The origins of the hookah come from the north western provinces of India along the border of Pakistan in Rajasthan and Gujarat nearly a millennia back.
In Persia, before the age of cigar and cigarette, hookah was used for generations and generally they were made from clay. The aristocrats and wealthy had
the upper section of their hookah made from silver and the base was porcelain or crystal...
The medallion decorated with a Siren seen from the front, she appears between volutes and flower tendrils. The nice head with a polos crown, the full bosom and the wings point to a Siren.
Jentel calls the figure ‘monstre en rinceau’ (Monster within Scrolls), cf. fig. 143 f. in: Marie-Odile Jentel. Les gutti et les askoi à relief étrusques et apuliens. Leiden 1976.
For a closely related example, cf. Beazley Archive vase no...
A beautiful 19th C. Chinese blue and white crackle jar with original lid and mountain villege scenery motif. In excellent condition H:12" (without stand)
Late 1800s
This Satsuma ware tea caddy is made in the shape of a lacquer natsume tea caddy for use in the tea ceremony as a container for powdered green tea. This shape is given this name because it resembles a natsume plum. It is glazed overall with a finely crackled clear glaze showing the buff-colored clay body beneath. Overglaze enamels decorate the top and sides with open and closed fan designs. The interiors of both the lid and container are glazed as is also the base...
A fine embroidered purse, probably made to hold tissues at a tea ceremony. The exterior is embroidered with Sagara embroidery (Peking knot), and has a sarasa design of stylized butterflies, birds and flowers. The sarasa (Indian Chintz), first came to Japan through the Nanban trading in the late 16th century and was tremendously favored by the tea masters and some daimyo (regional lords) during the Edo period...
Beautiful Japanese antique wedding kimono made of chirimen silk (crepe) and decorated all over with a scene of a river and blossoming plum trees in a rural pavilion setting, the design is done in a paste resist with a delicate blending of colors, silk embroidered details are accented with extensive use of gold thread and small areas of shibori technique. The kimono is lined in a salmon color silk and padded along the hem and edges of sleeves. Meiji Period.
Size: 63" high x 51" wide
Japanese woodblock print of two beautiful ladies at the ocean, with a basket full of shells they've collected. With calligraphy in right margin.
Size: 7.25" W x 9.5" H (artwork only)
A rare lacquered elmwood 18th century classical folding stool. The rattan seat has been professionally restored and all the hardware and wood is original. Size: H. 36cm. W. 35cm x 45cm. Age: Early Qing Dynasty.
A scarce very early and substantial stamp seal from the Pre-/early Halaf period of Western Mesopotamia c. 6th. mill. BC.
Assymethrical design, finely carved in a black stone with a medium tall handle, and carved with an interesting web-pattern in the base.
Size: 28 mm x 25 mm. and 14 mm. tall.
Condition: Nice VF, some wear but overall nicely preserved, uncleaned deposits.
Comes with hard impression and original ID-card from the collection...
From our Chinese Blue and White Collection, an exceptionally rare Kangxi Period (1662-1722) porcelain dish made in the Transitional Period style, depicting a man and two boys in the center well, with the border executed in a facsimile of the Border IX Transitional Period kraakware design of 1635-1650. Maura Rinaldi discusses the Border IX design in "Kraak Porcelain, A Moment in the History of Trade" p...
Antique Japanese set of four bronze bridge posts. Petite and charming, with traditional finial shape.
Meiji Period (1868-1912)
Dimensions: 3.75" Tall X 1.80" Diameter
Late Ming, Tianqi Period, ca. 1620s
This bowl is decorated in underglaze cobalt blue with a stylized design of two birds perched on a sprig of flowers and encircled by stems covered in little round buds, giving the design an abstract quality. The base is unglazed and shows the characteristic chatter marks from the trimming, often seen on Tianqi wares. The footring is unglazed with numerous sand grains adhering. The outer sides have two hastily drawn circles and X's...
A Very Rare/Fine Korean Blue-Glazed Turtle-Shape Water Dropper-19th C.: Korea, Joseon dynasy, 19th century.
Finely and realistically molded turtle-shape water dropper, with a long head as a water spout,
and carved turtle shells geomatically on the top, applied over all blue glaze, the flat base unglazed with black ink and some earth.
It’s very fine coditon without any damages, it measures 8.5cm L. x 6.2cm w. x 3.5cm h.
This small strand of Buddhist prayer beads would have been kept in a pocket or looped on a belt. Bought in China from a Tibetan, the strand of tiny dark beads is broken up with coral beads to assist in counting. The 3 fabric triangles, from departed monks robes, are amulets containing various protective prayers. When used for ritual prayers, the fabric talisman would be held in the closed fist while the fingers count the beads...
The two Chinese bamboo root carvings are about 12 inches tall, 5 inches wide and 4 inches thick. They came as a pair but can be displayed separately. They were carved in the late 19th century. Both depict wild geese. Their heads are turned toward a lotus and some unknown plants are behind them. The taller of the two is a little darker. Beside some small cracks and chips they are in fairly good condition.
Ming Dynasty Chenghua period ( 1465 - 1487 )minyao blue and white rider bowl.
Nearly perfect condition, there is only minute rim fritting at one part of the rim.
D : 5,9 inc.
PIANTED POTTERY JUGLET
Dated from, 330 - 100 BC
Time of Alexander the Great
Dimensions:
Height: 9.5 cm
Diameter: 7.5 cm
Height on stand: 12 cm
Condition: Intact with nice earthy patina
Found in Hebron south of Jerusalem, Holy Land
ALL ITEMS THAT WE OFFER FOR SALE COME WITH A CERTIFICATE OF AUTHENTICITY
Antiquities are valuable because of their historical and cultural values and especially because of their provenance in the biblical ...
Chinese monochrome porcelain brush pot in a Turkish blue color underglaze, with reticulated carved scenes of cranes and pine branches against a ground of stylized lingzhi clouds and ocean waves. The base with six character Qianlong cartouche.
Republic Period
Dimensions: 7 1/2" w x 7 3/4" h