Superb sterling silver tongs in the "Kings" pattern. These are of the finest workmanship, exhibiting crisp detail on a very heavy blank. Fully hallmarked for London, 1842, with the Victoria head duty mark. The maker's mark is "WE" in conjoined circles.

Origin: London, England, 1842. Condition: virtually mint, period monogram "JJ". Size: 6".

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring two beauties from Act 5 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the bottom of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the bottom left corner...

A large, Rubina, overshot, Bohemian glass jug, made likely by Harrach, around 1880. The jug is 10 inches (25,5 cm) tall and 6 1/2 inches (16,5 cm) wide (to handle-tip). Except for a small rim-chip, the jug is in good condition. Unpolished, recessed pontil. Unmarked - attributed to Harrach. The glass fluoresces in a gentle green coloration when subjected to black-light - typicall of 19th century soda-lime glass objects.

Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon...

Shirohato Hachiman Shrine from the series ‘Scenes of Famous Places along the Tôkaidô Road’ Tôkaidô meisho fûkei, also known as the Processional Tôkaidô, Gyôretsu Tôkaidô, here called Tôkaidô meisho no uchi. Published by Seibundô Masakichi. 1863 (Bunkyû 3), 5th month.

Ichieisai Yoshitsuya 1822 ~ 1866. was a pupil of Kuniyoshi.

Approximately 36 cm x 25cm. A few sewing holes in left margin. A good impression with fine fresh colour and in very good condition...

This a rather rare subject Netsuke made during the 19th century, in Japan, that depicts a rat that is gnawing at a large radish, on top of a straw rice scoop. The rat and radish are made from Sentokudo, a bronze alloy, that has acquired a dark patina with the passage of time. The ring at the bottom of the rice scoop serves as himotoshi. Unsigned. Netsuke measures 1.46 inches (3.7cm) wide, 1.68 inches (4.2cm) long, and 0.25 inches (6mm) thick. It is in excellent preserved condition.

Woodblock print done by the artist Okiie Hashimoto. Charming image of a young woman sitting among a field of lily flowers. Done in muted colors, beautiful condition. Dimensions: 27'' Wide X 21 3/4'' High, framed

This C1870 Victorian necklace features 9K hand crafted solid gold beads strung on a gold chain. It is the perfect piece for layering with an antique chain, or layering with another beaded chain as shown in our photos. (Other beaded chain seen in photo is also available on 1St dibs as a 18K gold bead necklace). The necklace is 16 inches long and weighs 24 grams.

Antique Japanese gold lacquer inro with 4 compartments. Decorated with a scene depicting a cottage high in the mountains. On one side, a small stream meanders by a thatched roof building with doors opening to a garden surrounded by a low fence and opened by a tall gate. A large, blossoming plum tree stretches it's branches dramatically over the roof and a mist floats over the top of the scene. The other side of the inro depicts a churning river with ragged outcroppings of rock...

Two Kabuki actors in a rather intense moment, issued ca. 1860

Published by Ise-ya Kanekichi, very good impression and color, light rubbing and slight wrinkling to edges, upper corners with small reinforcements, not backed.

Oban tate-e: 9 ¾ x 14 1/8 in.

Antique ukiyo-e woodblock print of a woman in a blue checkered kimono, standing with her back to her front doors and a beautiful mountainous scene behind her. By artist Kunisada, signed under his assumed name Toyokuni II. Set behind glass in a large frame. Back of frame states "censor's seal between 1859 and 1874". Size: (entire frame) 22" height, 17" width (artwork only) 14.25" height, 9.5" width

19th century finely hand-carved Japanese boxwood netsuke of a muscular blind masseur or Totsuka Beggar crouching and trying to lift his hugely distended scrotum. He is wearing only a fundoshi. Excellent detail and patination; he grimaces as he attempts to lift the large stone. His left eye and teeth are inlaid with light and dark horn. Very nice uneven himotoshi. Signed Hakudosai on a rectangular reserve on the bottom of the netsuke...

Artist: Utagawa Kuniyoshi (1797-1861). Subject: Yakusha-e (kabuki actor print), Iwai Tojaku (1776-1847) as Osode. Signature: ichiyuusai Kuniyoshi-ga. Publisher: Joushuu-ya Kinzou. Date: ca...

Woodblock print by Japanese ukiyo-e artist Utagawe Hiroshige (1797-1858). The streets are bustling with activity as we see a gentleman who wears a top hat being pulled along in a handcart, a woman in a kimono shading herself with a parasol, and other characters. There are sakura trees blossoming around a flagpole, a communal well, and a beautiful view of the sun rising beyond Mt. Fuji in the distance. Size: (print only) 6" height, 8.5" length (with frame) 9.25" height, 11.75" length

Lava cameo brooch of Demeter (known to the Romans as Ceres) with a crown of wheat sheaves in her hair. The gold openwork bezel is of 12K and is pointed around the frame, a nice detail, and rather unusual, on the gold work. The brooch was possibly a souvenir from Italy acquired by a traveler on the European Grand Tour...

A charming ivory shishi dog netsuke. Signed by artist and in excellent condition, it dates circa 1880-1900. Measures 1 3/4 inches long by 1 1/2 inches high.

