Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine...

An elaborately molded plate with three hand painted sprigs of flowers. The pattern is one that was made by CJ Mason circa 1825 in the rococo revival taste. 8 ½ inches diameter.

Condition: Minor gilding wear and a few knife scratches, but otherwise no chips, cracks, hairlines or repairs.

A pair of CJ Mason porcelain plates circa 1825 A pair of distinctively molded bone china porcelain plates from the Mason factory circa 1825. Each is hand painted with a bouquet of flowers and the molded pattern enhanced with copper tinged gilding. They have no maker’s mark, but this molded porcelain is associated with the factory. Pattern mark 963 on the back of both, though the “9” is hardly there on one of the plates...

A pair of dishes, printed and hand painted with flowers in pastel shades, the edges scalloped and gilt. Doulton Burslem mark for 1885-1902. Diameter "8¾/ 22,5 cm (both plates). Condition: fine.

A pair of English Staffordshire ”Imari” plates, the decoration painted in under-glaze blue and enameled, the rims lustre-glazed. The backs with a printed mark Ironstone China. Early Victorian, c 1830-40. Mason’s was the first manufacturer to launch Ironstone ware but many others were to follow. Diameter "9¾ / 24,5 cm. Condition: some crackling to the glaze to one plate, and a small chip to the underside of the rim (cf. pics).

An English sauce tureen and ladle, transfer printed in the Morning Glory pattern. Victorian, Staffordshire c 1880. Impressed mark T.C. Brown Westhead Moore & Co and pattern number H5156. Width "8½/ 21 cm, length of ladle "7/ 18 cm. Condition: fine. Price: $170, including worldwide SH & I

A wonderful example of a rare Dr. Wall Worcester tea canister of fluted oval "French shape." There are several variations of the Hop Trellis pattern, with this one being less common. All versions of the pattern are highly collected. In the case of this variety, the upper border is a deep blue, while the lower border is a turquoise cailloute (a lacy network of oval or circular outlines, from the French, meaning "pebbled")...

This set of 12 porcelain plates was produced in England by Copeland’s China around 1891. They were made especially for Tiffany in New York. The plates have a diameter of 8 7/8 inches. They are made of fine bone china and have molded, high relief accents in the porcelain. Each plate has 4 hand painted birds that are named on the back. They are precisely depicted in vivid color with no two alike. The borders are elaborately gilded...

A fine Dr. Wall Worcester sauce boat in the "Two-handled Sauceboat Landscape" pattern, with the oval body modelled with two shell shaped lips and applied with two double-scroll handles with thumb-rests. Exterior is embossed with garlands of leaves which form four circular reserves, each with an Oriental scene. The interior also displays a large Oriental scene. A workman's mark is on the underneath of the base.

Condition of this piece is excellent, especially for this particular form...

A beautiful ironstone coffee pot with rich green foliate garden theme transfer and hand painted floral decoration, back stamped with Brougham and Mayer Hybla Ironstone. Very good condition marred by shallow chip inside lip of lid. This gorgeous example dates from about 1850-60. Dimension: 9 1/4" h

Staffordshire Figure of Cobbler Woman, one of a pair. This one dates to mid 19th C. and is particularly desirable because it is painted in the round. Good condition with crazing, no discernible damage. Dimension: 6 1/2" h

A superior example of Staffordshire pottery owing to a couple of factors such as the gorgeous apple green enameling, the generous gilding, and the excellent condition of the creamer. This one is painted with apple green around the body with light yellow reserves of gold framed embellishments, the neck which is decorated with swagging leaves. The large helmet shaped mouth has gold leaf as does the attached two part handle. The creamer sits on four gold decorated feet. The underside is unmarked...

A fine Spode New Stone china small covered double handled tureen with under plate painted in the Imari palette featuring floral themes in the Chinese style. Spode introduced New Stone c. 1820, so we feel safe dating this item to c. 1825. It is in very good condition with the only flaw being minor to moderate gilding loss around the edge of the plate. As a quality feature, you will note that the inside rim of the bowl is decorated...

