A beautiful, green-cut-to-clear vase, made by either Moser or Thomas Webb. The vase is decorated with beautiful art nouveau decor. Except for some minute nicks toward the bottom (see second-last picture), the vase is in excellent condition. There is a catalog/exhibition number on the vase's bottom, which means that the vase used to be a museum display piece. The vase is 5 1/2 inches (14 cm) tall and 4 3/4 inches (12 cm) wide at the top. Polished pontil.
Offered is this beautiful English glass and sterling silver collar box (hand-painted with Alphonso Mucha-type romantic scene on a mother-of-pearl cover). The box is 5 inches (12,5 cm) wide and 3 inches (7,5 cm) high and is in good condition. The sterling is marked, 'T. M. & Co' and has English sterling hallmarks).
Beautiful little English Crystal Perfume Bottle with Sterling Top and original Cork. 4 hallmark stamps (NN) (Lion) (m) (Crest?).
Good condition, size: H. 6.25 cm. x W. 2 cm.
A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.
A pair of blue glass vases, Pearline from Davidson’s in Gateshead, England. Pearline, an opalizing pressed glass launched by Davidson’s, was very much en vogue c 1890 – 1910. Height "4/ 10.2 cm. Condition: fin (please observe that what might look like cracks to the base in the photos are mould traces).
Opaline glass bowl in the Brocade pattern, from the John Walsh Walsh glassworks. The opalizing effect was obtained by adding cobalt oxide to the glass, and a complicated procedure of heating and cooling. The opaline patterns made by John Walsh Walsh were produced as early as the turn of the century 1900. Height "3 ¼ / 8 cm, diameter "4 ¾ / 12 cm. Condition: fine.
This pretty shaker is made from emerald-green glass with a gold-toned metal top. It is unmarked, but we were told by a glass specialist that it is from England, and circa 1900. It’s approximately 5” tall and 2-3/8” across the bottom. The top/lid has cut-outs in the shape of stars – really charming! It is in excellent condition. The photos are part of the description, so please examine them carefully. Thanks! We do lay-away. Shipping, handling & insurance within the USA included.
Webb peachblow vase decorated with gold enameled prunus blossoms and a large butterfly. The vase is 13 inches tall and 5 inches in diameter at its widest point.
A Victorian diamond cut crystal scent or perfume bottle, barrel shaped, c 1900.
Length "2 /5.5 cm. Condition: stopper not belonging.
A stunning cranberry-cut-clear cut glass claret jug with a hammered sterling silver collar and hinged lid with a palmate finial. The Aesthetic-style hammered silver makes are particularly nice counterpoint to the Gothic-inspired design of the cutting which combines tall arches of small diamond cutting divided at the top with elongated triangles of larger diamond cutting. The bottom of the jug is cut with a 36-point star. The applied handle is worked in clear crystal...
Offered is this rare, Stevens & Williams 'Osiris' glass vase, designed by John Northwood I (when he was at S & W) and made around 1887 - 'Osiris', 'Silveria' and 'cameo' are the most desirable of S & W glass products. Made on three-cased-layers, the vase is 13 inches (33 cm) tall and 6 1/4 inches (16 cm) wide at its widest - it is extremely rare to come across such a large 'Osiris' vase in the marketplace...
This pair of crystal compotes was made in England by Stevens & Williams around 1900. They measure 6 inches tall and the openings have a diameter of 5 3/4 inches. They are hand blown from clear crystal that varies from thicker areas to very thin. This type of crystal is often referred to as “rock crystal.” It imitated the mineral stone used by the Chinese. The bowls are expertly hand engraved and polished with ribbons and wreaths...
This set of 12 crystal plates was produced in England by Webb around 1900. They are not signed but this is a known pattern Webb used. They measure 9 inches in diameter. The crystal is hand blown and quite substantial in weight. There is an indentation 1 3/4 inches from the rim to capture dressing from over flowing on the table. The entire surface of each plate is deeply hand engraved with an ornate pattern...
A great example of late Victorian Art Nouveau tableware. This is a fine satin-finish green gradient-style serving or candy dish on its original Art Nouveau silverplated stand. The 5" across dish stands 3" high, it has a nice medium green colour and satin finished panels flanked by gloss-finished ribs...
From the estate of the late Violet Trefusis, exquiste large etched English or French Crystal Perfume Bottle with angled sides depicting a beautiful Deer in a Forest landscape, gilt top, original cork and intact crystal stopper. Base is etched with "38". Very good condition, Size: H. 12.5 cm. x top width 6.5 cm.
A Victorian Hand Blown Amber Satin Glass Vase, with Enameled Flowers; English. c. 1870-1880. Height 8". Excellent condition.
