Amazing "Queen Anne" amethyst paste earrings set in gilt metal. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. The vivid purple paste stones used are faceted as rose cuts. The earrings have back to front fittings and fit close to the earlobe. There is a matching necklace sold separately.

This is an extremely fine early 19th century balustroid wine glass made in the 18th century style. It is lead glass, and has a large funnel bowl which sits atop a triple ring collar, below which is a center section of an unusual and uncommon cylinder knop, followed by two angular knops. It has a conical folded foot with a rough, snapped pontil.

The glass is in perfect condition, with no restoration, and displays good tooling marks and striations throughout...

This is an original 18th century Gouyn period porcelain Chelsea fob seal. These seals were given as love tokens by the wealthy and known as "toys". This particular seal features a woman dancing and holding out her apron on either side. She has a low cut pink bodice and a skirt with a mini print pattern on the front and stripes on the back, and reads "Toujour gai", meaning "Always happy"...

Very nice dark blue Staffordshire transferware plate in the “Bear” pattern from the “Quadruped” series by Hall. The plate depicts a river otter catching a salmon in the central reserve, surrounded by shield-shaped reserves depicting (from top going clockwise) a hedgehog and a mole, a pair of rabbits, a seal, and a civet and genet...

Three inch long day-night earrings with a lovely rococo design that incorporates foliate and shell motifs set with Persian turquoise and enlivened by the two-color 15K gold. The earrings have a secure hook on the back of the drop part of the earring, not typically seen on Georgian day-night earrings. This enables enabling them to easily be separated and worn with just the tops (for day), or both top and bottom (at night). The mechanism attaching the two pieces can be viewed in the photos.

These 8 porcelain chocolate cups and saucer were produced in France at Sevres around 1810. The saucers have a diameter of 4 7/8 “ and are 1 ½” deep. The cup are 2 7/8” high,without the handle, and have a diameter of 3 1/8”. Each cup has a hand painted portrait of a famous French woman, named on the bottom. They have tooled gold frames and lacy gold accents around the edges...

French Silver Louis XVIII Burgundian Style Wine Taster Tastevin An unusually heavy first standard (950/1000 pure silver) French tastevin decorated in the classic Burgundian style with punchwork grape clusters and a coiled snake handle. The grapevines are also accented with engraved flowers. The bottom has the center pinpoint found in tastevins from this period and is finished simply with a ring or shallow godrons around the edge to help reflect light through the wine...

A Copper Lustre Goblet with Hand Painted Floral Decorations; circa 1820. Dimensions 4.75" high x 3.25" wide at top and 2.75" at base. Some slight age wear, but in very good condition.

A Russian gold (12 or 14 carat) elasticized bracelet. The center of the bracelet displays the shape of a flower made with half pearls and an emerald is located in the center. Made circa 1800-1810. The original jewelry case is included.
Measurement: Flower: 0.98" (2.5 cm) diameter, and the bracelet is 0.78" (2 cm) in wide.

A very nicely painted Pratt Ware cottage decorated with a blue tiled roof, children at the windows with an oversize female standing beside it. On one end of the cottage is a woman with a cornucopia (?) and on the other a flowering tree. At the back in the roof is a slot for large pennies. The colors are well applied. Similar cottages are illustrated in John and Griselda Lewis Pratt Ware, 2006 edition page 249...

School girl hand embroidered sampler from New Hampshire, late 18th or early 19th century. Measures 6 5/8" x 10 1/4", in frame measuring 10 1/2" x 14 1/4", with green mat and tan paper backboard. The scene is very folky, obviously a creative design by the child doing the embroidery. Often samplers were copied from images provided by the "school" of handwork, but this is clearly an imaginative work...

A Small Georgian Sterling Silver Christening Mug or Cann; by William Bateman, London 1817. Dimensions; 3.25" high x 2.75" at base. Weight 5 ounces. Excellent

A molded roughly round stoneware small tureen with attached under tray, elaborate lid with finial and simple ladle. All transfer printed with blue floral sprays enhanced with overglaze enamels. The spoon with an additional transfer of water and a plant in the bowl. The lid and tureen with gilt highlights especially on the rams head cornucopia finial...

A wine glass rinser, rare because of the deep and beautiful red color. Wine rinsers or wine washers were used to cool or rinse wine glasses between courses of meals. Red was, by far, the least common color of glass in this period because of the expense in making since gold had to be added to the molten metal to achieve the color. This is a wonderful example in excellent condition. The height is 3 3/4 inches and the diameter is 4 5/16 inches. Polished pontil.

A fine rare Pennsylvania German folk art brides box c. 1830 in very good antique condition with all original antique paint. Old german script reads, "SCHAU ES NUR AN WIE DU WILLST EX IST DES VATERS EBENBILD". ROUGHLY TRANSLATES TO "SEE IT THE WAY YOU WANT IT IS YOUR FATHER'S LIKENESS. Measuring approx. 19 x 12 x 7 inches a Museum quality American folk art piece.

This romantic amethyst 18k necklace has a smooth and sultry snake chain that feels as good as it looks. The glittering large five amethysts fall symmetrically about the chain and always fall perfectly on the neck, with the central largest amethyst positioned exactly at the center. The clasp is hidden in the chain and remarkably easy to attach as it slides right in and holds firmly and securely. The necklace can easily be clasped by the wearer...

A George III Scottish Silver Sugar and Cream Jug by Francis Howden and hallmarked in Edinburgh in 1810. Bright cut engraved decoration. Gilt interior and reeded border. The marks are faint, but between the two pieces can be made out. Dimensions; creamer 8" x 4.5"; sugar 5.75" x 4.5"; weight 16.5 Troy ounces total. Excellent condition.

Ridgeway Reticulated Compote or Center Bowl, with Scrolled Rim and Foliate Scrolled Handles. Circa 1830-1840, in the "Helical" pattern. It is 10" wide and 10" wide and in excellent condition