Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This piece is easily attributed to Fujita as he is well-known for using trees as a focal point. He combines scenic imagery with abstract geometric figures, using bold color combinations...

Peerless Mount Fuji
Unsigned. Artist not identified.
Date: 1934.
Size: Oban. Approximately 13.75 x 10 inches.
Origin: Issued as a folded insert to an N.Y.K. Line publication called, "Glimpses of the East". The folds are vertical.
Medium: Japanese woodblock print.
Condition: A faint foxing spot at the upper left.
The composition of this print is reminiscent of the Fuji views of Tsuchiya Koitsu.

An early 20th Century Zisha ("purple clay") teapot with famille rose enamelled decoration depicting the "Three Friends of Winter" - prunus (plumb) blossom, pine tree and bamboo - and also a single bat. This item was made in Yixing, Zhejiang province, China during the Republic period (1911-1949). The maker's or shop seal mark inside the cover reads "Rong Ji"; the elaborate seal mark on the base reads "Fu Kang Ying Kou". Ying Kou is a town in Liao Ning province, north east China...

Paul Jacoulet (1896-1960)
Nuit de Neige, Coree (Snowy Night, Korea)
Date: 1940s~1950s.
Size: 6.0 x 4.25 inches.
Publisher: Self-published, from a series of surimono.
Seal: Boat
Medium: Japanese woodblock print tipped along its top edge to original blank card.
Condition: Excellent...

Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This is an abstract piece he created early in his career with a goldenrod yellow and grey background and bold, black criss-crossing lines with solid black circles, capturing motion and fluidity. It is set in a black and gold frame...

Guangdong, mid 20th century. H. 34 and 31,5 cm. Custom made stands included.

Ohara Koson
Small Bird on a Morning Glory
Size: Approximately 16.9 x 12 cm. 6.5 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at lower left.
Publisher: Matsumoto (no. 438).
AK.24 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A couple of spots the lower sky.
An early and rarely seen design.

Kawase Hasui
Torii at Miyajima in Snow (Ryobu-torii of Itsukushima Shrine in Inland Sea)
Size: Koban. Approximately 7.5 x 5.125 inches.
Date: 1936. From "Shinto and its Architecture."
Publisher: Watanabe Shozaburo.
Hasui seal lower left.
Medium: Japanese woodblock print.
Reference: Hotei Hb-s9
Condition: Foxing in sky at right. Pencil note on back.

Made of hardwood. Early 20th century. Laos is famous for its ‘tribal’ Buddhas. They were made by village carvers and donated in large quantities to the temples. H. 55 cm. Condition: remains of polychromy, age wear, cracks.

A vintage Japanese Okidoko (Tokonoma alcove chest) made of a dense grain Akita Sugi (Cryptomeria) wood. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays...

A lovely Shino tea bowl fashioned from coarse Mino clay and covered in a crackled feldspar glazing. The front and sides of the bowl are decorated with paintings of abstract foliage resembling Iris leaves and the base of the bowl is unglazed, displaying rough clay...

Toshi Yoshida (1911-1995)
Sacred Grove (Kami no Mori)
Size: Chuban. Approximately 10.5 x 7.75 inches.
Date: 1941.
Artist's jikoku (self-carved) seal upper left margin.
Later edition (ca. 1970s-1980s) with impressed pencil signature.
Medium: Japanese woodblock print.
Condition. Excellent.

Kawase Hasui
The Great Buddha, Kamakura (Kamakura Daibutsu)
Date: 1930.
Pre-war edition.
Size: Oban. Margins trimmed. Approximately 14.375 x 9.5 inches.
Reference: Hotei #204a.
Medium: Japanese woodblock print.
Condition: Margins trimmed. Fading.

High Bridge at Night Artist: Not signed.
There is a similar Hasegawa Night Scene by Eijiro as well as a painting by James Whistler.
Size: 14.5 x 6.5 inches.
Date: 1910s-20s.
Publisher: Likely Hasegawa.
Medium: Japanese woodblock print on thick paper.
Condition: Excellent with light spotting on back. Note: Lovely visible woodgrain.

A young woman dressed in a white robe with red hakama pants is holding a folding fan and is posed to do a dance. This dress is often known as Shirabyoshi where these were sacred dances offered to the gods. The shirabyoshi figure evokes the Heian and Kamakura aesthetic and the legends contemporary to the era that portray the Shirabyoshi. Work is signed and sealed by an artist named Nanko. Age: Early 20th century. Size: height 74.25" width 22.5

Takahashi Shotei (Hiroaki)
Returning Home, Evening
Date: Pre-1936 (1920s or 1930s)
Publisher: Watanabe Shozaburo. No. 508 in 1936 Watanabe catalogue.
Medium: Japanese woodblock print.
"Made in Japan" on verso.
Size: Chuban. Approximately 10 x 7 inches.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

To see more from this collection, search "Muller" in our search box at erawoodblockprints.com.

Kawase Hasui
Mt. Fuji from Tago
Date: 1930s.
Image Size: 6.125 x 4.5 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-12.
Hasui seal at lower right.
"Made in Japan" stamped on verso.
Condition: Excellent condition.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...