Pair of Chinese armchairs made all of beautiful honey colored hardwood, most likely huanghuali, each seat with six sides, very elegant lines with dowels for back and arms, mid 20th century. Size of each: 32 1/2" high x 27" wide x 20 1/2" deep.

An amazing wood sculpture of a standing lady looking at a mirror while fixing her hair. Sculpture was done by Owa Sakunai (1894- active 1987) originally Sakunai was a farmer in Nagano and did sculpture as a hobby. Sakunai received the opportunity to study at the Academie Julian when he was 65 years old. After his study in France, he submitted many of his works to the Nihon Bijutsu-in exhibition. The work shown may have been submitted to an exhibition during the 1960s - 1970s...

Beautiful calligraphy box made from precious Chinese zitan wood, with carved compartments for an inkstone and water dropper. Kanji markings on bottom of dropper, aged piece of wood also with kanji marks is included in this set. The inkwell still has old ink remnants. Gorgeous woodgrain with a lovely shine. Early 20th century Size: 1.5" height, 9.75" length, 6.5" width

Graffito is scratched into the white crackled glaze of this bowl by world renowned artist Kumakura Junkichi (1920-1985) enclosed in the original signed wooden box. The piece is 6 inches (15.5 cm) tall, 4-1/2 inches (11 cm) diameter and in perfect condition. See also the previously listed bowl by the same artist...

Splashes of earthen color decorate the deep sides of this large open dish by Living National Treasure Tamura Koichi enclosed in the original signed wooden box. The bowl is 15-1/2 (39 cm) diameter, 4 inches (10.5 cm) tall. The box is worn but still sturdy, and the bowl is in perfect condition. Koichi graduated from the Tokyo University of Fine arts Where he later taught), and took up an apprenticeship under (later) Living National Treasure Tomimoto Kenkichi...

Tibetan thangka, or scroll painting, of a mandala, which is a spiritual symbol in Hinduism and Buddhism representing the universe. Mandalas are very architectural in design and are based upon the form of a stupa. Mandalas are meant to be meditated upon to reach enlightenment, and are generally shown as a large circle with four gates or arches to be entered mentally...

An exquisite image of an emaciated man, the prominent bones about the eyes softly glowing pale white over the hollow cheeks. The mask is of the Yase-otoko type, and is signed on the back by the maker Iwasaki Hisahito in a carved seal above the eye. Superb craftsmanship!
Iwasaki Hisahito is a well known Mask carver currently 78 years old and still going. He was born in Oita prefecture, but moved to Nagoya then Yokohama at a youthful age...

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960...

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

This is a textile piece from Afghanistan, probably from Bamiyan province. It is a child's vest which features very intricate embroidered patterns in bright colors and in cotton floss, in cross stitch. The top is embellished with silver metallic threads and the vest is trimmed with green glass beads on the sides, center and bottom. The back is a purple cotton fabric. The lining on the inside is a blue cotton fabric with diamond motifs...

Japanese 4-panel byobu folding screen, with a shochikubai or "Three Friends of Winter" motif (plum, pine, and bamboo), the image of a pheasant seated upon a jagged rock formation, with a small singing bird on the twisting trunk of the plum tree. The image was taken directly from a commemorative stamp which is affixed to the corner of the frame.

20th century

Size: 65.6" L x 36" H

Chinese jadeite bangle bracelet, beautiful medium green jadeite with areas of very light orange color and a high luster, 14 karat gold fittings with incised details and chain, small light green jade cabochon detail on clasp, mark "14K 585". Outside size: 3" diameter Inside size: 2 1/4" diameter

Red highlights the salt glazed body of this multifaceted tsubo by Seto Hiroshi enclosed in the original signed wooden box titled Enseki-yu Tamentori Tsubo. Like stepping stones stomach scales of a snake climb in concentric arcs about the body of the base, the white covering most with red highlighting the edges. It is 8 inches (20 cm) tall, roughly the same diameter and in excellent condition...

Rope and cloth patterns are impressed creating deeply textured shadows on this free form ceramic sculpture awarded the Kyoto Governors prize, and dated on bottom Heisei 10 (1998) by Yasuda Kayo. A pale ash glaze runs in sheets and rivulets over the lined and creased surface, with the top bursting open. This piece is 15 kilograms, 16 inches (40 cm) diameter, 18 inches (45 cm) tall and in fine condition...

Gorgeous art deco Tamekichi Mitsui III signed Kutani plate. He received his artist's name Tamekichi III in 1961 from his teacher, and was soon afterward commissioned to create a plate for Edwin Reischhauer's visit in 1962...

Beautiful Chinese hardwood seal treasure box, possible Zitan or Wumu wood,with all over carved design of complex geometric motifs and dragons. Four drawers are hidden on each side with dividers inside for storing and organizing seals. Its stand is intricately carved with spirals and flowers. Dates from the 20th century. Size: 9.75" L x 9.75" W x 6" H

Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.

Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)

Latticed windows of gold shine softly through the translucent blue glaze of this shapely vase by Kutani Master Matsumoto Saichi enclosed in the original signed wooden box. The vase is 11 inches (28 cm) tall, and in excellent condition, dating circa 1985, a time of upheaval in the artist life where he established a wood fired climbing kiln in his new home village of Yoshinodani. Saichi comes from a distinguished line of potters, his Father being Sahei and grandfather Sataro. Both were prominen...