A beautiful Chinese Rosewood Etagere display stand hand carved in a faux bamboo design. Reticulated corner feet and floating floor panels. An exquisite example of art imitating nature.

Age: Early Republic Period (1912-1925)

Dimensions: 19 3/4" Wide x 30" High x 10" Deep

A vintage Japanese Ranma (transom) made of Kusunoki (Camphor) and Hinoki (Cypress) woods. Hand carved in deep relief depicting an auspicious Plum Blossom Tree with Bamboo and Irises. Celebrating the change of seasons from winter to spring, it shows many flower buds ready to bloom with a few blooming in all its beauty.

Age: Late Taisho through Early Showa Era (1926-1950).

Dimensions: 67 1/4" Wide x 16" High by 2 3/4" Deep

Tsuchiya Koitsu
Takanawa Sengakuji Temple
Date: 1930s.
Size: Chuban. Approximately 10.5 x 8.0 inches.
Publisher: Takemura Hideo. Seals on front and back.
Sealed by Koitsu at lower left.
Koitsu catalog no.: TK-TM-83
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese early 20th century earthenware teapot by SASAKI NIROKU. The wonderful teapot has a Chinese landscape design carved into the side. The teapot measures 5 1/4" wide, 4 3/4" tall and 5" deep.

Antique Japanese Hyotan made from a gourd plant for Sake. Painted with trailing flowers outlined in silver. Original red hanging rope.

Age: Edo Period (18th Century)

Condition: Very good condition, no restoration

Size: Approximately 8-1/4" high by 4" diameter at it's widest point.

A Chinese Porcelain Figurine from 19th/early 20th Century. In the shape of a man smoking a pipe. Good condition. No cracks. The head of the pipe is missing as seen in the picture 1A. On the left hand he is holding a stick which some part is missing as seen in the picture 1B. Free shipping with insurance.

A Chinese Porcelain Figurine from late Qing Dynasty or Republic. Good condition with repaired finger on the left hand as seen in the picture 1A and 1B. A small chip on the base part as seen in picture 1C. Approximate height is 32.5 cm. Free shipping with insurance.

Kawase Hasui (1883-1957)
Meguro Fudo Temple, 1931
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Black, round Watanabe 6 mm seal at lower left, indicating a lifetime edition made between 1946 and 1957.
Medium: Japanese woodblock print.
Reference: Hotei #263.
Condition: Two original drying pinholes at left margin. Top margin has a few faint, diagonal marks.

A heavily jeweled Austrian jewelry box lined in velvet; 4 3/4" by 3 1/4" by 3 1/4"

Ohara Koson
Rooster and two chicks fighting for a butterfly
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-23.
Bears Koson seal.
Publisher: Daikokuya (109)
Reference: K38.3 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

Circa 1920-30, Chinese gem quality six color banded agate of a scholar with dragon. Colors are grey, black, white, carnelian, blue and rare yellow hair. Just a fabulous and superbly worked piece. Carving measures just under 2.5" high, on stand measures 3" high.

Tsuchiya Koitsu
Shiba Zojoji Temple
Date: 1930s. First and only edition.
Size: Chuban. Approximately 11.5 x 7.75 inches.
Publisher: Takemura Hideo. Takemura seal at lower right. H. Takemura stamp on verso.
Koitsu's "kiyoshi" seal at lower left.
Koitsu catalog no.: TK-TM-71.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have residue.
This very rare print features beautifully embossed snow.

Kawase Hasui (1883-1957)
Shinagawa (Rainy Season at Ryoshimachi)
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1931.
Publisher: Watanabe Shozaburo. Round, black 6 mm seal at lower right, indicating a lifetime printing (1946-1957).
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Reference: Hotei #218.
Condition: Original drying pinhole in left margin. Slight fading.
"Shinagawa was the 1st station on the Tokaido." - Hotei.

Hiroshi Yoshida
A Little Temple Gate
Date: 1933.
Size: Oban. Approximately 15.75 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Reference: Abe #181.
Condition: Excellent color. Light foxing on back very faintly visible in sky in places...

This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work...

Ohara Koson
Willow Tit Sitting on a Vine
Date: 1910s-23.
Size: 14.125 x 7.5 inches.
Publisher: Daikokuya.
Koson signature and seal.
Reference: K29.1. in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Back lower left corner is toned.

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace...

Saito Hodo (aka Nishimura Hodo)
Street in Front of Restaurant
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist...