This extraordinary wood carving is a figure of Santo Nino enveloped in an oval cartouche with swirling flourishes above and below. Nino is robed in dramatic array as she holds a globe in one while giving the sign of Christ in the other. The drapery and decoration of it is exceptional as is the rich relief carving. We believe that this Spanish Colonial era panel is early 19th C...

This exceptional wood carving of a Santos was made during the early 19th C. and was executed with bold strokes with great impressiveness. The central figure is giving the sign of Christ while holding a black object - perhaps a globe - in his other hand. He is clothed with a coral colored cape, buff tunic, and black boots with gold outlining. Standing atop a sphere, he is surrounded by an oval frame - underscoring the deep relief of the carving. The top and bottom are framing devices with swirls...

A German Saltglaze Bellamine. With crisply moulded mask and applied flower roundel. Germany E17thC. Height; 8 1/8" (20.5 cm). Condition;  chip to inside of lip otherwise excellent. With a very good glaze surface.

Turn-of-the-century French Belle Epoque Classical 950 silver gravy boat on stand. Oval bowl with curved sides and elongated end spouts. Side handles entwined and split-mounted with leaves and flowers. Stepped oval foot mounted to stand with oval well and reeded and serpentine rim. Armorial engraved on stand shoulder. Marks include unidentified maker’s stamp and Minerva head. Very good condition.

Overall dimensions: H 4 1/4 x W 10 1/2 x D 7 in. Weight: 20 troy ounces. #BX235

Victorian Classical sterling silver mustard pot. Made by Charles Thomas Fox & George Fox in London in 1858. Drum-form with straight and inset sides, and open bottom. Cover flat and hinged, and scroll-bracket handle with scallop shell thumb rest. Engraved ornament: On sides, leafing scrollwork, flowers, and eagles, and on cover top round frame (vacant) surrounded by leafing scrollwork. With cobalt glass liner. Fully marked. Condition: Very good...

Set of 6 Edwardian Regency sterling silver demitasse holders and saucers. Made by Tiffany & Co. in New York, ca 1914. Each holder: Tapering bowl with open bottom, high-looping capped handle, and raised and spread foot. Each saucer: Round with well and wide and tapering shoulder. Engraved ornamental bands with vases in beaded rondels joined by scrollwork between dentil borders. Fully marked including maker’s stamp, pattern no. 18705E (first produced in 1914), and director’s letter m...

Turn-of-the-century Art Nouveau sterling silver and crystal decanter. Made by Gorham in Providence. Ovoid crystal bowl with cut and engraved ornament: Beaded horse shoe in curvilinear strapwork frame, and stylized thistles. Sterling silver helmet mouth in shaped mount with raised grain heads and entwined tendrils; high-looping reeded handle. Flattened ball stopper with same and short clear glass plug. Silver fully marked including maker’s stamp and no. D1170...

Gorgeous turn-of-the-century Martelé-style Art Nouveau 950 silver basket. Made by Black, Starr & Frost in New York. Flared and ovoid mouth and cylindrical body flowing into spread foot on 4 turned-under scroll supports; fixed and shaped c-scroll handle. Ruffled and irregular rims. Chased and applied ornament with flowers and climbing and entwined tendrils overlaid with leaves. Hand-hammered ground. Fully marked with maker’s stamp, no...

Turn-of-the-century Germany sterling silver box. Made by B. Neresheimer & Söhne in Hanau, and imported to England in 1914 by Berthold Hermann Muller in London...

Art Nouveau sterling silver trophy cup. Made by Tiffany & Co. in New York. Urn on tall and spread foot; double-scroll side handles. Chased semi-abstract tendrils terminating in volute scrolls, garlands, and pendant flowers. A fluid, slightly hallucinatory take on traditional ornament. Gilt-washed interior. Fully marked including maker’s stamp, pattern no. 8637, director’s letter T (1892-1902), and volume (3 pints). Excellent condition.

Dimensions: H 7 7/8 x W 10 1/2 x D 6 3/8 in. Weight: 2...

Turn-of-the-century Chinese export silver picture frame. Oval window in shaped surround with scrolls and flower heads at top, and leaves, stars, flowers, and heart cartouche vacant on stippled ground at bottom. With glass, silk lining, velvet back, and hinged easel silver wire support. Marked “Sterling”. Very good condition with deep patina.

Dimensions: Frame: H 7 1/4 x W 4 3/4 in. Window: H 4 1/4 x W 2 3/4 in. #BW978

The Jacob Petit factory at Fontainebleau produced these porcelain cornucopia vases Century 1840. The lavish cornucopias are mounted on rectangular bases decorated with rocaille and gilded swags and vines; the corners are finished with swans. The horn is molded, painted with flowers in reserve on each side. The rim is a rococo staple of undulating flourishes, decorated in gold in the upper interior. The base has a peach wash; the horn in a robin's egg blue palette. Condition is very good to excel...

A fantastic set of hand painted fish plates, each plate having its own distinctive scene, made in Limoges, France. The plates date circa 1900. Each plate is gold enameled at the rim. Diameter is 9 1/4". Condition is superb (see report below). Backstamp is L. R. I - a manufacturer whose identity I have not solved. With 12 plates, you could create a visually arresting focal point in your living room, dining, or hallway. Dimensions: 9.25" d Eleven plates are in superb antique condition. On...

This porcelain masterpiece was produced by the famous British firm commonly known as Royal Crown Derby a name owing to the trademark featuring the royal crown patented to the firm by George III. The designers spared no expense in the production of this lavish rarity which stands stout on 4 paw feet reminiscent of the Chippendale style. The bowl is carefully and brilliantly painted with roses, vines, and fern leaves in gold. The legs and handles are accompanied by gilded lions, a theme contin...

A pair of lidded small pewter ewers or tankards, antique burettes once used in The Holy Mass. An engraved A to one lid and a V to the other, for Aqua (water) and Vinum (wine) respectively. Each hold about 8 centiliters, an amount which obviously relates to an old measuring system, maybe German. The design - with the cherubim below the spouts and the hearts above them, as well as the shells to the handles - is definitely 18th century Rococo. However, the ewers might have been produced in the firs...

A wonderful offering of a c1758 Vauxhall porcelain coffee can, very finely potted and painted in the highly sought after and uncommon "sticky blue". The scene is of two figures on a hill with a tree and a pagoda.

The condition is excellent, looking factory fresh, with no chips, cracks, paint loss, staining, restoration, etc. Any apparent shadows, white areas, streaks, or other issues are only due to photographic flaws and are not present when viewed in person. The can is 2 9/16" tall, with...

A collection of three nice Northern European Mangleboards.

One is very old, dated to 1710, carved on the top of the board together with the letters ALRS - the initials of the carver himself - or the one he was devoted to show his carving skills? - 58 cm.

The 2nd board - dated 1822 with the letter DYD carved on the top. Also note the handle in the shape of a vivid horse figure (59 cm)

Both boards are very beautifully decorated with floral motifs and symbols carv...

If fireplaces long ago were considered romantic, this fireplace summer cover is undoubtedly the reason for such nostalgia. This cast iron masterpiece features the god Mercury holding a torch, atop a basket of flowers, framed with scrolling baroque devices. I date this summer cover to mid 19th C. or earlier. We propose considering this object as non-functional art, or architectural gear to restore a grand old home. Dimensions: 20" w, 2" d, 25" h This summer cover bears considerable we...