Antique 18K and diamond-studded lover's knot ring with nice clear hallmarks for Chester, 1909. The knot motif is a Victorian symbol of love. It continued in popularity through WWI. Our knot ring has three old mine cut diamonds embedded securely within incised stars which are further placed in gold squares. The figural knot can be seen on the underside of the ring and is every bit as beautiful as the front. This ring is a size 6 3/4.
HM 1905 18K Diamond Knot Ring. Antique 18K and diamond-studded lover's knot ring hallmarked for Birmingham, 1905. Lover's knots were a Victorian motif that continued in popularity through WWI. Our lover's knot ring has three old mine cut diamonds embedded securely within incised stars set in gold squares. The figural knot can be seen on the underside of the ring and is as beautiful as the front. The ring can be sized and is a US size 9.
Early C1860 Victorian Marquise shaped ring of 15K gold, silver, enamel and diamonds set in a floral and leaf design. Wow! how fantastic! The stylized leaf form with young diamond buds harkens to the expression “nipped in the bud”, when mourning one who dies too young. The ring is a size 5.5 and can be resized to fit.
Georgian 18K gold cannetille work ring set with a carved turquoise in the shape of a pair of clasped hands, a symbol of friendship. On either side there are set an opal and a garnet. This is truly an unusual and rare ring. It is a size 7 and measures a bit over 1/4" at its widest.
Exquisite Georgian verre églomisé, or gilded glass, portrait ring surrounded by seed pearls. Verre églomisé is a French term meaning gilded glass and is a decorative technique in which the back side of glass is gilded with gold leaf. The gilding may also be combined with reverse painting on glass as in this case.
This ring has very large verre églomisé panel with a black silhouette of a peasant girl against a gilded background...
Bold pave set chrysoberyl ring in 18K gold. The stones came from Portuguese mines in Brazil. Fabulous jewelry was made from the various gemstones exported from these mines until the French invasion of Portugal in 1809. The ring is size 7 1/4 and can be sized up or down.
Eye catching 15K gold and amethyst ring surrounded by pave set chrysoberyls from Portuguese mines in Brazil. Fabulous jewelry was made from the various gemstones exported from these mines until the French invasion of Portugal in 1809. The ring is size 8 1/4 and can be sized to fit.
Lovely Georgian five stone paste ring set in 15K gold and silver. The center stone is set in an ornate basket setting. This rare ring is great to wear alone or stacked with other rings. The ring is a size 9.
Georgian almandine garnet ring circa 1770, in an 18K gold basket setting flanked by two cushion cut diamonds. Almandine garnets are purply red and were flat cut as seen here. This lovely early ring is a size 6 1/4 and the stone measures 5/8" wide by 1/4" high
This C1870 Victorian necklace features 9K hand crafted solid gold beads strung on a gold chain. It is the perfect piece for layering with an antique chain, or layering with another beaded chain as shown in our photos. (Other beaded chain seen in photo is also available on 1St dibs as a 18K gold bead necklace). The necklace is 16 inches long and weighs 24 grams.
Our circa 1860 Victorian collar of graduated 18K yellow gold hand crafted solid gold beads strung on a gold chain. It is the perfect piece for layering with an antique chain or with another beaded chain as shown in our photos. (Other beaded chain seen in photo is in 9K and also available on 1st dibs under "9K Gold Victorian Beaded Collar w Barrel Clasp"). The collar has its original clasp and a safety chain...
Georgian rose diamond cluster ring set in silver with an 18K gold embossed band. Rings of this period are very scarce and hard to find in such wonderful condition. This is a real collector's piece. The ring is size 6 and can be sized to fit.
Georgian diamond ring in a snowflake motif set in silver with an 18K band will sparkle in sunlight and candlelight. Notice the gorgeous back, a work of art in and of itself. The ring back is cut down so that the metal is cut to fit the stones and gives a more refined appearance to the ring. The ring is size 6 1/2 and can be sized to fit.
Delicate and ephemeral Victorian necklace woven from gold to create a light transparent woven gold necklace. Such necklaces often took the goldsmith weeks to make, and were entirely crafted by hand.
The necklace is lightweight around the neck and literally weightless and is 16.5 inches long.
This intricately woven gold necklace with enameled serpent biting its tail, known as an ouroboros, is classically Georgian and circa 1790. Woven gold necklaces like this one took weeks to make and created enormous precision and painstaking detail. Our ouroboros snake necklace, with blue and green enameling and gold paint to denote the snake's scales and amethyst paste eyes, is a treasure to behold. It is quite a miracle that this necklace has survived over 200 years.
Our exceptional 18K Georgian woven mesh featherlight necklace is both light in color and weightless about the neck. Woven mesh chains like this one are rarely found, as their delicacy makes them quite fragile and few have survived over the years. We have found one which has weathered the passage of time beautifully and likely sat in someone's jewelry drawer untouched for many generations...
C1890 60 inch long original full length French watch chain features lovely handcrafted filigree elements with its traditional links and filigree circles within the links. The chain can be worn doubled or tripled and with a pendant attached. An 18K French chain is a must for every woman's jewelry wardrobe! The hallmarks consist of a French eagle head (18K), bigorne marks, and a goldsmith's mark. The hallmarks are located on the ring that attaches to the clasp. The chain weighs 50 grams.
A lovely pair of white paste earrings closed back set in silver gilt. Approximately 18 MM or .7 inches in width, these well scaled earrings can be dressed up or down. Made of "paste", a special glass and lead formula originating from George Ravenscroft, a London glassmaker, during the 17th century and perfected by a French jeweler Georges Strass in the 18th century. Each "paste" was handcarved to fit the setting. Paste has become very collectible and desirable and can no longer be made today...