A Blue and White Christening Mug, with Gilt by Whittingham, Ford & Co. Burlsem, 1868-1873. Irving Pattern; dimensions 3.5" high x 3.75" wide. Some age wear.

A large heavy porcelain ice-water pitcher made in either America or France but decorated in America, probably by E.V. Haughwout, a major New York City retailer of porcelain, glassware and silverware. This form, with a bridge near the spout for holding back ice cubes, is also known as a “sweetheart pitcher,” because of the vaguely heart-shaped wreath on either side...

Dinner plate in Sevres pattern but probably Minton c. 1850

A soft paste porcelain dinner plate unmarked, but probably Minton. In the “feuille de choux” pattern with hand painted flowers, blue accents and heavy gilding. These knock offs of 18th century Sevres were popular from the mid 19th century (c.1850) onwards and Minton made many of the very good ones. 9 ½ inches (24 cm) diameter.

Condition: no chips, cracks, hairlines or repairs...

This is an antique late 19th-century polychrome majolica figurine of a butler holding a feather duster. The figurine is finely hand-sculpted with great details and wonderfully hand-painted in various colors. It was made by Bernard Bloch, a renowned Bohemian-Czech artist...

This porcelain demitasse cup and saucer was produced in England in 1882. The date letter indicates this year. The saucer has a diameter of 4 3/8 inches and the cup is 2 ¼ inches high. The set is made of bone china. The cup features the traditional Worcester ring handle. The set is decorated with alternating bands of gold and yellow. The gold bands contain chains of hand painted chrysanthemums and the yellow bands have ornate gilding...

An English sauce tureen and ladle, transfer printed in the Morning Glory pattern. Victorian, Staffordshire c 1880. Impressed mark T.C. Brown Westhead Moore & Co and pattern number H5156. Width "8½/ 21 cm, length of ladle "7/ 18 cm. Condition: fine. Price: $170, including worldwide SH & I

Pair of antique painted porcelain plaques of flowers, probably European, late 19th century, with gilt frames.

Plaque: 8 x 6”
Frame: 10 x 8.25”

Staffordshire pottery cup and saucer decorated in a rare combination of rococo brown transfer reserves with pink luster roses. The earthenware body is molded in a swirled pattern.

Origin: England, c. 1850. Condition: mint. Size: saucer, 5" diam.; cup 2-1/4" tall, 3" diam. (not including handle).

A nice Staffordshire inkwell or quill holder in the form of a recumbent deer. The naive painted decoration almost makes it look as if she's wearing a little black hat. The doe is posed on a white base molded as a rocky outcropping. The base is highlighted with a burnished gilt line.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 4-3/4" x 2" x 4".

This porcelain demitasse cup and saucer was produced in England by Coalport in the 1890s. It was produced especially for the prestigious retailer, Gilman and Collamore of New York. The saucer has a diameter of 3 3/4 inches. The cup is 1 7/8 inches high with a diameter of 1 7/8 inches. The fine, white bone china is covered entirely be gold. There are panels of intricate, embossed patterns alternating with panels of raised turquoise enamel beads or jewels...

Very rare Staffordshire figural inkwell in the form of two birds nesting amongst flowers. A beautifully modeled and painted tulip stands upright between the birds. It is possible that the tulip was intended as a candlestick, because the quill holders are in the base near the birds' tails. Origin: England, ca. 1870. Size: 2-3/4" diameter; 3" tall. Condition: excellent, no damage or repairs.

English Blue Transferware deep Plate, 19th century, 8 7/8" diameter, 1 1/4" high, fluted edge with Castle scenery and figures attending cows, impressed mark "2" on the bottom, possibly "Spode" pottery, the edges are worn and stained little, the condition is good.

6 French majolica asparagus plates with a yellow basket weave pattern edged by a scalloped turquoise rim. The plates features 4 purple tipped asparagus spears laying on a large green artichoke leaf against a turquoise ground. Although difficult to see in photo, there is a well on the right side of the plate for a sauce or melted butter. From the Salins-les-Bains region of eastern France this plate dates circa 1875. Each plate comes with attached hanger...

A Frence Faience Roccoco Style Tureen and Cover. Cover with Cauliflower, Carrot and Turnip Top. Bowl with C-scroll handles. Dimensions; 10" x 9.75" x 11.5" high; weight approximately 5 pounds. Circa 1890. Normal wear for old faience.

A pair of mid-19thC ornate Meissen style covered urns. This amazing and massive pair of mid-19th century French porcelain 19" covered mantle urns were made by M.S. Claus, France. They are fully hand painted and in the Meissen style, and both are extravagantly festooned with hand-formed and applied flowers and leaves. Each is topped with a similarly decorated lid, topped with a figure of a child...

This set of 10 porcelain cups and saucers and one covered bowl was produced in Europe by an unknown manufacturer in the 19th century. They have a mark we do not recognize. They may have been a special order for a wealthy client. The saucers are 5 ¾ inches in diameter. The cups are 3 ½ inches high at the handle, with a diameter of 3 5/8 inch diameter. The cups have empire style handles and pedestal bases...

This porcelain plate was produced in England by Brownfield’s China between the 1870s and 1880s. It was made especially for Tiffany in New York. It is artist signed “Hartmann” and titled “The Lark”. The plate measures 9 1/4” in diameter. The plate is made of fine, white bone china. The border is celeste blue with raised French enamel roses and Asian mons. The edges of the plate are richly gilded and there is beaded and lacy gilded accents. The hand painted scene of a young maiden...

A group of three Staffordshire plates. The first a small (6 ½ inch diameter) pearlware plate with good handpainted roses and a solid colored border with lines and dots. The second plate (8 3/8 inches diameter) also pearlware handpainted with a border of small roses, leaves and ovals over two lines. The third a ceramic plate with a shaped edge (10 1/8 inches diameter) with a very bold free hand painted single Adam’s rose dominating most of the area. All are unmarked. The first two are probably...