Geese and Reeds Painting (Noando) on fine silk mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting)...

A comparetivly large sized Japanese Kannon Bosatsu from the Edo Period - about 250 years old - used in Sōfuku-ji ( 崇福寺 ) Temple in Gifu and since 80 years in our collection.

It is made of premium wood and has been carved by a master craftsman. The golden colour is still vivid and shiny and looks absolutely amazing...

A large presentation tray in finely carved polished wood in the shape of a rounded stump cutout. The sides mimic the knotty grain of a tree trunk. This type of tray was used to present bonsai.

Japan – Shôwa era (1926 – 1989)
Length : 15.75 inch (40cm) – Width : 9.9 inch (25cm) – Height : 0.8 inch (2cm)

Chinese Tang dynasty Yue Large ewer. About 32 cm high if complete. Please see on the picture for the conditions. (free from any repair).

Chinese porcelain Guan ware censer, with a light blue/white glaze with tan and brown crackles, stout body, short neck, and fluted foot. 19th - early 20th Century Size: 2.5" height, 3.5" width

Sample Five dynasties yue yao bowl decorated with incised lotus flower motive. 16,5cm diameter. 8cm high. Bowl on repaired conditions.

Chinese Silver Vase , with four panels of a stork on pine, and other birds, insects and flowers. Marked Zee Wo on foot. L19thC Height of vase 17.2 cm, Weight 212 gms. Condition; excellent.

A beautifully sculpted leopard carved from grayish nephrite. Qing Dynasty. Condition: A small chip and an age crack on the base. Length: 3-5/16".

A very rare early work by Shirakura Niho dating from the mid Taisho period clearly showing his early watercolor training under Ishii Hakutei signed with his first art name, Kinro. Light color on silk framed in patterned silk extended with classic beige and terminating in red lacquered wooden rollers. It is 45.5 x 107.5 cm (18 x 42-1/2 inches) and is in overall excellent original condition, enclosed in a modern wooden storage box...

Chinese Qing dynasty bronze censer with stand. 10 cm mouth rim diameter. 15,5 cm wide from ear to ear. 6,8 cm high. censer has been drilled at the base (please see on the pictures). other wise in good conditions. 1377 gram weight.

Relics of the Nile is pleased to present this very large and impressive Ptah-Sokar-Osiris figure. The figure features much of the original white gesso as well as facial features detailed in black. The eyes as well as the chin strap to hold the Osiride beard to the face are painted onto the gesso using a carbon-based black pigment. The figure measures a very large 17.25" in height and is presented on a wooden base for ready display...

Height approximately 32 cm (included the wooden lid). There are a few chips on the rim where the wooden lid supports and a few chips on the base. No hairlines, no cracks, no repairs. In good condition.

Unusual Burmese KAMMAVACA manuscript. Complete with the 16 leaves and 2 wooden covers. This late 19th century example is lacquer ON METAL. 50x10 cm approx. weight unpacked 2.2kg. There is some loss of lacquer on corners and on one leaf.

Chinese Qing dynasty 18th century stand for bronze censer or incense burner with xuande mark. Good conditions. 14,3 cm diameter. 2,3 cm high. 11,3 cm diameter inside .

Ming dynasty 16th century plate with over glaze enamel phoenix and flower motif, good condition please see picture for detail, size: 20 cm diameter.

Large mezzotint on thick paper showing Muhammad Ali Khan Nawab of Arcot and the Carnatic. 1771, published 1772. Size 63x40cm. This print was made after an oil painting by Francis Swain Ward of 1763. Pencil annotations at base. Crease upper right side, small margin tears. Can be viewed in central London and shipped worldwide. See the example in the Royal Collection Trust ref number RCIN 618757. That was recently exhibited at The Queens Gallery, London

Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs...

Indian miniature of single figure accompanied by a deer. Surrounded by blue mount and further mounted onto green marbled paper. Page 30 x 19 cm, painting 13 x 9 cm. Undated, estimated to be 18th century. Stain at bottom of painting not affecting painting. Framed and glazed.