A beautiful antique, English cameo glass vase, made most likely by Thomas Webb and Sons, around 1900. The vase is 8 1/4 inches (21 cm) tall and 4 1/4 inches (11 cm) wide at the shoulders. It is in excellent condition - no chips, cracks or repairs (there are some fabrication flaws typical of hand-made items). Polished pontil.
Pair of mid 19th century cut crystal Irish finger bowls measuring about 4 inches in diameter and 3 inches high. A rare find dating circa 1850.
A very fine Nailsea-Stourbridge green bottle glass paperweight with a foiled flower pot design. A large central petunia-type flower arises on a slender stem from the well-formed pot, and is surrounded with two additional circlets of smaller flowers, four to each layer. This example is particularly nice with a good, clear gather of glass and a fine shape. The bottom has the rough pontil.
Origin: England, mid-19th century. Condition: excellent, very light surface wear...
An unsigned Webb Burmese petal topped vase enameled with the Jules Barbe designed Japanese Berry or Woodbine pattern of 1887. The vase 3 inches tall and in excellent condition.
A beautiful cameo glass vase made by Thomas Webb & Sons of Stourbridge, England. The vase is 4 1/2 inches (11 cm) tall and 3 1/4 inches (8 cm) wide at its widest. The glass is in excellent condition. It is signed in cameo on its polished pontil.
A fine pair of mirror image blue opaline glass vases with enameled butterflies and flowers. Attributed to Thomas Webb & Sons, these date circa 1860-1880. The vases are in excellent antique condition with only loss to the gilt on the rims and an area on the back. Measures 12.75" high x 5.5" diameter. A truly beautiful and rare find.
Pair of English press moulded and marbled glass posy vases, c 1880, possibly by Davidson & Co.Of cornucopia shape, purple and white, the exterior with scale leaves and a diamond border. Height: 3"/7,5 cm. Condition: fine.
From our European Collection, #1 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms signified by three lions within a shield, flanked on both sides by mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other floral p...
A beautiful decanter set composed of 3 barrel shaped decanters, each heavily cut and retaining the original target stoppers. The stand is electroplate silver and of elegantly molded trefoil form, with rings to hold the stoppers.
Both the stand and decanters are in excellent condition, the glass without chips, etc., and the stand with little to no bleeding. The height is 10" and the width is 9".
Offered is this beautiful, hand-painted, three-vase glass set, made by Thomas Webb of Stourbridge, England, around 1900. The tall vase is 10 1/2 inches (27 cm) tall, 6 3/4 inches (17 cm) wide and 4 inches (10 cm) deep. Each of the smaller vases is 8 1/2 inches (26 cm) tall and 4 1/4 inches (10,5 cm) wide. They are in excellent condition, without chips, cracks or repairs. The tall vase is signed on its bottom with the faded Webb circular mark, 'Thos Webb & Sons' (see last picture)...
A beautiful Thomas Webb Burmese glass epergne with a decorated central Fairy lamp and six small vases. The epergne is also complemented with three decorated Webb Burmese vases. Overall in very good condition - there is a small chip where the Clarke candle-holder sits on the epergne (hidden with candle-holder in place), a small chip on the ring of one of the small vases and roughness to another ring...
Outstanding and gorgeous Victorian liquor decanter in cranberry overshot glass. The body is blown in a ribbed shape and is accented with vertical gilt stripes. The neck is fitted with a silverplate collar and the most extraordinary silverplated jockey head stopper.
Origin: probably England, ca. 1890. Condition: excellent, except for two very short, stable hairlines at the neck that are original to the piece; stopper retains the original cork and fits well. Size: 12-3/4" tall.
From our European Collection, #3 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other flor...
From our European Collection, #2 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms signified by alternating panels of lions and bulls within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figur...
Offered is this beautiful, tall, hand-painted glass vase - though unsigned, the quality of the artwork and the numbers on its bottom, typical of English patent number (see last picture) would strongly suggest that it was made by Thomas Webb of Stourbridge, England. The vase is slightly over 13 inches (33 cm) tall. The vase is in excellent condition.
This pair of crystal candlesticks was produced in Europe or England in the late 19th century. The maker is unknown. They are approximately 10 inches tall and the base has a diameter of 5 inches. The crystal is hand blown so that the candlesticks are hollow. They are hand cut with geometric patterns. The edges are beveled and the contoured shape has cut panels. The color is deep amber. They are tasteful and elegant.
