This porcelain demitasse cup and saucer was produced in Germany by the Helena Wolfsohn Dresden studio in the 1890s. The saucer has a diameter of 4 1/2 inches and the cup is 2 inches high. The set is hand painted with garlands of vibrant flowers. Swags and scallops of forget-me-nots and tiny roses spill across each piece. There is delicate gilding around the border, rims and handle. Condition: Excellent

A Lanternier Limoges hand painted floral vase from around 1900. This subtle and beautiful Limoges French porcelain hand painted vase c1890-1900 vase stands 9-1/4" high and it has a finely painted floral arrangement in subtle pastel shades with gold highlights - the leafy sprigs with purple flowers have subtle green lines and the complex yellow and richly gilded large flowers and leaves have great detail and piped and jewelled thick gold outlines...

An English polychrome blue & white transfer milk jug circa 1850. This 19th century decorative 5-3/4" tall jug measures 6-1/2" from spout to handle, and it has a Chinese scene design. The colours are green, teal, orange and yellow and the design is continued on the inside upper rim and spout...

Cup and saucer transfer printed in blue with the “Temple” pattern of a Chinese seascape and pagodas. Caughley, Shropshire, c 1780, the cup marked with an S in underglaze blue for Salopia (Shropshire’s old Roman name). Height of cup "2 ¾ / 7 cm, diameter of saucer "5 ½ / 13.5 cm Condition: small nick to the gilt rim of the saucer, at 6 o’clock in the last photo.

A pair of coffee cans, English, Staffordshire c 1810. Lavender blue and gilt with a vase and palmetto scroll motif. The edge of one can is slightly flaring and the lavender tone is a little lighter. Still, they are intended as a pair as proved by the gilders mark, which is the same on both cans, three plus one dot. Height "2 ½ / 6.5 cm. Condition: fine.

Six little fruit plates and a dish. German Majolica, c 1900, unmarked, with palmettos in light blue surrounding a relief-moulded twig of leaves and apples. The colours are lighter on the dish and three of the plates than on the rest. Diam: "6¼/ 16 cm and "9 1/2/ 24 cm. Condition: wear to the outer rim on two of the plates.

A pair of Staffordhire copper lustre creamers or milk jugs / pitchers. Early Victorian Rococo revival shape and pretty decoration of vines against an orange background. Height: "4 3/4/12 cm. Condition: one with some crackling to the glaze (cf. pics).

A French faience pot de crème / custard pot, c 1760, ribbed and decorated with flowers in petit feu enamels. The style of the decoration as well as the shape resembles that of Veuve Perrin, Marseille, but the signature, a monogrammed JR, indicates that the little pot originates from the manufacture of Joseph Robert, also in Marseille. Height including lid "3 ¼ / 8 cm. Condition: some roughness to rims (cf. pics).

Four(4) English Mintons Porcelain Salad Plates, 9" diameter, 7/8" high, high quality brilliant etched raised gold border on top of the Cobalt blue wider border. Impressed mark and purple "Mintons Est. 1793 England" in purple, "g6262" in red on the bottom. The condition is very good, no damages.

A pair of CJ Mason porcelain plates circa 1825 A pair of distinctively molded bone china porcelain plates from the Mason factory circa 1825. Each is hand painted with a bouquet of flowers and the molded pattern enhanced with copper tinged gilding. They have no maker’s mark, but this molded porcelain is associated with the factory. Pattern mark 963 on the back of both, though the “9” is hardly there on one of the plates...

A waste bowl or slop bowl and a saucer bowl in the Yellow Shell pattern, c 1820. This very popular folk art or naïve style pattern was produced in many Staffordshire kilns in the early 19th century. It used to be attributed to New Hall, but as for the waste bowl recent English research leads us to the Machin kiln, because of the difference in detail. The saucer unmarked, the waste bowl with Machin’s number 208. Diameter of slop bowl "6/ 15,5 cm and of saucer "5½/ 13,5 cm. Condition: fine...

A Staffordshire plate stenciled, cut sponge decorated and hand painted with the three rabbits, the frog, the clouds and grasses stenciled in brown in the center of the plate within a blue line, surrounded by hand painted red flowers, green leaves and blue cut sponge flowers contained within a red line on the rim. The rabbits in the yellow painted grass are fairly natural. The green painted frog less so...

The porcelain plate is marked in underglaze blue with the crossed torches of Locre which was known to have exported undecorated porcelain to England. Once in England, very often London, it was decorated with overglaze enamels and gilding. The Locre factory closed in 1820. The decoration is reminiscent of 18th century Worcester. Though it may have been part of a set of plates it may also have been painted to replace a broken plate in an 18th century set...

This porcelain pot de crème was produced in Austria at the Royal Vienna Factory before 1820. It has an under glaze blue bee hive mark as well as impressed numbers. It is 3 1/4 inches high including the lid. The finial on the lid is in the shape of a flame. It is decorated with hand painted grape leaves that encircle the lid and the cup. The style of the handle and painting are quite similar to Meissen porcelains...

An attractive 18th century English porcelain teabowl and saucer, made by one of the Liverpool factories. Excellent condition with no problems. The saucer is 4 3/4" in diameter, with the bowl being 3" in diameter and 1 3/4" in height.

This porcelain tea cup and saucer was produced in England by Royal Crown Derby in 1912. There are date ciphers that indicate this date. The set is made of high quality bone china. It is decorated in a Japanese Imari pattern. The decoration is hand painted and ornately gilded. The decoration on the cup and saucer is bold and vivid. There is some slight wear in the well of the saucer. This cup and saucer is in otherwise excellent condition.

Demitasse black and white coffee can and saucer by Bodley & Co in Staffordshire, c 1870. The pattern, numbered 3438, is of various whimsical silhouetted scenes – a charging officer and fusiliers, firefighting, dueling with walking sticks, an arguing couple, a fat guardsman etc. Impressed mark Bodley. The deep well of the saucer makes the ensemble into a “trembleuse” – a design that made it easier to move the cup from one place in the room to another...

Parian group of a baby being roused by a puppy. Modelled c 1890 by Rowland James Morris (1842 – 1898), engraver and sculptor. R J Morris was born in Staffordshire and is known to have worked as a modeller to more than one porcelain manufacturer. He became especially well known for the Dainty White service and for Parian groups with children and dogs, one of them the immensely popular “Can’t you talk?” His models were all sold to Shelley & Wileman in 1896...