From our European Collection, #3 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other flor...

A beautiful cameo glass vase made by Thomas Webb & Sons of Stourbridge, England. The vase is 4 1/2 inches (11 cm) tall and 3 1/4 inches (8 cm) wide at its widest. The glass is in excellent condition. It is signed in cameo on its polished pontil.

Two Eau de Cologne scent bottles, flacons, with sterling silver lids, c 1880-1900. Of square shape, the upper parts faceted and the corners bevelled. Cut glass stopper and screw-on lid to one, the other lid not belonging. One lid with monogram engraving, the other with the traditional English design of a hand holding a dagger. The smaller bottle with a paper label saying something like "Another mist" in Russian - the name of a perfume? Height of both "3¼/ 8 cm without the lids...

A graceful stepped strap-handled pitcher of lead glass, featuring trailed threading at the rim, and engraved "RFE" with vines above ribbons, the reverse with flowering vines.

The condition is excellent, with no flaws to speak of. Good color and tooling. Snapped rough pontil. The height is 7 1/4".

A large English Victorian cranberry glass epergne consisting of four scalloped trumpets with applied rigaree rising from a scallop edged round tray. In excellent antique condition it measures 20 inches high, 9.5" diameter of tray. Circa 1885. More photos available.

Offered is this beautiful cameo glass box made by Thomas Webb & Sons of Stourbridge, England. It is 4 1/2 inches (11,5 cm) tall and about 3 inches (7,5 cm) wide. Except for a tiny flea-bite on the bottle's inner rim (hidden when lid is in place), it is in very good condition. It is signed in acid with the Webb cameo-glass logo on its polished pontil.

Offered is this beautiful and rare, hand-painted (artist-signed), iridescent bronze glass vase, made most likely by Thomas Webb of Stourbridge, England, around 1900. The vase is 11 1/4 inches (21,5 cm) tall and 4 1/2 inches (11,5 cm) wide. Except for a small rim-chip (see last picture), the vase is in very good condition. Unsigned - probably made by Thomas Webb (based on the bronze-glass used in the vase).

Outstanding and gorgeous Victorian liquor decanter in cranberry overshot glass. The body is blown in a ribbed shape and is accented with vertical gilt stripes. The neck is fitted with a silverplate collar and the most extraordinary silverplated jockey head stopper.

Origin: probably England, ca. 1890. Condition: excellent, except for two very short, stable hairlines at the neck that are original to the piece; stopper retains the original cork and fits well. Size: 12-3/4" tall.

Offered is this very rare 'Diamond glass' (produced by blowing compressed air), English glass vase, made around 1850, most likely by Ricardson and may have been designed by Thomas Webb (when he was still at Richardson). The vase is 9 inches (23 cm) tall. Overall, the blown (has pontil), cased-glass vase is in good condition (as are typical of these vases with glass applications, there is a small flake on the applied flower and a short discontinuation on the applied limb - see pictures)...

Offered is this superb, hand-painted English vitrified glass vase, made by Richardson around 1850. The vase has Etruscan paintings. It is signed on its polished pontil - Richardson's signature of vitrified glass objects is shown on page 447 of Charles R. Hajdamach's book, 'British glass 1800-1914' (shown in last picture here for your convenience). The vase is 7 inches (18 cm) tall and is in excellent condition.

A large and very decorative press molded and marbled glass shell, purple and (greenish) white with. Mouth blown in the mould, with the rough pontil mark on the bottom side. English, possibly by Davidson & Co, c 1880. Height "3 1/4/ 8 cm, width 5 "¼/13,5 cm. Condition: fine.

A very fine Nailsea-Stourbridge green bottle glass paperweight with a foiled flower pot design. A large central petunia-type flower arises on a slender stem from the well-formed pot, and is surrounded with two additional circlets of smaller flowers, four to each layer. This example is particularly nice with a good, clear gather of glass and a fine shape. The bottom has the rough pontil.

Origin: England, mid-19th century. Condition: excellent, very light surface wear...

Offered is this beautiful vitrified glass vase made by English glass powerhouse of that era, Richardson, a contemporary of Thomas Webb & Sons. The vase is transfer-decorated with classical themes. The vase is 11 3/4 inches tall and 5 1/4 inches wide at its widest. It is in excellent condition. Polished pontil...

A deep amethyst finger bowl with its matching undertray, rarely found, and in perfect condition; polished pontils

Bowl diameter, 4 1/2", bowl height 3", plate diameter 6"

A Georgian bucket bowl wine glass with panel-cut cup and stem, English, c 1800. Polished pontil. Height: "4½/ 11 cm. Condition: a minimal nick to the base as shown in photo.

A beautiful set of three emerald green roemers with cup bowls, applied prunts of the stem, and folded feet and polished pontils. Condition is excellent, with no chips, cracks, or restoration. The height of each is 4 7/16", with a bowl diameter of 2 1/2" and a foot diameter of 3".

NOTE: The price given is for the set of 3, but each can be purchased separately.

An uncommon and striking bowl in a deep Bristol blue color. The top rim is scalloped, the sides are step and panel cut, and the underside of the foot is radial cut. Excellent condition with a 5" bowl diameter and a 4" foot diameter.

A pair of heavy Bristol wine glasses, peacock blue. Mouth blown and made around 1800 – 1810, the rim softly rounded. The pontil mark of one glass removed by grinding. Removal of the pontil mark was often done on lead “finer” glass (the lead allowed for cut designs). On the other glass the mark is deeper and so is still there, despite grinding. Height "4 ½ / 11.5 cm. Condition: fine.