A George Erickson Sterling Silver Claret or Ice Tea Spoon. Erickson was an Arts and Crafts silversmith who worked for Arthur Stone from 1915-1932 and then went out on his own. His grandson still operates the business in Gardner, MA, making handmade silver. Dimensions; 12.5" long; bowl 3" x 1.75". Weight 3.2 Troy ounces. Marked "Erickson Sterling Handwrought". Excellent condition and no monograms.

Takahashi Shotei
Red temple in rain; priest over the steps
Date: ca. 1920s-30s.
Size: Approximately 6 x 4 inches.
Woodblock print is attached along its top edge to 7.75 x 5.25 inch original card.
Shotei artist's seal at lower left.
"Made in Japan" stamped on verso of print.
Reference: S-7 in Shotei catalog.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Excellent.

A French Art Deco cocktail pick set in the unusual form of a large snail accompanied by a pair of baby snails. The snail is usually alone or perhaps with just one smaller one. They are worked in chrome and are set on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who had a side jpb designing entertaining barware. The twelve picks have unusual green bakelite finials...

Kawase Hasui
Senjogahara, Nikko (Senjo Plain Nikko)
Date: 1937. First edition
Publisher: Watanabe Shozaburo. Watanabe F seal (used 1934-41) at right margin.
Size: Oban. 16 x 11 inches.
Signed and sealed by the artist.
Reference: Hotei #410.
Medium: Japanese woodblock print.
Condition: Excellent. Pencil note at bottom back margin "artist - Hasui".

Elegant Art Deco sterling silver and jeweled cigarette case made by Georg Jensen, Copenhagen, 1925-1932 comprising a rectangular shape, the cover set with a row of five sparkling diamonds and a cabochon sapphire, a cabachon sapphire clasp, gilt interior hallmarked with Jensen crown, 900, 3 1/2" x 2 1/4", 3.41 oz. Condition is excellent, minor surface scratches.

Se-ate (kind of vest only for back) hand-woven of mawata (floss silk) and vegetable indigo dyed. It is very light and warm so that was worn under kimono in cold weather or in cold region. In excellent condition. Late 19th to mid 20th century. 32cm x 54cm

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

Kashigata (wooden sweet mold) with a dynamic image of a minogame (mino = "straw rain cape," kame/game = "turtle/tortoise.") Early 20th C., Japan. L.13"(33cm) x W.5"(12.5cm) x H.1.125"(2.75cm,) 1 piece paddle type mold. Some minor insect damage to back of mold (see enlargements 4 & 5.) The tortoise is a symbol of long life in Japan, and in Asia in general...

Kawase Hasui
Deer Strolling Along Kasuga Shrine, Nara
From the series, Shinto and Its Architecture.
Date: 1936.
Size: Koban. Approximately 7.5 x 5.25 inches.
Provenance: The Robert O. Muller estate.
Publisher: Watanabe Shozaburo.
"Made in Japan" stamped on verso
Medium: Japanese woodblock print.
Reference: Hotei #Hb-s7
Condition: Excellent.

Kashigata (wooden sweet mold,) Hi No De Tsuru (Rising Sun Crane) motif. Japan, early 20th C. L.7.0"(18cm) x W.3.75"(9.5cm) x H.1.625"(4cm). The Crane symbolizes long life, as does the Tortoise, in many Asian cultures. In Japan, it was a popular traditional motif for celebratory events such as weddings, New Year's, and birth. This particular example shows the rising sun, a symbol of Japan, behind the crane...

This is a beautiful cloisonne vase. It is not signed but it appears to be a vintage Hayashi Kodenji piece. The colors are brilliant and the enamel has a high gloss. Besides the top and bottom scroll work there are 7 butterflies that adorn this vase. This stout vase stands 7 1/4 inches tall and is 6 inches wide. The rims are silver and condition is excellent.

Tsuchiya Koitsu
A Long Spell of Rain
Date: 1930s.
Size: Chuban. Approximately 10 x 7.25 inches.
Publisher: Takemura Hideo.
Reference: Koitsu catalog no. TK-TM-060.
Medium: Japanese woodblock print.
Condition: Excellent color. A couple of scuffs and a very light crease near top.

Kashigata (wooden sweet mold,) Noshi Kombu (kelp wrapper) motif; Japan, early 20th C. L.8.5"(21cm) x W.3.625"(9.25cm) x H. .75"(2.25cm.) Condition Note: Only bottom piece of mold. No top cover. The symbol of the kelp wrapper is used for all celebratory occasions. This is the traditional wrapping (now string or ribbon) for offering and gift envelopes. Sweet molds, “kashigata,” have been a part of confectionary culture around the world...

Red coral branch necklace in natural long Italian Mediterranean with sterling silver round and oval beads in the Southwestern style. Fabulous hand made natural long branch red coral necklace, it is strung on a metal wire with a hook and eye clasp. The coral size starts at a 1/4" and gradually increases up to 1-1/2" long. The total length from end to end is 24". It is the natural Italian red coral from the Mediterranean, it has not been enhanced with dye

Two types of masks: At First Mesa, a white case mask with beak, owl wings in place of ears. At Second and Third Mesas. a case mask covered with rabbit fur, "horns" of jackrabbit tails, beak. Fox skin ruff. Kilt, sash, fox skin, buckskin over back. White body paint. Carries a bow and a yucca whip. Appears in Mixed Kachina Dance, or in an ordinary kachina dance where he spies on the clowns...

Hiroshi Yoshida
In a Temple Yard
Date: 1935.
Size: Oban. Approximately 16.00 x 10.625 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Reference: Abe #197.
Medium: Japanese woodblock print.
Condition: Excellent color. A few surface marks at upper right. On the back, a conservator has removed adhered paper at the top and bottom right.

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.7"(17.75cm) x W.3.5"(8.7510cm) x H.1.375"(4.5cm.) The chrysanthemum is a symbol of late fall and also used for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

A vintage Japanese book box called Honbako made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. 2 Hinged doors open to a storage space with a removable shelf. Below are 3 drawers where personal effects were stored. Original hardware including the Warabite handles. Constructed using straight dovetail joinery and wood dowels to hide the nail connections.

Age: 1930's Showa Era

Dimensions: 18" Wide by 25 5/8d" High by 11 3/4" Deep