Cut steel brooch, early Victorian, c 1850 or possibly somewhat earlier, with hand cut studs riveted to a brass plate. Some of the studs with as much as 21 facets. Cut steel jewelry were often used in the evening, to create a sparkling, diamond-like effect. Width "1 ½ / 4 cm, height "2 ½/ 6,5 cm. Condition: a few studs missing (cf pics).

Brooch / pin made of ivory or horn, engraved and painted with a pair of auspicious birds, magpies, in a pine tree, accompanied by a poem in minuscule calligraphy. China, c 1900. Width "1 ½ / 3.8 cm. Condition: fine.

Striking early Edwardian 18K gold ring of a man in a turban set with diamonds. The ring dates to 1900 . The ring has a French hallmark in the shape of a pineapple and a makers mark "JD". It is a size 8 and measures 3/4" at its widest.

Victorian brooch or pin, a bunch of fruit an d flowers made up of Gutta Percha. This dark brown material, a predecessor of bakelite - was first introduced in the great Crystal Palace exhibition in 1851 and was often used in mourning jewelry pieces after the death of Queen Victoria’s husband, Prince Albert, in 1861. Made from the sap of a Malayan tree. Width " 1 ½ / 4 cm. Condition: a leaf or two missing under the biggest fruit (cf. pics).

Bakelite belt buckle. black and ivory colored, late Art Nouveau or Jugendstil design, c 1920. Not signed, possibly French. Height "2 ¼ / 6 and width "3 ¾ / 9.5 cm. Condition: fine.

Lovely polished coral earrings with enamel bows and seed pearls ensconced in the center if each bow and dangling from each ribbon. The deep rose pink color of our earrings are the most ought after color of coral and are particularly vibrant in tone. The use of coral in jewelry started in Roman times, and where the superstitions about coral began. Coral was thought to be a talisman against evil spirits...

These lovely 18K day-night floral gold cannetille earrings boast one of the finest examples of cannetille gold work we have ever seen. Popular in both England and France in the 1820's, cannetille was a type of filigree work named after the gold embroideries of the Napoleonic era. It lasted for a brief 2 decades, making it easy to date a piece of jewelry that is as fine an example of cannetille as these...

A very English copper bachelor button – a substitute for an ordinary sewn-on button - Victorian, for your cloak or jacket, works excellently. Punch sitting, feather pen in hand, looking at the latest issue of his magazine, dated November 1878, his watchful dog Toby by his side. Interestingly, a diamond patent mark is seen under the chair. Unusual, marked ”The Patent Safety Solitaire”. Diameter "1/ 2.5 cm.

8K eighteenth-century portrait ring under crystal of Sarah Churchill, Duchess of Marlborough. Miniature portraits were painted on vellum or ivory and given as tokens of love to husbands and wives or parents and children. Portrait rings with diamond bezels, such as ours, reflect the importance of the subject. The paintings would be commissioned to the leading miniature portrait artists of the day. Sarah Churchill had a close friendship with Queen Anne of England...

our early C1790 Georgian 18K seven stone diamond half hoop ring has seven table-cut diamonds (flat on top, faceted sides). The ring is closed back and the diamonds are foiled backed, exactly the way gemstone rings were made in the Georgian period. The diamonds are mounted in silver and set in gold, as the Georgians believed silver was better suited to set off the cool white tones of diamonds. This ring would make a lovely engagement ring or gift to oneself. The ring is a size 7.

Lovely early Victorian angel skin coral ring with 10 carved florets and one large carved coral flower at the center, set in a pleasing symmetrical pattern. This ring has a 9K gold band while the coral florets are set in a metal bed. The Victorians loved angel skin coral, which is a red-orange or light pink colored coral, and they especially loved coral cut into cameos, flowers, or fruit. This ring has a rather large head and is therefore best worn alone. This ring is a US size 7.75.

15K gold fede or love ring with two hands coming together to enclose a gold heart with a single rose-cut diamond embedded in a carved star at the center. The word "fede" means faith. The clasped hands motif has been used since Roman times. The ring is US size 8.25.

Delightful 18K hand over heart fede ring. - the word fede means faithful. The Victorians were fond of such romantic sentiments. The ring has a tiny diamond set on the ring finger of the gold hand, a lovely and surprising detail. The ring is a US size 8 1/4.

Colorful 14K American Art Nouveau ring with small diamond accent stones, and peridot, opal, garnet, amethyst, and aqua stones encircling the larger freshwater pearl at the center. The complimentary gemstones, graceful gold metal flourishes, and stylized marquis shape all contribute to this artfully designed ring. The gemstones are deftly set inside a gold border, another subtle detail that makes this ring appealing. The length of the ring has the effect of elongating one's hand...

Fabulous chunky 18K and diamond-studded lover's knot ring hallmarked London, 1919. Unusual knot ring with three gold diamond-shaped squares superimposed along the knot band and table-cut diamonds embedded securely within the incised stars on each square. The figural knot can be seen on the underside of the ring and is almost as beautiful as the front. The ring is a US size 8 and can be sized.

Black enameled memorial band, divided into scrolls and with raised gold lettering, for a Mrs. Martha Greswold. This is an excellent example of and 18th-century mourning ring...

Late renaissance memento mori skull ring. "Memento mori" jewelry translates to "remember thou must die", a reminder to all to live life fully, as death awaits. Memento mori rings were meant to encourage the practice of reflection on one's mortality. This is a very early ring with black enamel etching along the sides and back and a perfectly shaped skull in intaglio on the front. The ring is silver gilt with black enamel carving. Circa 1620. US size 8 1/2.

Our glass earrings, in the form of a Latin crosses, are made of Vauxhall glass, popular as jewelry in the 1860's and sold along the pleasure Gardens in Chelsea, where courting couples strolled on summer evenings. Made by skilled artisans who were employed by the Vauxhall Glass Company in an effort to make use of the leftover glass shards from the mirror glass they produced, the jewelry was much loved for the skillful carving of the glass into unique and creative forms...