Antique Kurdish bagface or bagfront, dating from the last quarter of the nineteenth Century, offered in beautiful condition with full pile and all natural dyes. This saddlebag face measures 1'10" by 1'8" (57cms by 52cms). For the collector of Kurdish and other Oriental tribal trappings and rugs.

A lovely set of twelve sterling silver demitasse spoons by Whiting. This pattern, probably referred to as “39”, was most likely only made as demitasse spoons. Whiting produced a number of patterns in the 1880s and 90s that were limited in this way. The handles, beautifully decorated with a pierced pattern of lilies of the valley, blend into corkscrew twist stems that connect to bowls enhanced with repousse decoration of chrysanthemums...

Measures 9 1/2" high, and roughly the same from tip of spout to end of handle, base is 5 1/2" wide and 4 1/4" deep. Beautifully engraved with foliate and scrolling designs, an oval cartouche on each side. Beading at base and top, bone finial, bone inserts on handle. Handle wobbles a bit, but is firmly affixed with visible wire. Lid fits tightly, no leaks or damage. Base is well marked, and appears to date the piece to the period between 1842 and 1864...

A Cellini Craft Arts & Crafts sterling ladle. This finely crafted Georg Jensen style sterling gravy ladle was made by the American Cellini Craft company of Chicago in the 1930s. This 6-1/4" ladle has a 2-1/4" wide bowl and a hand hammered finish on all surfaces; it has a looping arch of silver with nodes terminating in a ball which stands proud of the handle and is reminiscent of the Georg Jensen style...

The term "pique" comes from the French word "piquer" (to prick) and describes a method of inlaying gold or silver onto tortoiseshell. The craft was discovered and perfected in the 17th century by the French Huguenots. The Huguenots later taught the craft to English jewelry artisans. These classical pique earrings with their Greek key design, are a perfect example of the sophistication, polish, depth and natural beauty of pique jewelry...

A fine and early Bow porcelain pickle dish with a serrated rim and short stalk, painted in shades of blue with bamboo and peonies issuing from rocks, all surrounded by a low fence. Workman's marks in blue on the underneath.

The condition of this gem, which was part of a private collection for over 15 years, is all that one could possibly hope for and rarely finds, with no flaws whatsoever, and vibrant colors. Any skips or dullness in the photos are due to reflections...

A Dutch delft polychrome tile, from 1620 to 1650, with a bee resting on the petals of one flower (probably a snake’s head fritillary) with a second blossom on the same plant below it. The petals in blue and orange, also the bee. The leaves are green and the blue stem is growing out of a green bulb on the ground. Inside a blue three line octagon with gothic arches and the corners filled with a pattern of lines. The initials T G on the back. 5 inches (13 cm) square...

Outstanding sterling silver master salt spoon in a rococo pattern by Gorham. I have not been able to put a name to this assymetrical pattern, although it is very similar to "Marie Antoinette" and "Dresden". The bowl is parcel gilt. The reverse is marked with Gorham's old hallmark.

Origin: America, circa 1885. Condition: excellent, gilding intact, crisp details, period mongram "Y". Size: 3-5/8" long.

A wonderful hexagonal shaped ironstone flow mulberry covered dish with handles, often times called a vegetable dish, in the Jeddo pattern by William Adams and Sons, c. 1850. The dish and lid are structurally sound but there are a few condition defects to note. On the underside of the lid, there are 2 very shallow chips. On the underside of the foot, there are also 2 chips - 1 very small and the other about 1/4". We show pictures of all defects...

This is a stoneware crock, 11 1/2" high and approximately 10 1/2" diameter, natural non-gray color, the "2" cut into the wet clay before it was fired. There are several edge chips, but there is some white paint on one side of the rim that is NOT chips, and it comes off with the fingernail. Note the glaze. I am a fine arts dealer and stoneware is not my area of expertise, so, I hope I am identifying this properly...

Description: Wonderful hand made sterling silver ceremonial Indian tea pot, well crafted, finely engraved with floral design, 7 5/8" in height and 6 5/8" in width with the the diameter of 3 inches. This item is in good condition with a minor dent to the side.

Sterling silver fried oyster serving spoon by Tiffany & Co in the 1872 Vine pattern. The handle is decorated with grapes leaves and vines. Marked "Tiffany & Co" and "Sterling", it measures 9.5" long and weighs 113 grams.

European porcelain figurine before 1800. A Crescent in the material at his foot. Under the statue "1421 / I" in the material. Showing a Renaissance musician. Condition: Very good condition. No ships...

Ten creamware dinner plates, transfer printed in puce with a cottage, a farmboy and cattle within a lace border, the outer rim with hand painted vine leaves, also in puce (one vine wreath partly in orange). From Herculaneum in Liverpool c 1810, all with the impressed mark of the pottery as a straight line, in the style of Wedgwood, the name of the pottery also competing with Wedgwood’s Etruria. Diameter "10 / 25.5 cm. Condition: all fine except for a hairline to one of the plates.

A pretty leaf shaped serving dish by Royal Copenhagen. Panted decoration of flowers, the twig handle with a rose and a forget-me-not flower in relief – the same as the handles used in the famous Flora Danica service. Impressed mark 2 and S, and the three waves of the manufacture in the version used around 1890. Length "7 1/5 / 18.5 cm. Condition: damage to the petals of the little forget-me-not flower.

A Continental Champleve Enamel and Parcel Gilt on Silver Tea Strainer, circa 1900. Possibly by the Norwegian, David Andersen. Dimensions; 5" long x 3" wide. Excellent condition.

A Toddy or Punch Ladle in Sterling Silver by Gorham in the rare Louis XIV pattern, for Theodore B. Starr and Herman Marcus. It is in a bent ladle shape (may have been straight originally, but more likely it was based on designs in the George III period) and dates from about 1870, when the design was patented. It weighs 6.4 Troy ounces and measures 8" x 5", with a bowl of 4.5" x 3.5". Its unbent length would be 14.5". There is a monogram "N" on the underside of the handle. It is in excellent cond...

A very attractive French silver (1st standard=950/1000 pure silver) tastevin, the bottom inset with a 1785 silver coin showing the bust of King Louis XVI. This tastevin departs slightly from the traditional form, with the fluted “godrons” placed immediately around the coin and the sides finished with very nice repousse decoration of grapes, vines and leaves. The tastevin is finished with a single coiled snake handle. Tastevins set with royal coins seem to have been popular during various ...