This early 19th century persimmon wood is carved as an old man carrying a child on his back. It is 2 inches tall. It is not signed, slightly stained and worn, but in good condition.

This 18th century wood Iwabe shells netsuke is 2 inches long and 1 ¾ inches wide. It is not signed, slightly worn but in great condition.

This pair of enameled glass brush holders carries a wild geese and grass design. They are 5 ¼ inches tall and 3 inches in diameter. They came in blue brocade fitted boxes. Both have a ¡°Qian Long¡± (1736~1795) mark on the bottom. Near the date mark there is a red wax seal which indicates they were exported from mainland China. The color and the design are great. Both are in perfect condition.

This Chinese Ming Dynasty (1368~1615) bronze temple guardian is 14 ½ inches tall. The four characters on chest read ¡°pass to the heavenly gate¡±. The weapon he carried is missing. It is in good condition.

This Chinese Ming Dynasty (1368~1615) bronze temple guardian is 13 ½ inches tall. The halo is a replacement and part of the mirror in his hand has been repaired. The weapon he carried is gone. Over all, it is in pretty good condition.

This early 20th century pale green porcelain Guan Yin is 9 inches tall. The image of Guan Yin holding a baby boy is a fertility symbol in Chinese custom. It is in good condition.

Early 20th century Chinese fine famille-rose vase is 8 ½ inches tall and 4 ¾ inches on the widest part. It depicts five children playing. It has a Qian Long mark on the bottom. However, we assume the mark is fictitious. It is beautifully painted and in good condition except for a tiny flaw on the rim.

Chinese Guang Xu period (1875~1908) Wucai vase is 9 inches tall. The vase came from the Warren Cox collection, New York. It depicts two flower vessels which are separated by calligraphy. Studio mark Cha Yi Xing on the bottom. It is in great condition.

Late 19th or early 20th century Japanese satsuma bowl is 2 ½ inches tall and 7 inches in diameter. It has a magnificent insect and floral design on both the interior and exterior. It has an old repair on the rim and a small hairline crack. Signed.

20th century Japanese satsuma vase is 12 inches tall and 6 inches wide. It depicts several geishas walking on a path near a lake during spring. There are mountains in the background, flowering trees in the foreground and houses surrounded by trees. It is signed ¡°koshida.¡± It carries a gilt circular rim with multicolor flowers below and around the bottom. It is in great condition.

A Chinese reticulated iron porcelain snuff bottle with a dragon and phoenix among clouds beneath key fret and ryui border, neck with a silver rim, jade stopper. The red color is the same as used when decorating porcelain, though in this case it is applied as a solid color. The desired effect is to imitate red cinnabar lacquer. Circa, probably from the Jiaqing period (1796 - 1820). Height 3".

Very rare sterling silver individual berry spoon in Whiting's 1891 "Louis XV" pattern. This is a rare form and the unusual broad shape of the bowl matches that shape of the large berry serving spoons. The bowl is lightly gilt. The back is stamped with Whiting's hallmark, the patent date (indicating an older piece) and the retailer's mark "Jacquemin & Co."

Origin: America, circa 1890s. Condition: excellent, sharp detail, no monogram. Size: 5" long.

Old Chinese ivory figure of Guanyin, the Goddess of Mercy, in a refined and elegant pose. The body is made out of one piece elephant ivory and finish in a term "cold painted ivory" meaning that the color is applied without any firing to fix and harden it. This method of coloring ivory dates back to the Ming times and was particularly popular in the 18th century. This is probably 19th century piece. Her wonderfully tranquil face and the excellent painting make this a desirable piece...

Ornate sterling silver meat serving fork featuring a heavily scrolled handle with matte-gilt, bright-cut tines. The back is marked "925 Sterling 1000". Many late 19th century silver makers did not otherwise mark their wares.

Origin: America, circa 1890s. Condition: excellent, sharp detail, no monogram. Size: 7-1/2" long.

This late 19th century Chinese ivory carving of a Smiling Buddha (Hotai) is 2 ¼ inches tall, 2 inches wide and 1½ inches deep. His eyes are inlaid horn. His head is raised up in a big smile. His left hand holds a sack; prayer beads are in the other hand. There are six children around him. A hand is missing on one of the children. Aside from that, the piece is in pretty good condition.

This late 19th century Chinese ivory statue of a bearded scholar is 5 ½ inches tall and 3 inches wide at the widest part. His eyes are half closed; he holds a scroll gently against his cheek. There are two characters read as ¡°Da Ming¡± on the bottom. The inscription means ¡°Great Ming Dynasty¡± which is quite common on ivory carvings or porcelain. There are a few hair line cracks due to the age of the piece. Over all, it is in great condition.

