Chinese Jumu hardwood coffer cabinet. A coffer is a strong chest or box used for keeping money or valuables safe. The front of the cabinet holds two drawers with hardware for locks. The lower portion has 3 panels.

Date: 19th Century

Dimnensions: 35" tall X 35" wide X 18" deep

Kawase Hasui (1883-1957)
Springtime Evening, Ote Gate (Otemon no Haru no Yugure)
Date: 1952.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Edition: First state. Watanabe red 6mm seal lower right corner. Used 1946-1957.
Reference: Hotei #573.
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder.

Vintage Woman's Jacket from Miao Ethnic Minority of Southern China. Indigo Dye fabric, covered with intricate batik pattens. lower panel on back has rows of hand woven decorative tape... comfortable to wear or use as great wall decoration. 36 inches long x 21 inches across shoulders. Fits med size woman...field tested...

Takahashi Shotei (Hiroaki)
The Sumida Bank in the Night (aka. Sumida Dike in the Night; Boat by the snow-covered bank of the Sumida River)
Size: Approximately 14.75 x 5.75 inches.
Date: 1907. Pre-earthquake.
Shotei seal at right.
Publisher: Watanabe Shozaburo.
Reference: The first illustration in The Collected Print Works of Shotei Takahashi, a Modern Ukiyo-e Painter, p. 10.
Condition: Excellent...

A Tsuiki Jippo Cloisonne Enamel Writing Box (Suzuribako), 
Ando Company, early 1930’s .

The box is formed from heavy gauge copper, the lid decorated with tsuiki-jippo enamels in relief on a raised design of a Shinto shrine in a wooded setting, a Torii and lantern also present. The interior has been applied with a coarse cloth lacquered with both clear and red lacquer in an abstract design and contains a hardwood tray with fitted inkstone and tsuiki-jippo water-dropper...

This is a truly beautiful large pair of Japanese cloisonne vases. They stand 8 inches tall and are 8 1/2 inches across. The workmanship on these is tip-top quality. Not signed but were probably made by Ando or Gonda.Condition is excellent and the rims are silver.

Kawase Hasui (1883-1957)
Kamoson Village on Sado Island
Date: 1921.
Size: Oban. 14.25 x 9.5 inches. Trimmed margins.
Hasui signature and diamond-shaped seal at lower right.
Publisher: Watanabe Shozaburo. Black 6 mm seal at lower right.
Reference: Hotei #66.
Medium: Japanese woodblock print.
Condition: The margins have been trimmed as shown. Slight fading.
"A villager and child look at the reflection of distant sails on the lake" - Narazaki

A stunning pair of Himachal Pradesh bracelets with double Makara heads. Made of high grade silver (acid tested) with details in green and blue enamel. Finely engraved details. Inner size: 5,5 x 4 cm. Outer size 7,3 x 5,5 cm. Weight 361 gr. Very good condition. Provenance: Collection Baobab, Amsterdam, collected in situ in the 1980’s. Private collection Amsterdam.

Kawase Hasui
Katada in Ohmi
Date: 1930s.
Size: Approximately 6.25 x 4.25 inches.
Hasui oval seal at lower right.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Excellent.

Artist: This signature has been read "Choka" or "Akiyo". These prints are sometimes attributed to Nishimura Hodo.
Boat On a River at Night
Publisher: Takemura Hideo. Red Takemura seal at lower left
Size: 10.0 x 7.25 inches.
Medium: Japanese woodblock print.
Condition: Scuff at upper right. Small smudge on mountain.
- A rare print similar to Shoda Koho's Hasegawa night scene, "Country Scene with Moon".

Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant...

Takahashi Shotei (Hiroaki)(1871-1945)
Country House After Snow
Print size: Approximately 4.0 x 2.5 inches.
Publisher: Watanabe Shozaburo.
Shotei's Rakutei seal at lower left.
Date: Pre-1936.
Reference: Shotei catalog #S-47.
Medium: Japanese woodblock print tipped along its top edge to a signed holiday card.
Condition: Excellent.

Kawase Hasui
Farmhouse in Snow
Date: 1930s.
Print size: Approximately 6 x 4 inches.
A woodblock print tipped along its top edge to an original blank holiday card.
Publisher: Watanabe Shozaburo.
Hasui seal lower right.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Snowscape
Date: 1930s.
Print size: Approximately 6 x 4 inches.
A woodblock print tipped along its top edge to an original blank holiday card.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-71.
Hasui seal lower right.
Medium: Japanese woodblock print.
Condition: One small dot above Hasui seal.

Junrei's hakui (pilgrim's hanten) with many stamps of holy places in Shikoku, which is made of white hand-spun cotton. The ink letters reads "Shikoku Hachiju-hachi-ka-reisho" which means eighty eight holy places in Shikoku. It seems that the pilgrim visited all the eighty eight holy places. In good condition. The first half of the 20th century. 114cm x 87cm

Kawase Hasui
Great Pagoda, Nara
Date: 1930s. This edition early postwar.
Print size: 5.75 x 3.75 inches.
A woodblock print tipped along its top edge to an original card.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-60.
Medium: Japanese woodblock print.
Condition: Margin has a few spots.

Kawase Hasui
The Great Buddha, Kamakura (Kamakura Daibutsu)
Date: 1930.
The earlier version with the Buddha in shadow.
First edition with Watanabe B seal (used 1927-1932).
Size: Oban. Approximately 15.5 x 10.25 inches.
Reference: Hotei #204.
Condition: Removed from original folder. Excellent color.

Korean Village Life, a Beautiful Oil Painting by Won Hyeok Pak, 1966, original frame. It comes with a 1966 letter to one of his patrons, where he explains his artistic ideas. He includes a photo of this painting with the letter, and a photo of a portrait he created of the patron, and photos of some of his other paintings. A rare and gorgeous piece of mid-20th Century Korean art and history. It captures a way of life and type of dress at a time that it was at its very end...