Condition: Excellent
Offered is this beautiful, peachblow glass vase, made around the turn of the 20th century, probably by Thomas Webb & Sons of Stourbridge, England. The vase is 8 1/2 inches (21, 5 cm) tall and 4 1/2 inches (11,5 cm) wide. The melon-twist vase has beautiful coloration and is in excellent condition. The enameling is highly suggestive of having been done by the studio of Jules Barbe. Unsigned.
Offered is this beautiful, geometric-patterned, cameo-cut glass bowl or vase, made by Thomas Webb & Sons of Stourbridge, England. Made on two-layered cased glass and having a clear applied foot, the bowl is 4 inches (10 cm) wide and 2 inches (5 cm) high. It is in excellent condition. Signed on base (see last picture).
Two Eau de Cologne scent bottles, flacons, with sterling silver lids, c 1880-1900. Of square shape, the upper parts faceted and the corners bevelled...
Antique, Victorian 19th century English hand -blown cranberry glass vase of exceptional quality. Cranberry glass was made by adding gold to molten glass. It is an expensive and difficult process. A slight error can result in a muddy color instead of the pretty pink of cranberry.
CONDITION: in good condition, no cracks or repairs.
MEASUREMENTS: Height: 9 ½ inches (24 cm).
All our artifacts are accompanied by a Certification of Authenticity
For further details (pi...
A Green and White Nailsea Victorian Baluster shaped Glass Vase with a Ruffled Top. There is a White Swirl Overall Design on the Green Background, which is Characteristic of Nailsea. Late 19th century. Dimensions 9.25" high x 4.5" wide. Excellent condition.
Offered is this beautiful and rare, hand-painted (artist-signed), iridescent bronze glass vase, made most likely by Thomas Webb of Stourbridge, England, around 1900. The vase is 11 1/4 inches (21,5 cm) tall and 4 1/2 inches (11,5 cm) wide. Except for a small rim-chip (see last picture), the vase is in very good condition. Unsigned - probably made by Thomas Webb (based on the bronze-glass used in the vase).
Offered is this beautiful cameo glass box made by Thomas Webb & Sons of Stourbridge, England. It is 4 1/2 inches (11,5 cm) tall and about 3 inches (7,5 cm) wide. Except for a tiny flea-bite on the bottle's inner rim (hidden when lid is in place), it is in very good condition. It is signed in acid with the Webb cameo-glass logo on its polished pontil.
A large English Victorian cranberry glass epergne consisting of four scalloped trumpets with applied rigaree rising from a scallop edged round tray. In excellent antique condition it measures 20 inches high, 9.5" diameter of tray. Circa 1885. More photos available.
Offered is this superb, hand-painted English vitrified glass vase, made by Richardson around 1850. The vase has Etruscan paintings. It is signed on its polished pontil - Richardson's signature of vitrified glass objects is shown on page 447 of Charles R. Hajdamach's book, 'British glass 1800-1914' (shown in last picture here for your convenience). The vase is 7 inches (18 cm) tall and is in excellent condition.
A large and very fine English Victorian opalescent pink and vaseline glass epergne with 3 scalloped flutes with applied rigaree rising from a scallop edged round tray. In excellent antique condition it measures 20.5 inches high, 10" diameter of tray. Circa 1885. More photos available.
Offered is this very rare 'Diamond glass' (produced by blowing compressed air), English glass vase, made around 1850, most likely by Ricardson and may have been designed by Thomas Webb (when he was still at Richardson). The vase is 9 inches (23 cm) tall. Overall, the blown (has pontil), cased-glass vase is in good condition (as are typical of these vases with glass applications, there is a small flake on the applied flower and a short discontinuation on the applied limb - see pictures). Unsigned...
A graceful stepped strap-handled pitcher of lead glass, featuring trailed threading at the rim, and engraved "RFE" with vines above ribbons, the reverse with flowering vines.
The condition is excellent, with no flaws to speak of. Good color and tooling. Snapped rough pontil. The height is 7 1/4".
Offered is this beautiful English cameo glass vase, made most likely by Thomas Webb & Sons around 1900 - look at the quality and details of the cameo work. The vase is 6 inches (15 cm) tall and 4 1/2 inches (11,5 cm) wide. Except for a minor rim-flake (see last picture) and a fabrication flaw where the cutting wheel slipped momentarily (see picture - probably Webb didn't sign the piece because of that fabrication anomaly), the vase is in very good condition. Polished pontil. Unsigned, as mention...
Lovely panel-cut footed crystal compote, the stem with a blown teardrop. The foot is shaped to conform to the panel cutting. The crystal is top quality, with excellent weight and color. The bottom has a polished pontil.
Origin: England or Ireland, circa 1830. Condition: excellent, no chips or cracks. Size: 5-5/8" tall, 7-7/8" diameter; bowl is approximately 2" deep.
