Japanese antique 15 ken (plates) jingasa hat for a ashigaru foot soldier. Made of iron with large rivets and edged with oxidized silver. Comes with a custom metal stand. The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.

Age: Edo Period (1603-1867)

Dimensions: 23" high (including stand) x 15 1/4" wide

A beautiful and rare Antique Régence coffee service, complete with silver coffee pot measuring about 12” in height, a creamer measuring 7” in height,and a sugar bowl, measuring 7” in height. The set with delicate repoussé work, shell design feet, acorn finials, and a dragon spout. The handles on the coffee pot and the creamer in ebony wood.

Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age...

Rich green glaze covers this elongated delicate undulating bottle from the Kosugi-yaki tradition of the Kaga region near modern day Kanazawa city. This bottle is roughly 20 cm (8 inches) tall and in excellent condition.
Kosugi ware is a type of pottery that was produced in Kosugi Town over four generations for about 80 years, from around the early Bunka era (1810-1820) to the Meiji 20s (around 1890)...

Shabti for Iset Ta - Hemdjert (1)

Faience Ushabti “Iset Ta-Hemdjert” the Great Royal Wife of Pharaoh Ramses III.

Death figure with uraeus and youthful curls, as well as with remains of the eight-line surrounding inscription.

Queen “Iset Ta-Hemdjert” had at least two children, Ramses the successor to his father, and Amunherchepeschef (Ramses VI), who became king after the death of his brother and nephew (Ramses V...

Large Victorian Classical sterling silver tray. Made by Dominick & Haff in New York in 1890. Rectangular with curved corners. Fluted sides and gadrooned rim. Stylistically restrained with nice heft. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), and no. 772S. Very good condition.

Dimensions: H 1 1/8 x W 24 x D 18 in. Weight: 145 troy ounces. #BZ212

Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Conical mouth and neck, and bellied bowl. Overlay in form of dense leafing scrollwork and flowers; asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R387. Very good condition.

Dimensions: H 8 x D 4 in. #BZ165

Pair of English Neoclassical sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1916. Each: Tapering column on dome flowing into stepped and concave base. Tapering socket with detachable bobeche. Ribboned swags. Fine fluting that shimmers in candlelight. Fully marked including maker's stamp, pattern no. 19187 (first produced in 1916), director’s letter m, and phrase “Reproduction Original by John Parsons & Co. Sheffield 1784”...

Late Meiji (1890s - 1910s) Japanese ivory chashaku (tea scoop used for powdered tea during tea ceremony) of elegant slender shape. Comes in original chazutsu (inscribed bamboo case). Delicately carved, in great condition, beautiful patina, very pleasant to the touch. Chashaku length 7.25 inches, case length 9.25 inches.

Very tall bottle with elongated foot, tapering body, long thin neck, and bulging rim.
Ceramic
Greek, Hellenistic Period, 4th-2nd century BC
H. 25 cm (9.8 in)
Broken neck reconstituted. Some wear and accretions on the body.
Swiss private collection. Acquired in the German art market, June 2008.

The authenticity of the object is unconditionally guaranteed.

Tall bottle with flat base, piriform body, and long cylindrical neck ending in a flared rim.
Unguentaria are small ceramic or glass bottles frequently found in burial contexts. Their most common use was probably as a container for oil. The unguentarium is sometimes referred to as lacrimarium (tear-container) or balsamarium (balsam-container). All three terms reflect different assumptions about their use.
Ceramic
Greek, Hellenistic Period, 4th-2nd century BC
H...

A very large and impressive Neolithic period stamp seal, provenanced to Amüg-Ebene near Antioch in Western Mesopotamia / Eastern Anatolia, c. 6th. millenium BC of even earlier.

Rectangular seal of grey stone with a long ridged pierced handle and a grit pattern in the base.

Size: 40 mm. long and 23 mm. wide, c. 12 mm. tall.

Condition: Near VF, one corner chipped, lightly affecting the imprint...

Good black glazed with large swathes of russet jug circa Ming Dynasty bottle with two lugs. There are a few chips on the lower edge of mouth. This kind of ware was the “coke bottle” of their day, common place household/kitchen items, almost every home would have a few. No reason (after a good cleaning and sanitation) you couldn’t reuse for your favorite poteen, bai jiu or single malt. H: 21cm/8.2in and D: 14.5cm/5.8in.

Lovely traditional red silk satin child’s jacket with floral sprigs, circa first half 20th century, maybe even earlier. Excellent condition, except for the trim all hand embroidered and hand sewn. Old commercial trade cloth cotton lining. Would look good as a wall hanging. Width straight across shoulder 63cm/24.8in and H: 37cm/14.5in. Free shipping

Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in

This extremely rare Inca carved Llama bone blood cup depicts a battle scene. One figure is holding a copper tumi knife and the other is holding a knife. It is 3 1/4" tall and 1 5/8" wide. It is in very nice condition. Excellent age on surface. Both dressed in full battle regalia locked in mortal hand-to-hand combat. Patina is beautiful...

A carved wood figure of a wandering priest, robes billowing in the wind, his large straw hat full of holes, signed Yasuchika on the back. Dating from the late Edo to Meiji period, it is by a member of the Tsuchiya Yasuchika lineage. The figure is 31 cm (12 inches) tall and in excellent condition, complete with walking stick.

Lace collar, probably linen. Was offered for sale in 1908 in London by the Windsor auction house, appraised by a certain Mr Knox as being a rose point lace, Venetian work from middle 17th century or a later French copy from the period of the reign of Louis XIV. The lace is kept in a wall display frame, it is placed on a Chinese silk background with secret embroidery, visible only in raking light. On the back of the frame is stuck the original of the expertise. I made a more readable copy. Good ...