An antique Spode stone china covered bowl with transfer and hand painted designs in the Imari palette featuring floral motifs in the Chinese style. These wonderful early ceramic pieces are a treat to find, and often bear evidence of their 200 years of life, and this one is no different. The foot suffers 2 small chips which we have photographed, and the outside and underside have foxing as shown in the photographs...

A hard to find purple transferware pitcher with central vignettes of farm life and genre scenes. The top and inside of pitcher have foliate decoration. The single piece handle is attached. Condition is very good with minor crazing and possible exterior crack for which we have shown 2 pictures. Very moderate age discoloration most noticeably on handle.

Dimension: 6" h

A very hard to find purple transferware jar with lid featuring a vignette of a child with mother among classical ruins. The attached handles are decorated and scroll outward; the rim is decorated with fancy borders as is the foot. Underside is impressed with P. Condition is very good with discoloration and crazing commensurate with age. Inside is a gouge which may be a production defect. We have provided a picture for your judgment. This early 19th C. jar is a super find - if you like old Staffo...

Francis Wheatley ( 1741-1801) first earned his fame as a portrait painter for the aristocracy, but when he fell out of favor, his landmark series of paintings of the Cries of London depicting the working poor hawking their wares on the streets of London ensured long lasting fame. Prints of his paintings were popular throughout the 19th century and early 20th. This Prattware lid was such an example produced by polychrome transfer processes.

It's condition is very having a small nick ...

Francis Wheatley ( 1741-1801) first earned his fame as a portrait painter for the aristocracy, but when he fell out of favor, his landmark series of paintings of the Cries of London depicting the working poor hawking their wares on the streets of London ensured long lasting fame. Prints of his paintings were popular throughout the 19th century and early 20th. This Prattware lid was such an example produced by polychrome transfer processes.

It's condition is very having a small nick ...

This exceptional teapot is from the Staffordshire region of England from the very early 19th century, reasonably dated c. 1800 and attributed to the New Hall factory. It is a porcelain production imitating the very popular Chinese wares coming into the European market, and attempting to convince consumers that it was of the same quality. These pieces often depict domestic scenes but are frequently scenes from theater or novels. While in generally very good condition for its age, the pot has accu...

These fine porcelain ewers are made in a neoclassical style with a slightly flaring base supporting a bulbous body whose neck narrows before ending in an elongated spout. Tall dramatic handles are attached to the vase. Rich cobalt blue panels alternate with white ground spaces each having simple floral embellishments surrounded by gilded swirls and scrolls. Heavy gilding is used throughout on these elegant ewers made c. 1895. The condition is very good except for a possible but well done repair ...

Majolica wares were all about representing nature, and this gurgle fish pitcher is no exception. These fish pitchers came in a number of variations, most of which dealt with color schemes and minor design differences. This pitcher, we believe, represents the cream of the crop in a number of respects, the first of which is the gorgeou color, the primary one being the rich nearly forest green glaze which scales to mint green. The belly is white while the tale and bib are brown. The fish is poise...

A wonderful hexagonal shaped ironstone flow mulberry covered dish with handles, often times called a vegetable dish, in the Jeddo pattern by William Adams and Sons, c. 1850. The dish and lid are structurally sound but there are a few condition defects to note. On the underside of the lid, there are 2 very shallow chips. On the underside of the foot, there are also 2 chips - 1 very small and the other about 1/4". We show pictures of all defects. Fortunately, none of these chips is visible when...

This glorious flow mulberry coffee pot is a treat on several counts, not the least of which is the fine ironstone construction and design of the pot with the Peruvian pattern by J Wedge Wood - not be confused with Josiah. The body flairs outward, cutting an impressive figure. Although there is regular crazing throughout, the condition of the pot is excellent. The underside is backstamped as noted, and also has a British Registry mark for the year 1875. However, Wedge Wood is known to have oper...

An exceptional and elegant tea set consisting of a teapot, sugar, and creamer, hand painted with grey ground, and colorful floral sprays. Generous scrolling and foliate gilding complete the treatment. The condition of this ensemble is well above average for its age which we assign to the 2d quarter of the 19th century - c. 1830-40, suffering occasional soling. The pieces are unmarked other than with a hand painted pattern number. The generally superb state of preservation and unusual pattern war...

