The fine crackled feldspar glazing of this Hagi composition contrasts nicely with the red ferrous clay of the base and the wrought silver globe resting atop. Along the lower half can be seen a geometric windowed pattern giving this incense burner a sense of dimensionality.

Legendary potter Miwa Kyuwa (1885-1981) has been credited with reviving the Hagi tradition of pottery after the war...

Hiroshi Yoshida
No. 3 Cave Temple in Ellora
By Courtesy of Archaeological Department, Hyderabad
Indian and Southeast Asia Series
Date: 1932.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image...

Hiroshi Yoshida
Great Temple in Madura (Madurai)
Indian and Southeast Asia Series
Date: 1931.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent...

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware, which was made about 50-60 years ago. The seal of 'Ohi' is stamped on the bottom. This tea cup has an amazing amber glaze.

The original wooden box is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...

Ohara Koson (Shoson)
Three Red Carp, water plant above
Size: Yoko o-tanzaku. Approximately 15.25 x 6.75 inches.
Date: ca. 1920s-1930s. "Paris, August 1939" noted in pencil on the verso in French.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Reference: S39.3 and Watanabe W36-571 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

Original Japanese print by well known artist Mayumi Oda (1941-present), titled "Let Wisdom Arise Within Us" (Blue) , number 23/100, and signed in pencil along the bottom. Wonderful depiction of a goddess wielding a sword while riding on the back of a growling fu lion, surrounded by large bouquets of peonies, the flower petals blown around her by mystic winds.

Size: 19" W x 26" H

Kawase Hasui
Ishizue, Niigata
Size: Chuban. Approximately 10.25 x 7.25 inches.
Publisher: Watanabe Shozaburo.
Date: 1934.
This edition 1930s.
"Made in Japan" stamped on verso.
Bears the oval Hasui seal.
Reference: Hotei #352.
Medium: Japanese woodblock print.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

Kawase Hasui
Evening Shower at Imai Bridge, 1932
This is a lifetime edition printed between 1946 and 1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Bears the 6 mm seal.
Medium: Japanese woodblock print.
Condition: Excellent with a couple of scuffs at upper left corner. Uncirculated.
Provenance: The Robert O. Muller estate.

This striking chawan is a fine example of “Oni Shino” (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Ohara Koson
Monkey in a Tree
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1910-1923.
Publisher: Daikokuya
Medium: Japanese woodblock print.
Reference: K41.21 and plate 30 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
"Made in Japan" stamped on verso.
Condition: Excellent with very slight bend at lower left corner. Uncirculated.
Provenance: The Robert O. Muller estate.

Takahashi Shotei (Hiroaki)
Returning Home, Evening
Date: Pre-1936 (1920s or 1930s)
Publisher: Watanabe Shozaburo. No. 508 in 1936 Watanabe catalogue.
Medium: Japanese woodblock print.
"Made in Japan" on verso.
Size: Chuban. Approximately 10 x 7 inches.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

To see more from this collection, search "Muller" in our search box at erawoodblockprints.com.

Ito Takashi
Late Autumn at Yachi in Towadako National Park (Charcoal-Making at Lake Towada National Park)
Medium: Japanese woodblock print.
Date: 1950.
Publisher: Watanabe Shozaburo. A first edition bearing the round, black 6 mm seal in the lower right corner.
Condition: Very slight fading evident at image edge. - A rarely seen print.

Japanese framed print by Mayumi Oda (1941-present) of a crane, titled "New Year" and signed in pencil. Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more.

Size: (entire frame) 23" L x 28.5" H (print only) 15" L x 19.75" H

Kawase Hasui
Hachiman Shrine, Kamakura
Medium: Japanese woodblock print.
Size: Approximately 5.75 x 3.75 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Bears the oval Hasui seal.
"Made in Japan" stamped on verso.
Condition: Excellent with two small surface spots.
This design is not listed in the Hotei catalog.

Takahashi Shotei (Hiroaki)
Mt. Fuji from Kurasawa
Size: Approximately 10.25 x 7.25 inches.
Date: pre-1927.
Publisher: Watanabe Shozaburo. No. 184 in 1936 Bears the Shotei seal.
Watanabe catalog. C-12 in Shotei catalog.
Condition: Excellent. Paper at top back margin.

Japanese Female Isho Ningyo, mid-20th Century. Height: 18 inches (45.75 cm), including stand 20 inches (51 cm).

Judging by the tomobako, the shifuku, and the patina of the bowl, this piece was likely fired in early Showa (1926 - 1936) when Sosen was thought to be most active.

Perfectly formed and resting firmly on a well-grounded kodai (foot/ pedestal), this chawan is vivid, light in the hand, and has a calming presence. The artist, Asao Sosen (1897 - 1978), was known for making chagama furo (Japanese ornamental brazier used in tea ceremony) as well as “Unge” stoneware of various forms...

Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.

Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)