A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

• Origin: America, ca. 1950
• Condition: excellent, one pinpoint underneath the bottom edge
• Dimensions: 2-7/16” tall
• Weight: 51.2 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

• Origin: America, ca. 1950
• Condition: excellent, except the ounce markings on the bottom ar worn and faint
• Dimensions: 2-7/16” tall
• Weight: 55.5 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow, and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2=1/2, and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham

• Origin: America, ca. 1950
• Condition: excellent, two pinpoint dings on the bottom
• Dimensions: 2-7/16”
• Weight: 53.5 grams

Excellent addition to any glass collection! Designed by Tom Connally, this decanter stands 12 1/4 inches tall with it's mushroom cap stopper. (10 3/4 inches without) and is 2 3/4 inches in diameter. The color is a crisp, clear blue. The decanter has a heavy base so its not easily tipped. These pieces were hand blown so there are variations in the glass and structure. Rare, Made only from 1969 to 1972. Condition is excellent with no chips or cracks.

This is a sterling plate made by Tiffany which was autographed by the players in the Keaton Golf Klassic in 1974. It is signed in the silver by Art Bell, Hale Irwin, Don Fisterwald, Gene Littler, Lionel Hebert, Dale Douglas, Jim Langley, Charles Coody, and Bob (I couldn't read his last name). It is marked on the back Tiffany & Co., Makers, Sterling Silver, 23336. There are scratches to the silver, but the autographs are all readable. The plate has a diameter of 6".

Hard paste decorated Meissen porcelain cup and saucer made in Dresden, Germany in the late 19th Century. The overall decoration is of springtime floral bouquets and garlands with gold leaf decoration around the lip of the cup as well as the rim of the saucer. The fact that the gold is not worn away or chipped indicates that this cup and saucer is in near mint condition. The handle of the cup is fashioned in the form of a swans neck and beak...

Wonderfully detailed print of snowy herons huddled together in the water by Japanese artist Ohara Koson (1877-1945). This is a shin-hanga style of print, a revitalization of the traditional ukiyo-e style, which means "pictures of the floating world", popularized during the Edo period in Japan (17th-19th century). The background of the print fades beautifully from the icy grey and white toned sky into the gorgeous blues of the water...

A set of six sterling silver coffee spoons by Asprey & Co. Each spoon has a brownish-black bakelite “coffee bean”—a decorative device popular in England during the Art Deco period. Each spoon is fully hallmarked for Asprey, 1931...

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles a drip or two of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Cartier”. These watering cans were made for Cartier’s New York store.

Origin: America, ca. 1950. Condition: very good, two tiny dings barely noticeable in raking light. Size: 3” tall. Weight: 52.0 gr.

16094272 A Carder era Steuben Verre de Soie cologne bottle with a light blue jade stopper. The bottle is shown as shape 1988 in the Steuben factory line drawings and is 7 3/4 inches tall with the stopper. There is a polished pontil mark but the bottle is unsigned as was normal on most Verre de Soie items.

This porcelain figural group was produced in Germany by Hutschenreuther in the 1950s. The modeler’s name, K. Tutter, is impressed into the base. The figurine is 7 inches tall and 6 inches wide. Tutter’s work is recognizable by his attention to detail and the sweet faces he gives to his subjects. This pair of parakeets look so adorable together. The yellow parakeet is grooming the blue one. They are so life-like and actually life size. The coloring is brilliant and realistic...

This unusual transparent window murrine vase by Fratelli Toso is documented in Leslie Pinas "FRATELLI TOSO", pg.68. Titled "Tiffany Windows" because of the transperent murrines, this vessel is amazing in good light and an excellent example of the Murano Glassblowers skill. Every murrine is transparent, allowing the light to flow through nicely and reminds one of "the colors of Murano"! Measuring 5.25" tall, the vase is in excellent condition and retains the made in Murano Italy label.

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenses sprinkles a drip or two of vermouth into the glass for the perfect martini. The bottom is marked “Cartier Sterling.” These cans were made specifically for Cartier’s New York store.

Origin: America, ca. 1950. Condition: very good, a very minor ding on the bottom rim and on the spill guard at the top. Dimensions: 3” tall. Weight: 51.2 gr.

A lovely boxed set of sterling silver coffee or demitasse spoons in the “Harlequin” pattern. Each spoon features and stem and finial in a different floral form (L-R “Wild Rose”, “Goldenrod”, “Calla Lily”, “Hollyhock”, “Apple Blossom”, “Tea Rose”, “Water Lily” and “Forget-me-not”). The designs are beautifully worked. The bowls are parcel gilt. Each spoon is hallmarked...

A Sterling Silver Teapot by R. Wallace & sons, Wallingford, CT. The Floral Design has a Art Nouveau Feel. Circa 1930. Dimensions; 8" high x 10" wide, handle to lid. Weight 16.5 oz, 2.5 pints in size. Excellent condition.

This stylized conch is documented in several publications, including Leslie Pinas' ITALIAN GLASS, PG 146, valued at $800-$1000 and Helmut Ricke & Eva Schmitts' ITALIAN GLASS. This modern expression of the conch shell exemplifies that even as the Murano glass designers were being influenced by the Modernist movement, life and elements from the Venetian Lagoon continued to serve as an inspiration for artists. Measuring 6.5"w x 3.5" x 5.5"h, the Conchiglie is in good condition, unmarked.

Two small vessels by well known American studio potter Tom Turner (currently living and working in North Carolina.) These two pieces are tenmoku glazed and are hand thrown in porcelain (Tom Turner is acknowledged as an American master in this medium). Both are signed by the artist. In excellent condition.

In the mid-1930s, Venini engaged Carlo Scarpa to design innovative glass surface textures and this historical gem, "A BOLLICINE", survives in excellent condition! The base is polished and has 2 acid stamps: "venini murano" and "MADE IN ITALY", measuring 2" H, 3 3/4" W, 3 3/4"D. See CARLO SCARPA, Glass of an Architect by Mario Barovier, P. 206