Magnificent, very rare wood Bugaku dance mask depicting the Dragon King, Ryo-o. Mounted on a round frame covered on silver leaf paper. Ca. 1820. The mask has a bristling moustache and beard, 4 teeth and a hanging moveable chin piece. The top has a dragon carved. All was lacquered. A similar mask is on exhibit at the British Museum. Bugaku is a courtly ritual dance which has survived in Japan since the Heian Period, Ca. 794-1185...

An antique pair of Chinese Corbels carved as a male and female Fu Dog. Both are protecting spheres which represent. the world with the female watching over its young. Both have open mouths with their tongues out which represents them expelling evil. Hand carved from Elm.

Age: Ching Dynasty 18th C

Dimensions: 50" High by 13 1/2" Wide by 10" Deep

J.P. STEVENS & Co. J.P. STEVENS & BRO. J.P. STEVENS WATCH Co. Atlanta, Georgia 1882-1887 In mid-1881 J.P. Stevens bought part of the Springfield Watch co. of Massachusetts; and some unfinished watch components from E.F. Bowman. He set up his watchmaking firm above his jewelry store in Atlanta, Ga...

19th century netsuke in kagamibuta (“mirror lid”) with cinnabar lacquer top carved with the character FUKU (fortune) among peony flowers. Essentially the netsuke is a wish for wealth. Very nice work, beautiful patina, compressed dust in crevices, nice old wooden bowl, with rotating peg that serves as himotoshi. Bowl diameter 1.72 inches.

19th century netsuke in kagamibuta (“mirror lid”) shape, the top carved with phoenix (the symbol of the Empress) in flight - a motif often seen on textiles. Excellent delicate work, great depiction of differentiated feathers, eye inlaid with dark horn. Beautiful patina, compressed dust in crevices, nice old wooden bowl, old silk cord. Bowl diameter 1.74 inches.

A large antique Japanese Buddhist altar table decorated with black and gold lacquer on wood. Divided into three visual sections, each one held a Buddhist item such as a Sutra, an incense burner, a temple bell, a Mokugyo, etc. Inscription on the back appears to read "Dedicated by Tokuto Eizo."

An antique Japanese Sendai Tansu made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Warabite style handles and the stylized Chrysanthemum arabesque lock plates. 6 drawers with a security door that hides 2 small drawers used to protect valuables. It comes with a key.

Age: Late Meiji Era (1900-1910)

Dimensions: 45 1/4" Wide by 34 3/4" High by 17 1/4" Deep

Edwardian Classical gilt sterling silver jewelry box. Made by Ahrendt & Kautzman in Newark, ca 1910. Rectangular with straight sides. Cover hinged with tapering tab and gently curved top. Acid-etched leafing scroll borders. Velvet-lined interior. Fully marked including maker’s and retailer’s (Theodore B. Starr) stamps and no. 671. Very good condition with nice toning.

Dimensions: H 3 1/8 x W 8 3/8 x D 5 1/2 in. Gross weight: 25.3 troy ounces. #BX772

A Japanese boxwood netsuke depicting a blind man holding his giant scrotum. Homin signature engraved on seal. Meiji period 19th century Sizes: 3,6 x 3,5 x 3 cm. Condition report: Good condition

A Japanese boxwood netsuke depicting the mask of the demon Kobeshimi. Bridge on the reverse forming the himotoshi. Meiji period 19th century Sizes: 4,2 x 3,5 x 1,6 cm. Condition report: Good condition

OLD MAP

Map of an certain village in today's Niigata prefecture, Japan. Original drawing, Meiji period (1868-1912). approx. 250 x 200cm (98.42 x 78.744in). Like an abstract painting and powerful...

Pair of small vases in cloisonné enamel on gilded copper. A beautiful identical landscape is represented on each vase, fish, rivers, birds and flowers on a background of a luminous blue sky. The wires are in silver, the base is in gilded copper. The gilding is now almost completely missing, except on the base. They are both in perfect condition, which for a pair is rare. Height 125mm. Japanese work from the end of the 19th century.

11 cm length Without restoration, no cracks,

Japanese bronze rabbit hollow sculpture.

Age: Japan, Showa Period, 20th Century
Size: Height 18.4 C.M. / Width 13 C.M. / Length 30 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A rare large inscribed heart scarab, Late Kingdom, after 660 BC.

The heart scarab carved in a redish type of sandstone, glazed with an almost perfectly intact dark green gaze. Made as a somewhat cheaper alternative to the green basalt and hardstone scarabs of the period. Finely inscribed on the base with 7 lines of hieroglyphs, tradionally with passages from the Book of Death, but untranslated by us.

Size: 56 mm. long and rather massive in hand, being 40 mm. wide and 25 mm...

Chinese porcelain letter holder.

