An Early George III Silver Creamer or Milk Jug. Makers mark of CW, for Charles Wright. Hallmarked in London 1764. Dimensions; 4" x 3", weight; 7.3 Troy ounces. Excellent condition.

A Small Georgian Sterling Silver Christening Mug or Cann; by William Bateman, London 1817. Dimensions; 3.25" high x 2.75" at base. Weight 5 ounces. Excellent

A Pair of Porcelain Royal Worcester Candlesticks; Columnar, with Spiral Decoration, on a Square Base. Dimensions; 4.25" square base x 8.5" high; Registry No. 17050 for 1884; model 1050. In excellent condition.

A fine naïve folk portrait profile of a gentleman, signed on the reverse by the artist Samuel Rowell. In the same hand is the location of Amesbury, Mass, and the name of the sitter, Moses Henderson.

The painting is on card, done in watercolor with gum arabic highlights, and is in the original gilded wood frame. An additional piece of glass has been put on the back to protect the written information.

The condition of the painting is excellent, with no folds, tears, or staining...

A very attractive late 19th century first standard (950/1000 pure silver) wine taster by Parisian silversmith Louis Coignet. The tastevin is decorated in the Bourgogne style with an applied handle in snake form. The serpent is beautifully decorated with engraved scales and eyes. The sides are enhanced with repousse and chased decoration of grape clusters and vine leaves. This example is classic form, but has a very steep convex bottom and no “godrons” or “perles” along the sides...

A fine matched pair of ceramic recumbent lions of molded construction having maize yellow ware enamel. The careful observer will note that the lions are not a mirror match, but they complement each other and were most likely produced this way. While the condition of the lions is less than pristine, having minor enamel losses and one minor chip as shown in the photos, we believe that serious collectors will appreciate the earliness and uniqueness of these ceramic lions...

A pair of very well painted and gilt porcelain compotes. Both with marks that are loosely painted in undergaze blue that more or less resemble the crossed torches that are the registered mark for the Locre factory, also known as La Courtille. The factory was in existence from 1771 until 1840. The high quality of the painting is especially evident in the bouquets in the center of the compotes...

An elegant second standard (800/1000 pure silver) French tastevin. The bowl is engraved with repousse grape clusters and leaves in the 18th century style, but also with the more traditional raised “perles” and “coupules” seen in 19th century examples. The combination of the two is quite unusual. The handle is in the form of two snakes grasping an apple between their jaws—an element thought to stem from the Garden of Eden and intended to remind drinkers of temptation...

An Importand and Historic Coin Silver Mug (Christening or Childs Mug) by noted Boston Silversmith Obadiah Rich (1809-1888, active 1830-1850). Marked pieces by Rich are Rare as much of his Output went to Leading Boston Retailers. The Mug is inscribed "Dec. 25, 1848 Emily P. Call from Abel Cushing Jr.". Cushing (1785-1866) was a Massachusetts lawyer and the author of "Historical letters on the first charter of Massachusetts government", published 1839...

A rare dedicated souvenir "Turban Shell" (Latin: Turbo Marmoratus) hand engraved, onboard ship, "with a penknife" by C H Wood. This presentation piece was commisioned by the ship's Chief Engineer William Driver, for his brother Charles in 1866, to commemorate the laying of the transatlantc telegraph cable. The Great Eastern, designed by Isambard Kingdom Brunel, was an iron steam sailing ship which, from it's 1858 launch until 1899, was the largest ship ever built. The inscriptions, in a...

A Large Victorian English Brass Inkstand, with Two Lidded Porcelain Inkwells, a Candleholder, a Nib Brush and Two Pen Holders. Marked on the bottom Rd No (Registry Number) 1702 for 1885. Dimensions; 16.5" long 4 6.5" deep x 6.5" high; approximately 3.5 pounds in weight. Excellent condition.

A stunning Chelsea-Derby tea bowl and saucer, finely painted in puce monochrome with scattered floral sprays and sprigs, reserved on a ground of closely packed gilded spirals. The interior of the bowl is painted with a puce rose and leaves. Both pieces are marked with a gold anchor.

Condition is excellent, with no chips, cracks, or restoration. Minor gilding wear to the extreme rim edges. The height of the bowl is is 1 7/8", and the diameter is 3 1/8", while the saucer diameter is 5".

Elaborately handled server by Reed & Barton in the "Love Disarmed" pattern. It has the old hallmarks dating back to 1899. This piece is in excellent condition, the figure on the handle and all of the repousse work are very crisp. Originally an asparagus server, it can be used for so many things. It has lovely piercings on the flat portion, and it shows no wear. It measures approximately 11.25" long and 3.75" at its widest. It weighs 255 grams. It is not monogrammed.

American Art and Crafts Period Rookwood Vase, a perfect compliment to your Arts and Crafts bungalow, Frank Lloyd Wright would be pleased. This is the second largest size in this mold; the vase stands 12 1/8 inches (31 cm) tall. Vases larger than 10 inches are uncommon for Rookwood. Glazed in Oxblood red with green highlights on the rim. Vase has impressed RP flame mark with VII below, and an impressed 951 B. Condition is excellent, with no chips, cracks or repairs. Circa 1907

A pewter tankard marked with the partial touch of John Townsend on the bottom of the inside of the bowl. There are no other marks except the engraved initials “I or J Y” on the front of the tankard. It is 7 inches (17.7 cm) tall and about 6 ½ inches (15 cm) from the front to the back edge of the handle.

Condition: Excellent. The engraving is very crisp. There are a few small dings on the edge of the lid and along the bottom edge...

An elegant first standard (950/1000 pure silver) French silver tastevin in typical 18th century Burgundian style. Rather than with the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Parrod, but the particular decoration is different than any other we've seen...

A classic 19th century French second standard (800/1000 pure silver) silver tastevin of traditional form and the bottom inset with a silver coin from the reign of Louis XV. The sides of the tastevin are decorated with the traditional raised “perles,” recessed “cupules,” and elongated “godrons” for assessing the depth of color and concentration of a wine...

A fine pan-topped square bucket bowl glass engraved with a fruiting vine having polished grapes, raised on a stem containing a multi-spiral air twist. Conical foot with polished pontil...