Circa late 19th century needlework in cream and red, 11 3/4" by 9 3/4" plus Victorian style wood frame with grape leaves in the corners, wrapped around a board. The birds remind of those seen on American salt glaze cobalt ceramic pieces. Together with the folky framing, this makes for a very decorative work of Americana, and an interesting addition to your collection.

A fine old charmingly naive watercolor drawing of a boy dressed almost as a girl, in the style of the times, titled in pencil at bottom "William John Babb March 1834". This work appears to be in its original weathered old frame, the original surface beautifully alligatored. Measuring 7 1.2" by 5 1/2" (10" by 8" including frame), the drawing is perfect for the small wall. Colors are perhaps a little faded after nearly 200 years...

A rare opportunity to acquire a 19th century American sampler, including not only the date (26th March 1833) but also the location (Waldoboro, Lincoln County, Maine). The piece measures 14" by 12 1/2" and 21" by 18 1/4" in the period gold frame (framed under the glass, which is broken at lower left corner as seen). Condition is excellent, with the notable exception of significant fading of the color. Most interestingly, this piece includes the name of maker, one Sarah F...

Rare Blue Willow Creamer and Cover in the shape of a cow standing on a grassy knoll with stenciled blue willow decoration.

English, circa 1840.

A Blue and White Tea Bowl and Saucer. Decorated with a flowering plant growing from among rockwork. Lowestoft C1770. Diameter Saucer: 4 9/16"(11.7 cm). Condition: excellent

Model of a Royal Carriage, realistically detailed with an ebonized carved wood and gilt decorated coach with one working door. Resting on a working metal suspension undercarriage and wheels, one removable trunk.

Late 19th/Early 20 C

H 13 in. x W 41 in. over all, coach 28 in. x D 9 in.

This porcelain lidded vase or ginger jar was produced in England by Coalport in the 1890s. It measures 3 ½ inches high and has a diameter of 3 inches. The shape is Asian inspired. It has a bright olive green enamel ground color. An intricate pattern of raised gold in two colors encircles the piece. There are swags, drapes and other design elements making it look like a piece of jewelry. Bright orange and white enamel jewels accent the gilded design...

This porcelain vase was produced in England by Royal Doulton in the 1890s. It is signed by the artist Edwin Wood. He specialized in painting flowers and particularly roses. The vase is 8 inches high and 3 inches across the top. It is made of fine bone china. It has a pedestal foot and scrolled handles. The flower painting is exquisitely detailed. The colors are vibrant. A bouquet is in the center of a frame of roses. There is a different bouquet on the other side...

This porcelain vase was produced in England by Royal Worcester in the 1870s. The date letters in the mark are illegible so it is not possible to specify the exact year. The vase is 7 3/8 inches high. The base measures 5 inches long by 4 5/8 inches wide. The form of this vase is known as “elephant tusk” as it appears to be carved ivory. It also appears to be two separate pieces, the vase on a stand, but is actually one...

A pair of icon fragments done on wood with extensive gold highlights. They are both from the same icon, which, I believe, depicted the Four Evangelists. The painting is of exceptional quality, as the photos will hopefully confirm. While I believe that they in fact date to the 17th century, I am conservatively dating them to the 19th or earlier. The panels measure 3-1/2" X 5-3/8" and 3-3/8" X 5-1/2", respectively. Rare and beautiful examples.

This pair of porcelain vases was produced in England by Mintons in the 1870s. The vases measure 8 ¾ inches high and are 4 inches in diameter. The ground color shades from turquoise blue to cream color. The decorations are hand enameled. The style is aesthetic, inspired by the Asian cultures. Weeping vines of wisteria, prunus blossoms and Japanese mons are painted in heavy gold and platinum enamel. The shoulders of the vases have a collar of raised gold decorations...

Although not marked, this art glass piece bears the styling and quality of Victorian pieces made by the Stevens and Williams Ltd of England and in the 1870s under the direction of John Northwood (son Harry Northwood was a glass maker in America). The body is an oval pill-shaped translucent light turquoise glass with an open oval top that is bordered with a scalloped ribbon crest. At each narrow end is a small applique of amber glass. The piece is also supported with four pinched amber glass feet...

