The agate that comprises our Victorian flower cluster brooch is handcrafted with a high degree of skill and meticulously carved to fit its sterling silver mount. With a singular focus on the agate’s natural beauty and no distracting ornamentation, our 19th century brooch has a surprisingly modern look. Both the towns of Edinburgh and Birmingham made agate jewelry a specialty of their workshops, of which our flower cluster is a fine example...

A Fine Mappin and Webb Sterling Silver Octagonal Sugar Caster with Detachable Pierced Lid; Assayed in Birmingham, 1914. Dimensions 8.5" high x 3" at widest. Weight is 7.3 Troy ounces. Very fine condition.

This magnificent Victorian sterling silver cigarette case contains a medallion at the front with a crest above a banner that reads "Foy Pour Devoir (Faithful to Duty)"...

The Vũng Tàu shipwreck is a shipwreck that was found in the South China Sea off the islands of Côn Đảo about 100 miles from Vũng Tàu, Vietnam in 1692. The wreck was of alorcha boat—a Chinese vessel with Portuguese influences that has been dated to about 1690. It was found by a fisherman who had picked up numerous pieces of porcelain from the wreck while fishing. Sverker Hallstrom identified the wreck and its cargo in 1990...

This porcelain coffee cup and saucer was produced in England by Worcester around 1790. The set is unmarked but the pattern is unmistakably from the Chamberlain Period. The saucer has a diameter of 5 inches and is 11/4 inches deep. The cup is 2 1/2 inches high and the opening has a diameter of 2 1/8 inches. The set is decorated in a chinoiserie style. The simplistic landscape is dotted with pagodas and figures hunting game. The design is delightful...

French Belle Epoque Classical 950 silver gravy boat on stand, ca 1910. Boat has ovoid bowl with helmet mouth and raised oval foot with imbricated leaf rim. High-looping and split leaf-mounted handle with armorial engraved in beaded oval frame. Stand oval with open well and four trefoil supports. Both have stippled tubular frames alternating with stylized flower heads. Reeding. Fully marked with Minerva head and maker’s stamp (Alphonse Dutac)...

A George III Helmet Form Creamer or Cream Jug by Hester Bateman, London, 1789. On a Square Pedestal Base with Delicate Bright Cut Engraving and a Punch Beaded Border and a looped handle. Dimensions; 5.25" high x 4" handle to spout; weight 3 ounces. Very fine condition.

A Copper Lustre Goblet with Hand Painted Floral Decorations; circa 1820. Dimensions 4.75" high x 3.25" wide at top and 2.75" at base. Some slight age wear, but in very good condition.

Actually, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge; elaborate raised tree and floral decoration; 10" diameter. Excellent condition.

This porcelain tea cup and saucer was produced at Meissen around 1800. It has the first quality under glaze blue crossed swords with a star under it. The saucer is 5 3/8 inches in diameter and is 1 1/4 inches deep. The cup is 2 3/4 inches tall with a diameter of 2 1/2 inches. the ground color is cobalt blue. The cup has a reserve with a portrait of Abelard and the saucer has a portrait of Heloise...

This a superb Wooden Carved Polychrome Crucifix made in Spain during the 18th century possibly from Cypress wood...

English lozenge-shaped porcelain serving dish from a dessert service, embellished with a wide, elaborate gilded scroll border surrounding a central hand painted bouquet of summer flowers. Unmarked. Circa 1815-1820. Possibly Spode or Coalport. Condition: some minor wear to the gilding on the rim; no cracks or lines. Size: 10 3/4" x 7 3/8". Other pieces available from this service.

A creamware mug, probably Liverpool, with a black transfer printed scene of a farm cottage with gate and outside the fence two men standing in front of a loaded one-horse cart. The oval transfer surrounded by foliage. Though much creamware was earlier it remained popular into the nineteenth century. 3 ¾ inches tall and 4 3/8 inches across the handle.

Condition: no cracks, hairlines or repairs. Fairly substantial chip that is mostly on the inside of the foot and another minor one on the foot...

Pair of Edwardian Classical sterling silver column candlesticks. Made by Gorham in Providence, ca 1910. Each: Column with fluted shaft on stepped square base. Corinthian capital with chamfered and concave bobeche. Beading. Fully marked including maker’s stamp and no. A3206. Very good condition.

Dimensions: H 8 1/2 x W 4 1/8 x D 4 1/8 in. Weighted. #BY975

A large, Rubina, overshot, Bohemian glass jug, made likely by Harrach, around 1880. The jug is 10 inches (25,5 cm) tall and 6 1/2 inches (16,5 cm) wide (to handle-tip). Except for a small rim-chip, the jug is in good condition. Unpolished, recessed pontil. Unmarked - attributed to Harrach. The glass fluoresces in a gentle green coloration when subjected to black-light - typicall of 19th century soda-lime glass objects.

Very attractive Victorian lacquered papier-mache soap box decorated with a japonaise design. The sides show laborers pulling a boat filled with partiers along a canal. The lid shows a kneeling maiden tending her flower garden in a classic Japanese garden. The lid is also decorated with the soap maker's logo. Japanese styled items were very popular in France from around 1870 until the end of the century.

Origin: France, ca. 1880. Condition: excellent...

A Frence Faience Roccoco Style Tureen and Cover. Cover with Cauliflower, Carrot and Turnip Top. Bowl with C-scroll handles. Dimensions; 10" x 9.75" x 11.5" high; weight approximately 5 pounds. Circa 1890. Normal wear for old faience.

This porcelain bowl was produced in the United States by the Pickard Studio between 1903 and 1905. It is signed Shoner for the artist Otto Shoner. The bowl measures 7 1/2 inches in diameter, handles not included. There are “wish-bone” handles on each side of this scalloped and blown out bowl. The blank originally came Tressemann and Vogt Limoges, France and was decorated at the Pickard Studio. The painting is in the art nouveau style. Brightly colored tulips spill across the porcelain. ...