Offered is this beautiful large ( 8 1/2 inches wide and 7 3/4 inches tall) vase, made most likely by Thomas Webb & Sons of Stourbridge. The vase is in excellent condition. It is unsigned. Most likely it was made by Thomas Webb, based on the following features that were typical of Thomas Webb: (1) polished pontil, with the inner casing showing through at the bottom, (2) usage of applied clear rigaree, (3) usage of uranium casing (the vase glows under black-light, showing the presence of Uranium s...
A large and very decorative press molded and marbled glass shell, purple and (greenish) white with. Mouth blown in the mould, with the rough pontil mark on the bottom side. English, possibly by Davidson & Co, c 1880. Height "3 1/4/ 8 cm, width 5 "¼/13,5 cm. Condition: fine.
Offered is this beautiful vitrified glass vase made by English glass powerhouse of that era, Richardson, a contemporary of Thomas Webb & Sons. The vase is transfer-decorated with classical themes. The vase is 11 3/4 inches tall and 5 1/4 inches wide at its widest. It is in excellent condition. Polished pontil. Though unsigned, in all likelihood, it was made by Richardson - refer to page 101 of Charles Hajdamach's book, 'British Glass 1800-1914', for similar classical-motif themes from Richardson...
Rarely do you find a pair of early 1800's Anglo Irish cut crystal decanters complete with their original stoppers. They are in excellent condition for their age with just a few small chips. The most notable is a chip on one of the bases that you can see when turning the decanter upside down. The decanters are stable, don't wobble, no hairlines, and no cracks. Measure about 9.75 inches high, diameter about 3.75". Dates Circa 1800-1850.
Two Georgian bucket bowl port or small wine glasses with panel-cut cups and stems, English, c 1800. One a little heavier than the other and with the pontil mark deep into the glass and partly visible, whereas to the other glass the pontil mark is polished flat. Height "4/ 10 cm. Condition: fine.
Circa 1830. Set of 6 English cut crystal wine glasses. All six are in excellent condition. (There is a 7th glass that goes with the set that you can have. It has 3 fairly minor abrasions on the foot rim and we can send a photo). Each wine glass measures:
4.25 inches high
2.25" rim diameter
2.75" base diameter.
A deep amethyst finger bowl with its matching undertray, rarely found, and in perfect condition; polished pontils
Bowl diameter, 4 1/2", bowl height 3", plate diameter 6"
A heavy Bristol green rummer, the stem with a nice grip, and a wine glass. Mouth blown and made around 1810, the rims softly rounded. The pontil mark of the wine glass removed by grinding, while it is still left on the rummer. Some little air bubbles, the rim of the wine glass with a mark from the tongs used to cut the bowl loose from the pontil. Height "5 ½ / 14 cm and "4 / 11 cm respectively. Condition: fine, except for a minimal scratch mark to the bowl of the rummer.
A Georgian bucket bowl wine glass with panel-cut cup and stem, English, c 1800. Polished pontil. Height: "4½/ 11 cm. Condition: a minimal nick to the base as shown in photo.
A beautiful set of three emerald green roemers with cup bowls, applied prunts of the stem, and folded feet and polished pontils. Condition is excellent, with no chips, cracks, or restoration. The height of each is 4 7/16", with a bowl diameter of 2 1/2" and a foot diameter of 3".
NOTE: The price given is for the set of 3, but each can be purchased separately.
An uncommon and striking bowl in a deep Bristol blue color. The top rim is scalloped, the sides are step and panel cut, and the underside of the foot is radial cut. Excellent condition with a 5" bowl diameter and a 4" foot diameter.
A pair of heavy Bristol wine glasses, peacock blue. Mouth blown and made around 1800 – 1810, the rim softly rounded. The pontil mark of one glass removed by grinding. Removal of the pontil mark was often done on lead “finer” glass (the lead allowed for cut designs). On the other glass the mark is deeper and so is still there, despite grinding. Height "4 ½ / 11.5 cm. Condition: fine.
English or Irish wine glass or rummer, Georgian, c 1830. The cup and stem are slice cut, the knop diamond cut or faceted and the foot star cut. Height "4 ½ / 11.3 cm. Condition: fine.
A choice antique wine glass example of a cordial glass with a pointed round funnel bowl atop a stem with a double series opaque twist (DSOT) composed of a multi-ply spiral band surrounding a pair of heavy spiral threads; the proportions of this glass are exceptional, with the bowl being quite small; conical foot with rough, snapped pontil. The foot has an extremely tiny bruise on the underside edge, which is not visible from the top and only can be seen if you look very closely when the glass is...