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TEST ALL CAPS CONVERSION ONE

Heavy storage jar signed "ME", by Dave the Slave. His fingerprints are on the bottom of the jar and it measures 7" Height, and 5" in width. The Edgefield pottery expert believes that this jar was made by Dave the Slave. This is the shortest poem written by Dave the Slave.

Pair of Staffordshire pottery cake plates with light blue transfer decoration in the Canton or "Willow" theme. Neither plate is marked.

Origin: England, circa 1850. Condition: one plate has a crow's foot visible only from the back; the other has a 1/2" flake on the back of the rim; both have some staining, particularly along the rims. Size: 10" diam.

 

This porcelain plate was produced in Germany by Meissen in the 1880s. It has the first quality, underglaze crossed swords mark with pommels. The plate is made of the finest quality hard paste porcelain ever produced in the Western Hemisphere. It measures 9 ½ inches in diameter. The reticulated border is cut out by hand. The center of the plate has a hand painted scene of Galileo reading a book and inventing the geometric compass. The painting is after the artist Byieu, Dutch master...

This set of 12 porcelain plates was produced in France by Sevres at the Chateau Des Toulleries In 1844. The set has an under glaze mark and 2 over glaze marks containing the date. The plates measure 9 3/8 inches in diameter. The porcelain is very thin and translucent. They bear the monogram of King Louis Phillipe in gold. The cherubs in the centers and the reserves on the borders are all hand painted...

This trio of tea cup, coffee cup and saucer was produced in Wales by Nantgarw between 1817 and 1822. Illustration #82 in “Nantgarw Porcelain Album” written by W.D. John, G.J. Coombes and K. Coombes shows a cream jug in the same pattern. None of the pieces are signed. The saucer measures 5 1/2 inches in diameter and is 1 inch deep. It is notable that this saucer does not have a foot rim and is unglazed on the bottom, a detail which is mentioned in the book...

This Avante garde porcelain platter is attributed to Martin Fritzsche. It is similar to works in the Broham Museum in Berlin. The platter is 17” long, 13 3/4” wide 2 3/4 inches high. It has a Seger mark under glaze, the model number 5894 incised in the porcelain and worn, unintelligible painted letters. The design is 3 dimensional with unique crystalline glazes in shades of moss green brown & turquoise...

This pair of porcelain vases was produced in Austria in the 1890s. They have a beehive marking painted over the glaze. They are 8 5/8 inches tall. The diameter at the widest point is 4 inches. The form of the vases has a classic, clean silhouette. But the tour de force is the jeweled decoration. Raised enamel beads or jewels imitating sapphires, opals, amethysts, and rainbow quartz accent and drape around each vase. There are garlands of tiny pink roses and tiny gilded rosettes...

This porcelain perfume bottle was produced in England by Coalport in the 1890s. It was produced especially for the London retailer Sloane & Smith of Oxford Street. The bottle is 3 3/4 inches tall with a diameter of 2 3/4 inches. The collar and top of the lid are enameled with raised enamel rubies and ornate gilding. The body of the bottle and lid have a gilded ground covered with raised turquoise beads or jewels...

This set of 12 plates was produced in France in the mid 19th century. They are marked with the underglaze Sevres markings but were probably made by a Paris decorator...

A beautiful Chelsea Porcelain Factory coffee cup and saucer in the highly uncommon and sought after spiral molded scolopendrium pattern form. Specifically, the cup has an iron-red undulating rim , and a spiral molded tapering body. The handle is of a notched scroll type with a raised central ridge, clearly influenced by Nicholas Sprimont (the first director of the Chelsea factory) and his prior experience as a silversmith. The body of the cup is fulsomely decorated with a variety of blooming flo...

A Westerwald Stoneware Tankard. The body with incised and impressed decoration. The neck with applied masks. Westerwald C1600/20. Height; 7" (17.5 cm). Condition;  chip to upper upper rim, minor small chips to rim. Slightly distorted in the firing. A similar example is in 'The American Pilgrim Museum' Leiden. Fragments of this type have been excavated in Plymouth Massachusetts at the site of the colony founded by the Mayflower Pilgrims in 1620. Also at the slightly ea...

This pair of porcelain vases with lids was produced in England by the Royal Crown Derby factory in1895. The date cipher indicates this year. The vases measure 8 inches tall and are 5 inches in diameter. The fine bone china is molded with designs in high relief. These decorations are accented with bright gilding. The front of each vase is decorated with a gilded basket of flowers. The flowers are hand painted with raised colored enamels. They contrast against the cobalt ground like jewels....

This pair of porcelain vases was produced in England by Mintons in the 1870s. The vases measure 8 ¾ inches high and are 4 inches in diameter. The ground color shades from turquoise blue to cream color. The decorations are hand enameled. The style is aesthetic, inspired by the Asian cultures. Weeping vines of wisteria, prunus blossoms and Japanese mons are painted in heavy gold and platinum enamel. The shoulders of the vases have a collar of raised gold decorations. The rims are trimmed w...

This porcelain cup and saucer was produced in Italy by Caopdimonte between 1740 and 1745. It bears a rare “Fleur de Lis” mark under glaze. The saucer is 5 1/4 inches in diameter and is 1 inch deep. The cup is 2 3/4 inches high with a diameter of 2 3/8 inches. The porcelain is highly translucent with egg shell quality. It has a parchment hue and has imperfections in the glaze. The cup shape and handle are very similar to Meissen cups of that time. The decoration of butterflies and insects ...

A superb and early spread base mug example of the Worcester "Walk in the Garden" pattern. Although Branyan, in his book "Worcester Blue and White Porcelain 1751 - 1790" indicates the date range for this pattern to be 1755 to 1765, the lovely pale grayish-blue color of the decoration and the presence of a scratch cross mark on the base would place manufacture of this mug (or tankard) several years earlier, making this a truly exceptional piece. In addition to the incised line on the base there is...