Four 19th century faience plates, probably from the Les Islettes factory near Reims in Northern France. Three with lobed and one with straight border. All decorated with sprigs of flowers in the "gaudy" style, one with a flower basket. Diameter "8 ¾ - 9 / 22 - 23 cm Condition: rim frits and wear to one plate, the flower basket plate with a charming attempt made in the factory to conceal a glaze mist at the border (cf pics).

A nice early Staffordshire pottery child's cup decorated with a transfer scenes of children playing leap frog on one side and "peg top" on the other. The black transfer is highlighted with red overglaze enamel. The cup is accented with a molded foot and a strap handle. Teh glaze has the slight bluish tint found in Staffordshire pottery of this period.

Origin: England, ca. 1850. Condition: normal crackling to glaze, a few small flakes at the rim and two tight hairlines. Size: 2-3/4" tall.

Anglican, Lowther Castle Transferware Plate, Purple color Iron Stone, with a man, cow and other anumals in front of Lowther Castle, Ca. 1850, 8 1/4" diameter, crazing on the glaze, the condition is good.

An English sauce tureen and ladle, transfer printed in the Morning Glory pattern. Victorian, Staffordshire c 1880. Impressed mark T.C. Brown Westhead Moore & Co and pattern number H5156. Width "8½/ 21 cm, length of ladle "7/ 18 cm. Condition: fine. Price: $170, including worldwide SH & I

This porcelain tea cup and saucer was produced in Hungary by Herend in the 1870s. The set is modeled after cups and saucers of the Chinese Yongzheng and Qianlong dynasties in the 18th century in the Famille Rose pattern. The saucer has a diameter of 5 inches and is 1 ¼ inches high. The cup is 2 inches high and the opening has a diameter of 3 1/8 inches. Both pieces are double walled and reticulated. The cup features a figural handle of a lizard...

A shaped rectangular dark blue ground dish with extensive gilding. Birds on the four edges and moths in the corners are painted in conjunction with the gilding. Though unmarked it is typical of Mason’s of the period around 1825. 9 ½ inches (24 cm) length, 8 inches (20 cm), 13/4 inches (4.5 cm) tall.

Condition: No chips cracks hairlines or repairs...

Three copper lustre saucer dishes. Brown transfer printed and hand painted decoration of Chinamen and boys in a garden. English, Staffordshire c 1840. Diameter "5 ½/13,5 cm Condition: fine.

A pair of small Doulton Lambeth Silicon jars, the inside salt glazed as to be used for pickles relish or the like, the outside meticulously worked with applied and incised stylized leaves and pearl borders in beige and blue. Impressed mark Doulton Silicon Lambeth and year mark 1883. Height "2¼/ 6 cm, diameter "3½/ 8,5 cm. Condition: fine.

A Majolica pitcher with a basket weave and floral pattern design. Mauve Interior. Dimensions 6"high x 5" wide, to handle. Circa 1880. Excellent condition.

This pair of porcelain vases was produced in England by Royal Worcester in the 1870s. They were made especially for the retailer, Richard Briggs, of Boston. They measure 8 ½ inches tall and 6 inches wide. The design is Japonesque, simulating lacquer ware, sitting on a wooden base. They are hand painted with birds and flowers that complement each other. They are painted on both sides with different designs...

A group of three Staffordshire plates. The first a small (6 ½ inch diameter) pearlware plate with good handpainted roses and a solid colored border with lines and dots. The second plate (8 3/8 inches diameter) also pearlware handpainted with a border of small roses, leaves and ovals over two lines. The third a ceramic plate with a shaped edge (10 1/8 inches diameter) with a very bold free hand painted single Adam’s rose dominating most of the area. All are unmarked...

A pair of 19thC Gaudy Welsh canns or mugs 1820 1850. This matching pair of early to mid 19th century 2-3/4" tall Gaudy Welsh chinoiserie ceramic canns or small mugs feature copper luster and hand painted designs over pink transfer in blue, green, yellow and brown. Although known as Gaudy Welsh, only a small percentage of these attractive pieces were produced in Wales - most were produced in Staffordshire...

This set of 12 bird plates was produced in England by the Cauldon factory in the 1890s. The plates measure 8 3/4 inches in diameter. They are made of fine, white bone china. The edges of the plates are fluted and the porcelain has a molded swirl design that is accented with gilding. The centers of the plates are expertly hand painted by the renowned artist, James Birbeck, who specialized in painting game birds...

Antique, late 19th century, American pottery pitcher, most likely Shenandoah Valley. Please see the links below...

An outstanding pair of studio quality candlesticks from the hands of famed ceramicist Clement Massier of free form with fully modeled frogs and snails. The glaze is a complex interplay between faintly iridescent gold and hollandaise yellow. Signed C(lement) M(assier) Golfe Juan AM on underside. Excellent condition.

Dimension: 8 1/4" h

Staffordshire Figure of Cobbler Woman, one of a pair. This one dates to mid 19th C. and is particularly desirable because it is painted in the round. Good condition with crazing, no discernible damage. Dimension: 6 1/2" h

This porcelain ewer was produced in England by Royal Worcerster in 1885. The date letter in the marking indicates this year. It is model number 1048. The artist who painted this vase was Charles Baldwyn who worked at Worcester from 1880 to 1904. The ewer measures 7 ¼ inches high and has a diameter of 6 ¾ inches. The porcelain has a creamy, ivory hue. It is hand painted with a realistic jay bird sitting on a branch. The painting is done with flat paint, raised enamels and gold leaf...

A fine Wedgwood hand painted Imari plate dated 1886. This beautifully hand painted 8-1/4" scalloped-edge English bone china plate, made by Wedgwood is ornately painted in the orange, cobalt and gold Imari palette, and it has the Wedgwood urn mark with the K date stamp for 1886. This item is in excellent original condition with no chips, cracks, crazing, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or ...