An Arts and Crafts hand-wrought and hammered copper chamberstick by the Roycroft Shop. Circa 1915. Very good condition, but with some discoloration to the patina from wax residue.

A Lowestoft Redgrave Pattern Tea Bowl and Saucer. Decorated in the typical palette. Lowestoft C1785. Diameter saucer: 12.0 cm. Condition: excellent, small firing fault on the base of the tea bowl

Turn-of-the-century American Art Nouveau green plasss perfume bottle with engraved silver overlay. Globular with short neck and everted rim in collar. Ball stopper. Overlay in dense and dynamic flower head pattern with interlaced and overlapping petals and pointille florets. Marked “Sterling Silver Deposit 46”. Very good condition.

Dimensions: H 6 1/2 x D 4 in. #BT172

This exquisite hand painted porcelain center bowl set on a dramatic matching dark green and 22K gold porcelain stand is a spectacular showpiece. The center bowl doubles as a punch bowl and the matching 12 footed goblets can be used separately as sherbet cups. The bowl and cups feature grapes, vines, and leaves hand painted in gorgeous rich tones of greens, purples and magenta on a pastel background. The punch bowl has an impressed mark and the matching footed cups are marked Vienna Austria. ...

A beautiful and very unusual bell shaped Chelsea cup featuring an angular scroll handle with flattened thumb rest and loose sprays of flowers and sprigs, the interior also with a flower spray. The bottom has the red anchor mark and the number 21.

The condition of this charming piece is excellent, with no chips, staining, paint loss, or restoration. There is a short in the making under glaze firing line just above the terminal at the bottom of the handle. This is only at the top, does not go a...

This Porcelain Manufacturer around 1900. The saucer has a diameter of 4 ½ inches and the cup is 2 inches high. The cup features 3 feet and a graceful, curved handle. The two pieces have wonderful hand painting. Wreaths and swags of colorful flowers are suspended from the rims of each porcelain demitasse cup and saucer was produced in Germany by the Kestner piece. The gilding is amazing, with hundreds of gold dots around the borders. The feet, handle and rims are trimmed with rich gold. L...

This porcelain demitasse cup and saucer was produced in England by the Royal Cauldon Porcelain manufacturer around 1900. The saucer has a diameter of 4 ¾ inches and the cup is 1 ¾ inches high. The interior of the cup and surface of the saucer are hand painted with elaborate raised gilding and tiny roses. There are gilded accents, and gold trim on the handle and rims. Condition: Excellent

Royal Worester globular form porcelain watering can. English. Circa 1887. Size: 10 inches ht.

Royal Worcester small ewer posy holder with pansy decoration, porcelain, bamboo form handle, ruffled rim. Circa 1891. Size: 4.25 inches ht. Excellent condition.

English Royal Worcester chocolate pot with embossed and hand painted pink wild rose decoration; molded gilt trim on handle and finial. Date code for 1892. Size: 8 inches ht. Excellent condition.

American art pottery bowl by Marblehead Pottery, in a lavender glaze. Early 20th century. Size: 4.75 inches diameter x 2.25 inches ht. Mint condition.

This is antique ecclesiastical sheet music in Latin, from earlier centuries, commonly known as an "antiphonal". These are normally seen as hand painted manuscripts on vellum (animal skin). The present example (17 1/2" by 13 1/2") is a rather typical example, with red bars, and brown/sepia lettering and notes. Condition is good considering the advanced age of the sheet, with overall wrinkling/rippling. See the net for more information on these early music sheets, which were an important part of...

American art pottery vase by Van Briggle, of Colorado Springs, Colorado, with embossed leaf decoration in a maroon glaze. Circa 1905. Mint condition.

Turn-of-the-century American Art Nouveau green glass silver overlay perfume. Ovoid with flattened ball stopper. Semi-abstract flower heads with curvilinear stems overlapping 2 thin hoops. Neck spool form with silver rim collar and thick knop, and subtle faceting. Very good condition.

