakti, in a position of sexual union known as Yab-Yum literally Father-Mother in Tibetan and Maithuna in Sanscrit. Size H 4.5" d 2.5" w just under 4"