19th century Asakusa school staghorn netsuke in manju shape with openwork carving of a winged water dragon in flight among clouds. Superb design and excellent quality sharp carving, beautiful warm patina, darker porous areas as is usual with staghorn. Loss to the part of the inner ring (not visible when manju is put together, photo #5, lower right image) not affecting integrity of the piece. Diameter 1.6 inches.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring a beauty serving tea to another beauty who is resting in a palanquin smoking a pipe from Act 6 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the lower left portion of the print...

Height: 3.4 cm (1.3 in)
Width: 4.2 cm (1.6 in)
Depth: 3 cm (1.2 in)

Japanese wooden netsuke of Daruma; very minor wear; good condition

Beautiful Meiji Period C.1890 maki-e raised gold lacquer Tachibana citrus tree with silver inlay cherry blossoms floating around the Tachibana tree. Some of the Tachibana citrus fruit also have silver inlay. Lacquer on rest of mirror case is Nashiji or speckled gold lacquer. The pad the mirror rests on is hand dyed sarasa with natural vegitable dyes from India. On the back of the miror is " Made by Takashima Sagaminokami Mitsutada". 12" tall by 8" wide. Ask for shipping quote.

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

Large Victorian sterling silver meat serving fork, the tines with matte gilding and bright-cut engraving. The reverse is marked "925 Sterling 1000". Nice weight. Unknown American maker.

Origin: American, circa 1890. Condition: excellent; no monogram. Size: 8-1/8" long.

19th century Japanese small lacquered wood netsuke representing an unusual theatrical mask of O-Beshimi which was used in folk plays by an important figure with “negative” character. Crisp detailing, nicely lacquered, great patina. some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.14 inches.

A sentimental Bohemian souvenir or memento flashed red glass mug, with a nicely curved handle. Etched with flowers and the saying "To My Son." In superb condition, standing 4 1/8 inches tall, with a diameter of 2 3/8 inches.

This glass is a companion piece to g1217, identical except for the floral arrangement on top of the cartouche surrounding the saying.

A Leaf from the album “Keinen Kacho Gafu” issued 1892

Published by Unsodo Co., title and printer’s name on left margin, very good impression and color, margins somewhat trimmed, light soiling, slight creasing in margins and wear to two corners, dated in Arabic numerals for export

Overall size: 9 ½ x 14 ½ in.

Antique Japanese woodblock triptych print of a large samurai battle scene by the artist, Yoshitora Utagawa. Active during the late 19th century, Yoshitora Utagawa was best known for his dynamic battle scenes as well as prints of samurai, firemen, kabuki actors, beautiful women and foreigners...

The right-hand sheet from the Yokohama-e triptych by Utagawa Hiroshige III (1843–1894) titled Yokohama Kagandori no fûkei, ‘Foreign Ships at the Seafront in Yokohama’. Signed Oju Hiroshige hitsu. Published 5th month, 1870.

He was a pupil of Andō Hiroshige.

A striking and decorative depiction of an European trading ship, ‘Black ship’,

Approximately 34.5cm x 23cm. Laid onto thick paper. A few stitching holes on right edge. Small damaged area on top...

19th century wooden netsuke carved as double theatrical masks of Okina and Okame. Nice pairing of characters, excellent quality carving, wonderful faces, great detailing, beautiful wear and rich lustrous patina. Height 1.5 inches.

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Toyokuni 111 print, please contact for details

Japanese antique wood block print of the sumo wrestler, Tsuneyama Gorojin wearing keshō-mawashi (ceremonial apron-style belt). Gorojin was in the Makuuchi league since 1843. Name used from 1842-1856. He retired in 1859. Print by Kuniyoshi Utagawa and dated 1852 (year of the Rat) or 1853 (year of the Ox). Framed print.

Age: Edo Period

Dimensions: 20" high x 15" wide (framed). Image: 14 1/4" high x 9 3/8" wide

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition. NOTE 1: Otobide is a deity of extraordinary spiritual power, bringing blessin...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Iwai Hanshirô VII in the role of Koman from the series "Actors at the Fifty-three Stations of the Tokaido." This image is Station 48: "Seki" published by Sumiyoshiya Masagoro in 1852/3. Very good color and impression quality, with fine delineation of the hair not apparent in the images. The date and censor's seals, carver's seal, and signature of "Toyokuni ga" (in a red cartouche with yellow snow) ...

Yoshikazu print, please contact for details

Fantastic Whitby jet earrings in the form of concentric circles, a classic geometric shape that we love. The material is made of Whitby Jet, a form of fossilized coal that came from the coal mines of Whitby England in the 18th and 19th centuries. Jet was especially popular during Victorian times because it was acceptable as a form of mourning jewelry. Jet is particularly appealing as a material for crafting jewelry because the material is lightweight and can be carved and polished to a beautiful...

Nice sterling silver sugar spoon in Whiting's classic 1880 "Bead" pattern. Whiting's designs are valued because of the small details such as the scalloped edges of the bowl. The reverse is marked with Whiting's old hallmark.

Origin: America, circa 1880s. Condition: excellent, no monogram.