Dimensions: H 9 x D 5 in. #BT174

Large turn-of-the-century American Art Nouveau green glass perfume bottle with engraved silver overlay. Globular with short neck and everted rim in collar. Ball stopper. Overlay in dense and dynamic flower head pattern with interlaced and overlapping petals and pointille florets. Marked “Sterling Silver Deposit 67”. Very good condition.

Dimensions: H 7 3/4 x D 5 in. #BT173

Teaspoon or dessert spoon, the handle with a shield crest, the bowl gilt. Owl mark and W for Weidlich Sterling Spoon Co. and 41 for this pattern, produced c 1920. Length "5 ½ / 14 cm. Condition: fine.

Rare miniature French etched cameo vase of a lake landscape scene. Signed "Muller Fres Luneville". One vase's primary color is grape red, the other is forest green. Even though we have a pair of these vases, we are only selling one. Your choice. We are keeping the other, just can't decide which one we like best. In perfect original condition. Measures 3 3/8" high.

Stranded high and dry in sunny Southern California, and wanting very much to go home to the east coast: a very large (35" by 39" extreme dimensions) clipper ship diorama/shadowbox. There is no glass---probably long since missing. This has clear folky qualities, but shows its age, (circa 1890-1920?----there are no square nails, and the use of the "squiggly" type of horizontally-driven nail in the corners, of which photos attached, seems to hint of a later date rather than earlier(?) There are ...

Oval silver box and lid of tea caddy shape, the knop of the lid a natural oval stone, probably veined gneiss. Engraved Georgian style borders and crest, the crest with a dedication, “From Steanis”, a gift in Georgian style and probably made around 1900. The box is unmarked and has been tested as sterling silver. Its weight is 798 grams. Length "7 ¼ / 18.5 cm, height including the knob "4 ¾ / 12cm. Condition: a few scratch marks around the crest and a minimal dent to the backside (cf. pics)...

A sterling silver and parcel-gilt teaspoon in the Irving pattern, patented by the firm of Robert Wallace in 1899. The pattern was reissued in 1975 under a different name, but this is the original from around 1900. The spoon blade engraved “St. James”. Marks: Pat. 1899 RW (deer head) & S Sterling. Length "5 1/3 / 13.7 cm. Condition: fine.

Two rattan handled and lidded water jugs in late Jugendstil, two of a kind. One designed by Richard Riemerschmied for the company of F & R Fischer c 1915, the other and smaller by Webster & Son, New York c 1920. The German jug hammered (pressed) and nickeled brass, the American jug silvered copper. Riemerschmid was co-founder of the Deutscher Werkbund, the ideas of which were close to the Wiener Werkstätte. The Riemerschmid jug with fish mark for Fischer, ¾ (litre measure) and a Swedish retail...

An interesting 18th century pewter plate, the border with an engraved motto, Suum cuique, written on a ribbon above an open book resting on a diagonally striped bar. As presented on this plate this is the crest and motto for the Scottish Clan Don. It is a Latin phrase meaning “to everybody his/her own”, historically used in freemasonry and in legal contexts, like serving as motto for the faculty of law at universities. The back with crowned rose stamp for London and an illegible makers mark ...

This porcelain tea cup and saucer was produced in England by Minton in the mid 19th century. It is marked but the impressions are so light it is undecipherable. The saucer is 5 ¼ inches in diameter and the cup is 2 ½ inches high. The set is made of fine, white bone china. The decoration is completely hand painted. The pattern of rose, pansy and forget-me-nots was very popular in Victorian times. There is hand gilded trim around the rims. The rims are turquoise colored enamel. It is an ...

This porcelain tea cup and saucer was produced in England by Brown, Westhead & Moore in the 1890s. It is a transitional set, just before the company became Cauldon. It was made especially for Gilman and Collamore of New York. The porcelain is extra fine and has molded swirls in the body. The decoration of tiny corn flower garlands is hand painted. Garlands of gilded leaves entwine with the corn flowers creating a delicate pattern. Tiny sprigs dot the outside of the cup. The scalloped bord...