A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.

This porcelain cup and saucer trio was produced in England in the early 19th century. It is comprised of a tea cup, a coffee cup and a saucer. The set is unmarked. The saucer has a diameter of 5 1/4 inches and is 1 1/4 inches deep. The tea cup measures 2 inches high, without the handle and has a diameter of 3 3/4 inches. The coffee cup is 2 11/16 inches high, without the handle and has a diameter of 2 3/4 inches. Note the unique handle style. The set is exquisitely hand painted...

A vintage Art Nouveau period sterling silver 4-3/4" jam spoon c1900. This spoon has a 1-1/4" x 7/8" acanthus leaf bowl, a twisted tendril design stem, and it is stamped STERLING with an obscured maker's mark, and it is in excellent original condition with no scrapes, dents, monograms, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use...

Wedgwood Historical Plate of The Capital, Washington, DC. Imported by Jones, McDuffee and Stratton of Boston. 9", 1899.. Please see the other plates we have to offer.

This tea kettle / tea pot was made by the Southington Silver Company Ca 1900. It is quadruplated by Gerssmt.

The stand and kettle have the #2104 marked on the bottom.

The swing handle has the initial FWC engraved.

My picture #4 shows the only place where where I see any wear.

The pin for the hinge on the wick cover needs to be replaced.

It is in spectacular shape for its age.

A reverse painted tinsel painting, unusual for its combination of geometric and floral elements, and for its forceful colors; period gilded frame; sight size 9 1/2" by 7 1/2"; framed size 12 1/2" by 10 5/8"

An Elegant Pair of Victorian Sterling Silver Candlesticks Hallmarked in Sheffield in 1866 with the Mark of JKB, for Hawkesworth, Eyre & Co. Height; 9.25". Weight; 36.6 Troy ounces, weighted. Excellent condition

A simple but special early wine glass from Northern England; the hollow stem makes this unusual; soda metal because of the glass taxes; funnel bowl, folded foot; 5 1/4" tall, 2 3/8" bowl diameter, 2 5/8" foot diameter

An oval English porcelain sugar bowl with the lid and body decorated with blue and magenta bell flowers growing out of gilt plants. The flowers circle both the lid and the body, which has molded ring handles (not working) at the end of the long sides. The knop on the lid is elaborately gilt. Unmarked, but certainly English and from the first quarter of the 19th century. 6 inches tall by 6 inches long by 5 inches wide.

Condition: no chips, cracks, hairlines or repairs...

This porcelain vase was produced in England by Royal Doulton in the 1890s. It is signed by the artist Edwin Wood. He specialized in painting flowers and particularly roses. The vase is 8 inches high and 3 inches across the top. It is made of fine bone china. It has a pedestal foot and scrolled handles. The flower painting is exquisitely detailed. The colors are vibrant. A bouquet is in the center of a frame of roses. There is a different bouquet on the other side...

A simple but elegant brandy warmer with beaded lid and base rims, the thumb rest on the lid molded as a scallop shell, the angled handle of aged wood with a nice patina.

The piece is 3 3/8" tall, and 2 7/8" wide, 5 1/8" wide including the handle. Excellent condition.

A striking oil on canvas rendering of Antietam Bridge done 24 years after the infamous Civil War battle. Signed at the lower right "J.A. Ashley 86"...

Edwardian sterling silver picture frame. Made by Shreve & Co. in San Francisco, ca 1910. Oval window in same surround; on front engraved ivy leaf garland with spiky tips and reeded stems. Sides plain. Two delightful ball supports. With glass, silk lining, and burgundy velvet back and hinged-easel support. For portrait (vertical) display. Fully marked including maker’s stamp. Very good condition.

Dimensions: Frame: H 9 7/8 x W 7 1/4 in. Window: H 8 1/4 x W 5 7/8 in. #BX906

A beautiful pineapple molded Bristol porcelain coffee cup, decorated with polychrome sprigs of flowers, the interior with an iron-red double border.

The condition of the cup is factory fresh, with absolutely no problems of any type. The height is 2 5/8", with a diameter of 2 1/2".

A Matched Set of Four George II Silver Open Salts. The Set was assayed in London in 1747, makers mark illegible. The dimensions are 3" across and 1 1/2" high. They stand on three cabriole legs and weigh a total of 9 Troy ounces. There is a small crest in the front of each. Minor imperfections, but in very good condition overall.

A Wonderful Silver Bread Basket of Openwork Design. Hallmarked in London 1884. Makers Mark of Thomas Bradbury & Son (makers Thomas Bradbury III & John S Henderson). Dimensions; 11" x 7" x 3"; weight 8.3 Troy ounces. Excellent condition.

Three faience plates, probably from the Les Islettes factory near Reims in Northern France, one with a rooster / coquerel and two with a flower basket motif. All with combed red border and 19th century. Diameter "9/ 23 cm. Condition: some rim frits, the coquerel plate with some filled-in patches to the red parts (cf. pics).

A nicely decorated and shaped platter with 12 sides (the form known in France as a douze pans). This type of platter with a bust and scrolling decoration is typical of Moustiers, though the attribution to the Clerissy factory as stated on the stuck-on label on the back is less certain. The dimensions are 13 5/8 inches (35 cm) long, 10 inches (25 cm) wide and 1 ¼ inches 2.5 cm) tall.

Condition: No chips, cracks, hairlines or repairs...