This superb ivory carving is 12 inches tall (including base) and 3 inches wide. The statue presents a legendary Chinese character who is a member of the eight immortals. According to legend, one day he told his follower that his spirit was going to travel far away. He asked the young follower to watch his body for seven days while he was away. If he did not come back after the seventh day, the young man must burn his body...

Chinese porcelain vase marked kangxi on the foot, but thought to be a late 19th century reproduction. There are domestic scenes painted in the over glaze enamels and repairs to the lip of the rim. At one time, the vase was used a lamp. Hence, the characters kangxi in the reign seal are restored and probably spurious. H: 24 inches, Diam: 8 inches

This late 19th century Chinese famille-rose water jar is 2 ¾ inches tall and 2 ¾ inches wide. It depicts five boys in a procession. The first two boys are holding banners and gongs. The third is holding a lantern. The forth child is dressed in red and is riding a Qilin (a Chinese legendary animal which has a dragon head and ox body). This boy carries a puppet. The last boy is holding a fancy umbrella. The workmanship is excellent and it is in great condition.

This early 20th century Chinese porcelain water jar is 2 ½ inches tall and 2 ¼ inches wide. It has hand painted butterflies and a floral design over a white background. The color is slightly worn and it is in good condition.

This late 19th century famille-rose water jar is 1 ¼ inches tall and 2 ¾ inches wide. It depicts a green and black bird standing on a tree branch with chrysanthemum blossoms on the side. The translation for the four Chinese characters is ¡°This style of drawing copies the Yuan Dynasty¡±. It is in great condition.

This famille-rose water jar is 2 ¼ inches tall and 2 ¾ inches wide. It is dated and signed to the Tong Zhi period (1862~1874). The four hand-painted pictures represent the four seasons. Hibiscus is the symbol of spring, willow for summer, peony for autumn and plum blossoms for winter. The color, especially the gold, is slightly worn. It is in great condition.

Fabulous and extremely rare hand-forged iron trade sign in the form of a pretzel. The sign retains an old gilt surface. There is a strong trace of red, yellow and blue paint on the back side and edges of the pretzel, no doubt the colors that were used on the wall or backboard to which the sign was attached through the 13 mounting holes. There also appears to be a red layer underneath the gold. This layer was probably intended to be an undercoating to give the gilding more depth...

Large sterling silver berry spoon in Blackinton's 1900 "Nautilus" pattern. The handle is elegantly decorated with scrolls and shells, and nicely complements the lobed bowl. The reverse is marked with Blackinton's hallmark.

Origin: America, circa 1900. Condition: excellent, no monogram. Size: 8-1/2" long.

Lovely sterling silver cream or sauce ladle in Towle's 1900 "Dubarry" pattern. The handle, decorated with a simple spray of roses at the tip, nicely complements the triangular gilt bowl. The reverse is marked with Towle's old mark and "925/1000".

Origin: America, circa 1900. Condition: excellent, no monogram. Size: 4-15/16" long.

Ornate sterling silver meat serving fork, the handle decorated with shells, scrolls, roses and beads, and the matte-gilded tines decorated with bright cut engraving. The reverse is marked "925Sterlin1000", a marking frequently seen on American sterling silver before silversmith's were required to identify their work.

Origin: America, circa 1895. Condition: excellent, period monogram "G". Size: 7-3/4" long.

Elegant sterling silver sauce ladle by Baker-Manchester Co. The lobed bowl has matte gilding and the rare feature of a pouring spout. The reverse is marked with the company's hallmark.

Origin: America, circa 1898. Condition: near mint, no monogram. Size: 5-1/4" long.

Sterling silver sauce ladle in Watson's 1911 "John Adams" pattern. The complete simplicity of the pattern is reminiscent of Colonial American silver, and it would look good mixed with any other pattern. Sauce ladles are a bit smaller than gravy ladles.

Origin: America, circa 1911. Condition: excellent, no monogram. Size: 5-3/4" long.

This mid 19th century famille-rose ink pan (box) is 2 inches tall and 3 inches in diameter. On the top of the cover depicts two roosters fighting in the flower garden. The side is decorated with a floral design. It is in excellent condition.

This late 19th century famille-rose bowl (cup) is 1½ inches tall and 2½ inches in diameter. It depicts one red bird standing on a tree branch and chrysanthemum blossoms on the side. The translation for the four Chinese characters is ¡°This style of drawing copies the Yuan Dynasty¡±. It is in excellent condition.

