Ohara Koson
Two carp
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-23.
Koson seal lower left.
Publisher: Daikokuya (41).
Reference: K39.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Tape has been removed from the back. Those areas as well as a crease at the right edge have been reinforced by a conservator. Slight fading.

Hagi-yaki has a tradition stretching back over 400 years and is prized for its subdued colors and classical features, especially the glazing, which is often clear and vivid. The natural ash Hagi glaze of this piece gives it a mellow yet robust feel. In addition, the split wari-kodai at the base together with the asymmetrical hand-molded shape offers the user a unique tactile experience The sides of the bowl show pale ash, ivory, and faint hints of lavender...

A rare and very finely decorated Chinese porcelain vase depicting a flowering peony shrub painted with fencai/famille rose enamels.

On the base is the iron red four character mark "Shen de tang zhi" -the "Hall for the Cultivation of Virtue" which was located in the Old Summer Palace, the Yuanmingyuan, which was destroyed by European troops in 1860. The mark was used during the Kangxi and Daoguang reigns and also during the Republic period (1912-1948) when we believe this vase was made...

Ohara Shoson (Koson)
Sparrows and Bamboo in Snow
Size: Approximately 3.75 x 2.5 inches.
Date: ca. 1930s.
Bears the Shoson seal
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: This rare print is uncatalogued.

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. These mythical effigies have deep religious and social symbolism and can be seen in countries across Asia...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze...

Antique Raku Chawan of rarest color, made by the 1st Choraku Ogawa, one of the most legendary potters of the 20th century. The Chawan is in great antique condition and comes with its originally signed and sealed wooden box. No chips or repairs. Only natural inborn kiln cracks caused during firing.

Ogawa Choraku was the founder of the Choraku lineage of Raku potters...

張大千 大威金剛艁像 設色金彩紙本立軸 款識:大威德佛 蜀郡近事男張大千敬艁。鈐印二方。大威德佛，是佛教密宗一支的菩薩造像，在張大千所作相同題材的作品中，還有密積金剛、南無密積金剛、勝樂金剛和大威德金剛等名稱。大威德佛亦俗稱的歡喜佛，男身曰佛公，女身曰佛母，由男女共修來達到較高層次的宗教理念，並非世俗穿鑿附會所認知的表相理解。大千所作不同...

Tsuchiya Koitsu
Benkei Bridge
Date: 1933. This edition early postwar.
Size: Oban. Approximately 15.5 x 10.5 inches.
Signed and sealed by the artist.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Bears the Doi watermark.
Koitsu catalog no. TK-DH-3.
Medium: Japanese woodblock print.
Condition: Tape marks in right margin. Light fading.

Stunning Japanese 2 panel silver leaf screen with stylized ink calligraphy poem and signature.

Dates from 1950's

Dimensions: length 71" x height 29"

A wonderful translucent blue celadon dish decorated with a low-relief floral motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

Mask with a curved shape showing highly stylized features. Wood, with fine glossy brown patina. Nepal, early 20th century. Height: 28.7 cm. Small and old accidents, otherwise very good condition. A rare type of Himalayan mask.

A great carving mainly found on very old ghurras, H 27 cm , wide 7 x 5 cm Presented on an iron stand More information on request

Ohara Koson
Crow on Cherry Branch
Size: O-tanzaku. Approximately 13.5 x 7.25 inches.
Date: 1900-1910s.
Reference: K5.3 and plate 47 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Signed and sealed by the artist.
Publisher: Daikokuya.
Medium: Japanese woodblock print.
Condition: Toned paper edges.
Note: This is the state and seal illustrated in the Koson catalog.

Skull mask also call 'Kiempa" mask , likely from Mompa people circa mid 20th H 23 cm More information on request

Katsushika Hokusai (1760-1849)
The Ghost of Kohada Koheiji From Hyaku Monogatari (One Hundred (Ghost) Stories)
Published by Tsuruya Kiemon ca. 1833. This edition Meiji 19th century.
Size: Chuban. Approximately 10 x 7.25 inches.
Condition: Very light creasing.
Medium: Japanese woodblock print.
This rare print depicts the murdered Kohada pulling back a mosquito net as he returns to haunt his wife and her lover.

Wood bowl (shikarinpah) with bird motif, made by Ainu craftsman in Hokkaido. All hand-carved and in excellent condition. 20th century. L:24cm W:10.5cm H:5cm

Ohara Koson
Crow on Snowy Bough
Size: Approximately 6.25 x 4.25 inches.
Date: ca. 1930s.
Unsigned as originally issued.
Publisher: Daikokuya (Matsuki Heikichi).
Reference: #48b on page 72 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Provenance: The Robert O. Muller estate.
"Made in Japan" stamped on back.
Condition: Excellent. Never displayed.