A rare and lovely English porcelain compote with a canary yellow ground on the bowl and pedestal, the center of the bowl hand painted with a bouquet of flowers. Edges are and handle accents are enameled in aubergine. Underside is hand painted 3. Overall condition is excellent, with some soiling below average for age which we attribute to c. 1820-30. This compote is an excellent specimen. Dimension: 13" w

Pair of early 19th century Staffordshire mirror image figurines of a girl riding a goat. The coloring is excellent featuring vibrant cobalt blue coats. There is with some crazing which is good. There is a section of the "spaghetti" on one goat's tail that is missing and it appears to be a manufacturing flaw, see 2nd photo. There is also a very small chip or flaw to the hem of one skirt. Considered to be in in excellent antique condition, all the afore mentioned lends to the authenticity of t...

A fine John/Jane Pennington Liverpool porcelain creamer of helmet form painted in blue with a bird and floral motif. The elaborate handle and the leaf-molded lower half of the body add to the appeal of this charming piece.

The condition is excellent, with bright, clear color, and no chips, cracks, staining, or restoration. The cream jug is 5" in length, 4" in height, and 2 1/4" in width.

This porcelain plate was produced in England by Copeland between 1851 and 1885. It measures 8 3/4 inches in diameter. The plate is made of fine bone china. The celeste blue rim is reticulated. The center of the plate is hand painted with floral bouquets and colorful swags of flowers. The painting is delicate and detailed. There are gilded accents and trim around the rim. This plate will make a lovely display piece. Condition: There is light wear to the gilded trim around the rim. Fac...

A New Hall Silver Shaped Teapot with Matching Under Tray and Floral Decorations, Dating from 1780-1800. Similar Teapots are in Museum Collections (documentation included). In excellent condition. Dimensions; teapot, 9.5" x 5" x 6.5"; stand, 8" x 7".

A waste bowl or slop bowl and a saucer bowl in the Yellow Shell pattern, c 1820. This very popular folk art or naïve style pattern was produced in many Staffordshire kilns in the early 19th century. It used to be attributed to New Hall, but as for the waste bowl recent English research leads us to the Machin kiln, because of the difference in detail. The saucer unmarked, the waste bowl with Machin’s number 208. Diameter of slop bowl "6/ 15,5 cm and of saucer "5½/ 13,5 cm. Condition: fine....

A dish in the Mandarin pattern, from Thomas Furnival & Sons, printed, hand painted and gilt. TF was an English maker, well-known for his export of meticulously decorated transfer ware to the US and Canada. The back with impressed Furnival, T.F. & Sons and Registered Number 13104, indicating 1889 as the year of production. Diameter "9/ 23 cm. Condition: fine.

A pair of small Doulton Lambeth Silicon jars, the inside salt glazed as to be used for pickles relish or the like, the outside meticulously worked with applied and incised stylized leaves and pearl borders in beige and blue. Impressed mark Doulton Silicon Lambeth and year mark 1883. Height "2¼/ 6 cm, diameter "3½/ 8,5 cm. Condition: fine.

One of the most beautiful pitcher and bowls set I've ever had the pleasure to own. It is hand decorated with art nouveau peonies with a flow blue border. The pitcher measures 13 1/2" tall x 10" wide, and the bowl measures 16 1/2" diameter x 5 1/4" tall. It is signed on the bottom K & Co. and Late Mayers. This lovely set is in beautiful original condition with no chips, cracks, crazing or repairs.

A superb Derby porcelain coffee can displaying a wrecked ship and rescue efforts. This can was painted by George Robertson, whose depictions of ships and maritime scenes are among the most highly sought after and collected items of Derby porcelain. This particular scene, named on the bottom in blue script, is "A Shipwreck After a Storm."

The gilding on the cup, both in the interior leaf and berry border, and throughout the exterior of the can, is of the high quality that Derby was known for. I...

A beautiful set of twelve Bow porcelain knives, each decorated with flower sprays and a fuzzy caterpillar at the end of the handle.

Knives of this type and date can be found occasionally as singles, pairs, and rarely, as a set of 6. However, this is the first set of 12 that we have seen or encountered in 25 years. Further, many of these other knife handles were originally fitted with base metal knives, which were often replaced, with base metal, over the years. The set offered here had all th...