This mid 19th century famille-rose seal box is 1¾ inches tall and 3½ inches in diameter. It has Qian Long mark on the bottom. The mark is fictitious which is quite common. It is decorated with a floral design. Though the color is slightly worn and tiny chip appears inside the cover, it is in great condition.

This leaf shape famille-rose brush washer is 1 ½ inches tall, 4 ¼ inches long and 3 ½ inches wide. It is dated and signed to the Tong Zhi period (1862~1874). The dish part is divided in two and hand painted with different kinds of flowers. The base is decorated with a green wave design and three orange bats. There is an old chip on the base, but over all, it is in good condition.

Mid 19th century Chinese blue and white ink pan (or box) is 2 inches tall, 3 ¾ inches long and 2 ¾ inches wide. The entire body is hand painted with pattern style of clouds, branches and flowers. The box is evenly divided into two parts. From the remains of pigment, it seems the box was used as a red ink (cinnabar) dish. It is in great condition.

Mid 19th century Chinese blue and white brush holder is 4 ¾ inches tall and 3 inches in diameter. It depicts a scholar with a staff standing in front of a hut which is surrounded by mountains and trees. It is in great condition.

Sterling silver sugar spoon with very fine decoration of a peacock amidst trailing foliage. The bowl is parcel gilt and is decorated with bright-cut engraving. The reverse is marked "Sterling". Before 1916, many American silversmiths did not mark their name on flatware.

Origin: America, circa 1885. Condition: excellent, period monogram "B" on reverse side. Size: 5-5/8" long.

Sterling silver cream or sauce ladle with an Art Nouveau design of lilies. This form was used to ladle cream or other sauces for the desert course. They could also be used for main course sauces that did not require a full-sized gravy ladle. The reverse is marked "Sterling Pat. 1902". Before 1916, many American silversmiths did not mark their name on flatware. Unknown maker.

Origin: America, circa 1902. Condition: excellent, no monogram. Size: 4-3/4" long.

Lovely Victorian sterling silver bonbon spoon featuring a matte-gilt bowl with a scalloped edge. The asymetrical rococo design of the handle was popular in the 1890s. The back is marked "925 Sterling 1000". Before 1916, many American silversmiths did not mark their names on flatware. Unknown maker.

Origin: America, circa 1890. Condition: excellent, no monogram. Size: 5-1/8" long.

Elegant sterling silver meat fork featuring an Art Nouveau design of lilies. The back is marked for Baker-Manchester Manufacturing Co. (Providence, RI). The company was in business for only about fifteen years, and was well known for its ornate serving pieces.

Origin: America, circa 1900. Condition: excellent; no monogram; the faintest hint of lemony matte gilding remains on the tines. Size: 7" (more uncommon than the larger size).

This middle 19th century Chinese topaz brush washer is carved in the form of a large lotus leaf. Two small lotus blossoms and a seedpod lean on the large leaf. It is 4 inches wide and 1½ inches tall. There are a few chips due to the age of the piece.

This late 18th century Chinese rock crystal brush rest is carved in the form of a mountain. It is 3 inches high, 3½ inches wide and 1¼ inches thick. It is in excellent condition for its age.

Lovely sterling silver bonbon spoon, the bowl with matte gilding, bright cut engraving, piercing and a scalloped edge. The back is marked "925 Sterling 1000/Pat. Apl'd For". Unknown American maker.

Origin: American, circa 1900. Condition: excellent; no monogram. Size: 5-1/8" long.

This pair of Chinese carved white jade brush handles date from the late 19th century. One handle is carved as a dragon (male); the other presents the phoenix (female). According to tradition, before a marriage, both families will exchange gifts. If the groom is a scholar, the bride¡¯s family will give a complete set of scholar¡¯s tools as gift. A wealthy family will provide a very expensive gift. A pair of jade brush handles can serve that purpose...

This middle 19th century pale green with red over glaze brush washer has icy crackles covering the entire body. There are a few chips on the bottom from firing. It is 4 inches in diameter and 1 ¼ inches high. Very good condition.

This 19th century red (almost ox-blood) glazed brush washer has fine crackles covering the entire body and a splash of green sheen in the middle. It is 4 ¼ inches in diameter and 1 ¼ inches high. There are a few small chips on the bottom. Good condition.

This 19th century dark red water jar has the same function as water dropper. It is a necessary tool when writing or drawing. It is 2 ½ inches tall and 2 ¾ inches in diameter at its widest. The bottom is unglazed and it is in good condition.

