Pair of Chinese cloisonne vases with intricate designs and fine workmanship. The gold gilt vases are mirror image and each is decorated with a panel featuring a bird on a flowering branch; the opposing side having a panel with a butterfly hovering over flowers. The ornate brown background with gold wires features a floral pattern to include large chrysanthemums. In excellent condition they measure 7.5" high x 4" diameter.

Yuan Style Crackle Glazed Celadon Wine Pitcher, no damage or markings, size 8" by 6"

Vintage bronze or brass geometric floral Hookah Base or Vase, . Great as a vase or with parts a Hookah as made. Size 9" by 7"

Brown silk homongi formal kimono with dots in jacquard and with gold threads interwoven, so that the fabric sparkles when the light hits it. The upper part is undecorated, except for three crests of the Sakagami family on the back...

Japanese 20th century NEZUMI SHINO ware KASHI BACHI shallow bowl or dish. Signed by artist, KOSABURO, in back. The container has the simple design of a few bamboo leaves. The container measures 6 5/8" long by 6 1/2" wide by 2 1/8" tall.

Japanese black silk haori jacket with design of trees in printed design with hand painted details, some gold thread, inside of shoulders are lined with white silk woven with a chrysanthemum motif, Taisho/Showa Period. Size: 49" wide (cuff to cuff) x 30" high

Three(3) Chinese Cabbage Design Jar Top, or Cover for Urn or Vase, 3 3/4" diameter-outer maximum measurement, 3 1/8" diameter-inner rim( your jar opening must be larger than 3 1/8" diameter), 2" high, the condition is good.

Japanese Brown Stoneware heavy Sake Bottle, Tokkuri, with Black Splash design on one side and wooden stopper, 14 1/2" high, 2 5/8" diameter-top rim, 9" wide-widest area, few flake chips on top rim.

Abstract floral patterns combine with medallion motifs in shades of dark red and pink in this kameez from the Hazara district, North West Frontier Province (recently re-named Khyber Pakhtunkhwa). Silk floss on cotton (a handwoven coarse cloth called khaddar), the embroidery is in the characteristic phulkari stitch which resembles a satin stitch but only on the front side. Each cuff has an embroidered band in brick stitch...

This lovely cushion cover from Swat Valley is densely embroidered in mustard and salmon floss-silk thread in darning stitch on a black cotton ground. The motifs are typical of the embroidery of Swat and Hazara regions of Pakistan, geometric and curvilinear motifs outlined in yellow running stitch. The textile is in excellent condition and features a slit on the back for a pillow insert. It measures 38 x 38 cm. Estimated age: mid to late 20th century.

An old white jade carving of a mystical dragon

MONKEY PARENT AND CHILD

Minimal ceramic figure of monkey parent and child in such beautiful silhouette, Showa period, 20th century, Japan, approx...

A Lot of Two Zisha Teapots with Seal Marks of Gu Jingzhou & Chen Mingyuan Dimensions: Height: 1. Teapot by Gu Jingzhou: 1.5 3/4 inches (14.6 cm) Length: 3 1/2 inches (8.9 cm) 2. Teapot by Chen Mingyuan: Height: 3 3/4 inches (9.53 cm) Length: 6 inches (15.24 cm) Artist or Maker: Gu Jingzhou & Chen Mingyuan Marks Medium: Zisha Condition Report: Good Condition Provenance: Property of a Canadian Family Collection

A pair of deeply carved Chinese cinnabar lacquer trays, with flower petal edges, the surfaces carved with foliate imagery such as peaches, pomegranates, citron, persimmon, and berries. Similar pieces can be seen from the 15th/16th century. Most likely this pair dates from the early 20th century.

Size: 15" x 15"

This lady's shawl from the Hazara region in Pakistan measures 105 x 224 cm including the fringes. The geometric patterns are hand-embroidered in straight stitching in vivid pink floss-silk with touches of light pink, outlined in yellow double running stitch on a black wool ground. The shawl is dated to the late 20th century and is in perfect condition.

Depicting delicate motifs in somber, predominantly blue-black combined with discrete touches of rusty red, this textile from the Savu Islands of eastern Indonesia is called a selindang. The shawls are worn by women over their shoulders, to complete their sarong attire. This textile is estimated to date to the late 20th century and is constructed by warp ikat, warp-faced, with fringes. It measures 71 x 191 cm and is in perfect condition. The dye is a natural indigo.

A woman's dress panel from Baluchistan, densely embroidered in Holbein stitch, blanket stitch, chain stitch, and satin stitch in silk, cotton and metal thread. Most Baluchi women labor for years embroidering fine works of art for their daughters’ dowries. Small girls begin to learn basic stitches and patterns at about the age of six or seven years...

A hand-embroidered Pashtun nomad purse from Katawaz (Ghazni province) with blue glass beads. Blue beads are considered amulets against the evil eye. Pashtun women, whether settled or nomadic, love rich and beautiful embroideries that shine. Women embroider - for themselves, on their festive costumes and headgear - and for their children and their husbands...