Age: China, Qing Dynasty, 19th Century
Size: Height 21.2 C.M./ Width 20.7 C.M.
Condition: Nice glaze and condition overall. Please refer to the enlarged photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Diameter approximately 8.9 cm. There is a soft glaze missing on the rim. In good condition.

Height: 3.7 cm (1.6 in)
Width: 2.5 cm (1 in)
Depth: 2.2 cm (0.8 in)

Japanese lacquered wooden netsuke of a seated boy; minor wear to the lacquer; good condition

Height: 12.2 cm (4.9 in)
Width: 8.2 cm (3.3 in)

Quality Japanese Satsuma vase; heavily gilt throughout with very detailed diaper work extending up the neck to a figural cartouche; the main body shows three kidney-shaped vignettes depicting figures in domestic settings; the lower body is also decorated with the finest gilt diapers; good condition

This porcelain plate was produced in England by Mintons in 1893. There is an impressed date cipher indicating this year. The plate is signed by the renowned artist Antonin Boullimier. It is #7 in a series of 12 plates. It measures 9 1/4 inches. The delicate bone china has an unusual reticulated border. The center the plate has a hand painted scene of a GrecoRoman young woman with a goldfish bowl. She is pouring water into the bowl for the fish...

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species...

This porcelain chamber stick or candle holder was produced in Germany by Nymphenburg in the 1890s. It has both impressed shield and printed marking. It measures 4 3/4 inches in diameter and is 2 inches tall. The decoration is elaborate tapestry of flowers, ribbons and gold. The hand painting is precise and extremely fine. The colors are vivid and the gilding is bright. It is a lovely reminder of the past.

Pair of Meiji (1868-1912) Japanese Koransha Porcelain Vase with Shoulo & Bamboo Figures Marked

They are 9.5 inches (24.1 cm) tall by 6.2 inches (16 cm) wide. They weigh 5 lb.

They have surface wears and scratches, rubbing of gold and paint, firing cracks, skip glazes, and stains (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Dimension 12 cm CONDITION : Perfect, no chips, cracks or hairlines and free from restorations.

Diamater = +- 12 cm. From Song dynasty CONDITION : Perfect, no chips, cracks or hairlines and free from restorations.

A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies. Chanoyu is a ritualized, secular practice in which tea is consumed ...

Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition. ...

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off. Around the eyes there are remnants of a light-colored pigment.

There are two small holes in the top of the ears in which the ...

John W. Wainwright; Presentation in 1886 by his Mother & Father. Rare 1872 Model in the original Multi-Colored hunting case with presentation dated in 1886. What's especially interesting is the image of the daughter, permanently fired on the inside surface of the front lid; all dressed up in her finest. The multi-colored solid gold case also features a Gold Harp on the back and a bow of flowers on the front. Rare. All completely original, clean, running and accurate. 16 size, 16 jewels, lev...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

Snowy landscape, in the foreground pine branches (?) bending under the snow, in the distance a mountain, black crows contrast with the ambient whiteness and grayness of this freezing winter. Watercolor on extremely fine silk canvas. Beautiful composition good mastery of the brush, unfortunately no signature. It's hard to say if it's a Japanese or Chinese creation, but usually on Japanese landscapes when a mountain is represented it's almost always Mount Fuji, which is not the case here. Old, pro...

Iron tsuba inlaid in nunomé zogan (damascened) of gold of different colors. Japanese work from the Edo period 18°-19° century, the artist's signature should give a precise date of creation. The scene finely cut in iron shows us a medieval fight on a bridge, perhaps that of Uji near Nara. The tsubas of the Soten school style are numerous but most often of low quality, the one presented here is superior, neat carving, well drawn subjects, great thickness giving volume to the characters (see the...

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting . Important Note: There is an identical jar and cover in the Topkapi S...

Round chawan, bowl used in the tea ceremony, with straight sides and a foot with three incisions. The very fine clay has an incised décor of standing and flying cranes and three minogame, covered in a celadon green, translucent glaze with fine crackle.

Impressed seal next to foot: Akahadayama.

Akahada ware, Japan, prob. Meiji era, 1870s

H 2.8 x Diam. 4.25 in.

Two chips on the lip that were restored with silver over red lacquer which is now worn (one partially underglaz...

Chawan, or tea bowl, for use in the the tea ceremony. Fine gray stoneware turned out rather thin of almost round shape, with a ‘soul’ in the bottom, standing on a bamboo shaped foot, a swirl inside the foot. Opaque yellow glaze with fine crackle covers the ceramic. Over the yellow a white slip hakeme brush stroke on the outside and on the inside.

Seto region, Japan, 19th century

H 3 x W 5.25 x D 5 in.

Two unprofessionally, but lovingly repaired chips at the lip. One on ...

Pair of zelkova elm temple 'Baku' bad dream devourers. 22cm long by 12cm tall and 7cm deep. Extremely well carved and very good condition. Ca. 1890 late Meiji Period. Ask for shipping quote.