Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina with wear; age lines on the base; good condition

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina and age wear; good condition

19th century long wooden netsuke of nyoi - a Buddhist scepter carved as a length of a reishi fungus with three fungus heads. Did not photograph well. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge, and reishi fungus represents the fabled Fungus of Immortality. Carved out of dense beautiful brown rosewood, elegant design in Japanese taste, great depiction of fungus texture, wonderful patina and excellent sheen to the surface from being handled...

A 19th Century Japanese six panel screen of Nara preparing for the Matsuri Wakakusa Yamigaki festival. This elegant bird's eye view of the city of Nara in the Edo period depicts a scree of village life in preparation for the traditional rice festival. Dancing and drinking are on display and the excitement fills the air with anticipation. The Nara temple is the major sponsor of the activities. The temple is open to patronage and veneration. This festival celebrates the rice harvest for the city...

Early 18th C Edo period Japanese byobu painted screen of scholars in retreat. It is composed of 2 panels. The screen has a predominate gold leaf ground on gofun paper. Paint composition is a mineral rimpa paint. The subject matter is a belief of mythology made real. Shu-ton (a scholar's attendant) found a longevity turtle that is believed to be 1000 years old. This turtle is also known to be a messenger to the gods. The expression on the master's face reflects wonderment...

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds...

A mid-century 18th C Japanese Tosa school six panel byobu painted screen. Rimpa paint of gofun paper with gold leafed clouds dividing each of the scenes. The screen begins by exposing us to the art of seduction by listening to poetry. The proper approach to a desired lady was through poems written on scented paper of the finest quality by an elegantly dressed go-between of appropriate social ranking...

This is a pale celadon and russet jade plaque, dating to the Qing dynasty. The piece is entirely worked by hand, with no indication of modern/machine carving (or re-carving). It measures 2-1/2 inches in length and has been perforated lengthwise to permit it to be strung with a cord and worn. The reverse side has been carved with a series of symbols. Please see the photos, as they are part of the description. Custom stand included.

A medium sized Japanese Oribe dish with a rich, brilliant green glaze and plum blossom brush painting. The crackle in the glaze adds to the design and the edging is painted. The bottom is unglazed and has 4 indented strips. Invented in Japan in 1605, Oribe ware introduced vivid pattern and color to a ceramics tradition that had previously favored somber, monochrome designs.

Dimensions: 9.5" diameter

Date: circa 18th C

Opaline or overlay peach-coloured and white satin glass perfume bottle, France around 1890. Floral decoration in enamels and raised gilt with applied clear glass swirls. Bottle and stopper marked 35. Height "8 1/3 / 21 cm. Condition: fine.

An urn-shaped perfume bottle, French around 1890. Blue opaline glass with satinized surface, floral decoration in enamels and raised gilt. Bottle and stopper marked 41. Height "9/ 23 cm. Condition: fine.

19th century netsuke carved as a group of four seals - two of simple square section, one in a shape of a natural lotus bud stem (its stem serving as himotoshi), and one with shishi and ball finial. Elegant design in Japanese taste, bottoms are carved with raised and sunken characters in seal script and stained to resemble real seals - one of them could be a signature of the carver. Possibly made for a silk merchant - the seals resemble actual chops used for stamping silks...

A gilt bronze figure of Heruka with fierce rolling tongue expression, holding a chopper and skull cup. The deity stands in a warrior's pose with right knee up and pivoting. The flowing drapery suggests movement and dance rituals. The figure is mounted on a bronze base.

Heruka is the name of a category of wrathful deities in Vajrayana Buddhism. These enlightened beings adopt a fierce countenance to benefit sentient beings. In East Asia, they are called Wisdom Kings...

A fine transfer printed dark blue and white Staffordshire plate in the "Birds and Fruit" pattern. Attributed to John Hall & Sons, Burslem, England.

The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage.

The color of this platter is a deep, clear blue, with no blurriness, and with the desired ripple glaze...

Chinese yixing zisha teapot. Good conditions. 11 cm wide, 6,5 cm high.

Ko-sometsuke porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). A small Japanese porcelain plate glazed with 3 images of a person on an island, a row boat and mountain.

Dimensions: diameter 6" X 1.5"

Date: 17th C

Late 18th to early 19th century Kyoto school netsuke of a dog wearing a collar with its head turned back while resting the front of its body on a ball. Strong piece, superb carving to the last detail, fantastic hairwork, beautiful flow to its tail and bumpy spine, large eyes inlaid with dark horn. Wonderful wear and patina consistent with age, great classic netsuke. Height 1 13/16 inches.

19th century netsuke carved as Amida Buddha sitting with his hands in jo-in mudra - hand gesture signifying concentration. Amida (Amitabha) - "The Buddha of Immeasurable Light and Life” - is the principal buddha in Pure Land Buddhism. Excellent carving of his facial expression of quiet meditation, beautiful rhythm to the flow of the folds of his robe, remnants of gold lacquer on his hair. Wonderful staining and patina, very pleasant to hold. Height 1 9/16 inches.