This Chinese bamboo armrest is dated summer, 1876. The artist¡¯s name is Wen Zhu. A large character at the top of the rest reads ¡±Lu¡± or prosperity. It measures 7 1/8 inches long and 2 ¾ inches wide. It is in very good condition.

This 19th century Chinese bamboo armrest is carved with calligraphy. The carver Zi Qing dedicated this to his friend Zi Zhen. It is 9 1/8 inches long and 2 inches wide. It is in very good condition.

This is a 19th century Chinese brush holder made of Huanghuali. It is a rare piece because of its size. It measures 8 ½ inches in diameter and 8 inches tall. It is in excellent condition.

This well cast Meiji period Japanese bronze vase is 10 ¾ inches tall and 4 inches in diameter at its widest. It depicts a wild goose flying away from the moon. The moon is silver inlaid and the goose is silver overlay on top of the bronze body. The goose eye and feet is gold. There is a maker¡¯s seal on the bottom, it reads ¡°Kyoto, made by Kuroda¡±. There are a few scratches on the body and lighter color around the moon due to cleaning.

This rare and unusual carved bamboo brush holder is dated to the Qing dynasty, Guang Xu 7th year (1881). The bamboo cylinder is carved to represent strung bamboo slips. This was the earlier form of books in China before the invention of paper. The artist (writer) Jie Shan wrote and carved the poem during early spring, 1881 in Tong-Shi Hall...

This realistically cast Meiji period bronze vase is 13 1/4 inches tall and 5 inches in diameter at its widest point. It depicts an eagle resting on an old tree. There is a stamped maker¡¯s mark on the bottom which reads ¡°Hidemitsu¡±. The owner purchased this piece from Sotheby¡¯s in the early seventy¡¯s. It is in excellent condition.

This late 19th century Chinese bamboo brush holder (Bitong) is 12 inches tall and 5 inches at its widest part. It was carved in high relief and lacquered. The top part of the cylinder presents the story of the seven immortals of the bamboo grove. Four immortals are looking at a scroll picture; two are playing ¡°Go¡± and one is watching them play. The bottom half of the cylinder depicts five elders gathering in a garden surrounded by pine trees...

This is a rare late Ming dynasty (1368~1615) carved bamboo statue. It depicts a bearded warrior on a horse. The rider¡¯s head is raised up, eyes wide open; his left arm is gently holding the bridle. The tired horse has turned its head toward its master. It is a superb carving and in great condition despite its age. H: 12 inches, L: 7 inches, W: 6 inches

Chinese silver tankard dated during China Trade Period (1795~1840). Its tapering cylindrical body depicts a hunting scene with an ear-shaped dragon handle. There is stamped maker¡¯s mark ¡°W¡± on the bottom. It is 4 inches high and 4 inches wide (including handle). It is in excellent condition.

19th century Chinese jade banana leaf, 6 ¾ inches long and 2 ½ inches at widest spot on a carved/fitted wood stand. There is a loose ring on the stalk. It is carved so thin it is almost translucent. There is a small chip on the stand. Excellent condition.

Middle 19th century Chinese white jade Pi. The piece is 2 ¼ inches in diameter and 5/16 inches thick. A pinhead (Gu) design is on one side; the other side has a five scroll design. The carved wood stand has six round vase shaped corners. There is a tiny chip on the rim of the jade and a small piece is missing on the curve of the stand. It is in good condition.

Middle 19th century Chinese white jade rectangular lock on a carved wood stand with incised decoration on both sides. One side has four Chinese characters which read ¡°prosperity for entire family¡±; the other side is a peony design in the center with a garden scene around it. The jade is 3 ½ inches wide, 2 ¾ inches high (5 inches tall with stand) and ¼ inches thick. There is a chip on the corner of the stand. It is in excellent condition.

A rare dated and inscribed bronze figure of Buddha from North China. Finely cast seated in dhyanasana on an ovoid plinth banded with a double lotus petals base. His head displaying downcast eyes beneath a hairline of tight curls. His hands in dhyana and bhumisparsa mudra. The robs are tied over one shoulder...

A gourd is grown inside a carved wooden form to create a patterned body. The lid is wood with carved horn. The cricket cage is dated to late 19th century. It is 6 1/4" long and 2 3/4" wide. It is in good condition.

This late 19th century Chinese moss green jade pi is 8 inches in diameter and half inch thick. One side is carved with a landscape scene depicting two horses drinking water in a river. The other side is plain. The jade pi fits in a custom made wood stand. It is in excellent condition.