Very nice dovetailed wooden writing box or work box, the hinged lid decorated with a handpainted grapevine motif against a mustard painted background. The interior of the box has four fitted compartments along the back side. The bottom and top are attached to the dovetailed sides with old square nails. The inside of the lid is inscribed illegibly in pencil "Hannah ??".

Origin: New England, ca. 1870...

Elegant pair of large sterling silver salad servers in Frank Whiting’s 1893 “Tyrolean” pattern. This is one of the simpler Victorian designs and works nicely with a wide variety of other patterns. The pieces are quite heavy. The backs are marked with Whiting’s second hallmark.

Origin: America, ca. 1930. Condition: excellent, sharp detail, no monogram. Size: spoon, 9” long; fork, 9-3/16” long. Weight: 196.5 grams.

Elegant Victorian sterling silver serving dish with intricate repousse and pierced sides. The sides are finished off with a cyma-curve border punctuated at compass points with baroque shell motifs. The bottom is fully hallmarked for London, 1891-92, and has the maker’s mark “WC”. The piece is quite heavy and is of the very good quality.

Origin: England, 1891-92. Condition: excellent, no dings, no monogram. Size: 9” x 6-1/2” x 1-3/8” high. Weight: 177.5 grams.

Ornate Victorian sterling silver pie server by Gorham. The pattern is very similar to "Dresden", but is not an exact match. The handle is covered with various motifs, including shells, flowers, scrolls, and foliage. The bowl is very nicely scalloped and elegantly decorated with engraving to match the handle. The original gilding has faded to a soft lemon shade. Pie servers are not very common and are quite useful for all sorts of pie, pastries or cakes, or even tea sandwiches...

Very nice Staffordshire transferware plate in the “Lion” pattern from the “Quadruped” series by Hall. The plate is very finely decorated in underglaze blue with four reserves depicting zebras, goats, deer and horses, surrounding a central reserve depicting a lion. Unmarked.

Origin: England, 1820-30. Condition: excellent, no chips or cracks, light discoloration on back (easily removed). Size: 10” diameter.

Description: A rare tripod steatite censer was made in Tang dynasty. With dark gray tone, this censer was excavated with light gray incursions. A globular body was held by three foot in beautiful proportions. An earlier collection was published in " Early Chinese Miniature" by China Institute in America. Date: Tang Dynasty (AD618-906) Material: Steatite. Body Width: 6.5cm Height: 4.7cm Condition: Good, except one small scratch.

Description: An oval shaped brush washer made of stone was originated from Tang or Liao Dynasty.
In chrysanthemum decoration around the rim, the basin was kept with original whitish patina and some incursions within the tissues of the stone.
Some defects can be found.
Date: Tang Dynasty (AD618-906)
Material: Soap stone.
Length: 9.7cm
Condition: An excavation piece, one defect on the rim, another on the bottom.

Image of a heron in water in rice-paste-resist dying technique (tsutsugaki) on cotton. The color showing are coffee brown for the background and different shades of brown with white for the heron. The image mounted as a hanging scroll, which has been cut to fit into a frame. Meiji period, late 19th century. Mingei.
Cotton image: 11 ¾ x 8 ¾ in. Frame: 36 ¼ x 13 in.
Excellent condition.

Small architectural ornament, carved in the shape of a Garuda, standing under a triangular platform with his wings open. Wood, fine dark patina. Nepal, 18th century, probably earlier. Height: 4 1/8" (10,5 cm). The piece is nicely mounted on a custom metal stand. Old traces of woodworm work (no danger), large chip on right side of platform, otherwise good condition. Note: in Hindu religion, Garuda is a demigod, half man half eagle, who carries god Vishnu.

An English Victorian Sterling Silver Inkstand or Standish with a Silver Lidded Inkwell. Hallmarked Birmingham, 1899, with makers mark indistinct. Dimensions 8" wide x 4.5" deep x 3.5" high. Very good condition.

An elegant and rare set of nine sterling silver demitasse spoons in Whiting’s highly desirable 1898 “Pompadour” pattern. The bowls have lemony traces of the original matte gilding. The handles are ornately decorated and have never been monogrammed. The backs are marked with Whiting’s hallmark.

Origin: America, ca. 1900. Condition: excellent very sharp detail, fading of original gilding on bowls. Size: 3-7/8” long. Weight: 73.5 grams.

Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior...

This is 4 STERLING GORHAM NAPKIN RINGS from a Virginia, USA Estate. Distinctive Border decorations and chase work typically late VICTORIAN to early 20th Century. Size each is 1 1/2" X 1 15/16". Each is marked: Lion Anchor G STERLING 1420 N. All are lightly monogrammed: (looks like HDP). Note: one piece is slightly bent and dinged.. others show only typical modest use and no abuse

The Moon Through a Crumbling Window. (Hasou no Tsuki). Printed: 1st day. 2nd month. 1886. Engraver: Yamamoto. Signature: Yoshitoshi. Seal: Yoshitoshi no in. Publisher: Akiyama Buemon. Format: Oban tate-e: H.13 x W. 8.75". Condition: Good Impression & Colors. Light soiling to bottom of print. Retains album backing. Margins trimmed, and left margin covered by album attachment...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Fujiwara Arihira Walking in the Rain. Text by Eisai. No...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): Young Hino Wakamaru (after revenging his father’s death) and the “yamabushi” (mountain priest) escaping from Sado Island”, #14 in this series of 33. Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi). Artist’s Seal: Taiso. Engraver: Horikou Muneoka. Publisher: Tsunajima Kanekichi. Date: Meiji 18 (1885.) Format: oban tate-e...

Artist: Utagawa Kuniyoshi (1798-1861). Subject: Mitate-e; “Eikyoudai Mitate Sanjuu Boku Kuisen” (Mirror Selections of 30 Trees & Flowers). Signature: “ichiyuusai Kuniyoshi ga”. Artist Seal: “kiri” (paulownia). Nanushi Censor Seal: “watari” (Watanabe Jiemon). Publisher: Joushuu-ya Kinzou. Date: ca...

Utagawa Kunisada [Toyokuni III] (1786-1864). Subject: Yakusha-e, Kabuki actor print; Kawarazaki Gonjurou (stage name of Ichikawa Danjurou IX [1838-1903] from 9/1852 to 2/1869).Signature: “ki-o Toyokuni ga” in red toshidama cartouche. Engraver Seal: Yokogawa. Censor Seal: “aratame” (examined), year of the cock (1861) 9th month. Publisher: Yamaguchi-ya Toubei. Date: 1861. Format: oban tate-e, H.13.75 x W.9". Comments: “kirazuri” mica powder giving sheen to dark blue background o...