A wonderful exemplar of an Italian voided velvet textile, done in a deep red. Similar examples are shown in "European Textiles in the Keir Collection 400BC to 1800AD".

The overall condition is excellent, and the sight size is 21 3/4" by 8 1/2".

Provenance: The Spinx Collection

This is an antique, museum-quality, Spanish Colonial polychrome wood crucifix from the 17th to early 18th century. The cross is designed in a typical 17th-century style. The figure of Christ is well-carved and polychrome with gild highlights. He wears a windswept perizonium tied at the waist and a thorn-crowned head adorned by a sunray aureole behind it. Beneath the statue of Christ stands a beautifully carved and polychromed figure of the Virgin Mary on a pedestal...

A very early bronze signal (table) cannon, dating to the 17th. century.

The cannon very beautiful and possible once burried. With splendid old chesnut or mahogany patina with a dusting of green to the back. Fully functionable cannon made with a bore hole of 16-17 mm.

Size: 13,8 cm. long and weighing 880 grams.

Ex. Danish Private Collection

A lovely large brass alloy / bronze vessel, dating to the late 17th. cent. probably 1680-1710, workshop Nürenberg and maker was Johann Windhösel - Leuchtmacher and cappucine munk in the city in that period.

Very decorative and fine quality baroque art. The vessel with loops in the form of human figures for suspending the chains. The vessel is c. 98 cm. when hanging.

Condition: Choice and intact with a nice patina and smooth wear from use and polishing.

Box in black lacquered wood inlaid with mother-of-pearl, golden details. The decor is composed of birds among plants and shrubs. The birds are very active, the one in the center tends to what appears to be a stylized egg in a nest? Probably a meaning. The designs are simple but harmonious and very elegant. The inlay work is empirical but the materials used are solide and they have stood the test of time well indeed the lacquer has not peeled off and the mother-of-pearl is still well maintained...

The 2nd. and largest of a set of two pewter charger or dishes, Germany, Danzig, with Coat of Arms and initialized and dated 1640.

The lovely piece was made by the Michael Bunde, working for Michael Braschke, was maker in his own right around the early 1640s.

Diameter: c. 33,2 cm.

Reff...

A finely carved and exceptional early wooden Mangle board, Friesland (coastal regions of the Netherlands and northwestern Germany), c. mid-late 17th. century.

An early mangle board, carved in an exceptional openwork and geomethric style with micro carving of tiny details. Beautiful portal shaped top.

Size: c. 62 cm. long and c. 11 cm. wide.

Condition: Good Very fine. Lovely fresh wood for the period and undamaged.

Ex...

Very large and Early Silver Beaker, North European, Baroque period, dated 1701.

Perhaps misleading to call this large Baroque Silver vessel, a beaker, it could be used as a vase. A beautiful engraved vessel with dotted decoration on the body and with a central medallion engraved with CFS:BRD and below the dating 1701. A double concenthric line to the rim which is engraved with the letters P:L:A:M:B.

Size: 12,4 cm. heigh and ca. 11 cm. wide.

Weight: ca. 213 grams...

A lovely and very rare matching set of massive dishes, made with the Habsburg Coat Of Arms and portraits of Albert (Albrecht VII), Archduke of Austria, 13 November 1559 – 13 July 1621 and Isabella Clara Eugenia, sovereign of the Habsburg Netherlands between 1598 and 1621.

This exceptional set of portrait dishes are probably made somewhat later in the 17th. century as memorial wal hangers. Inscribed with their titles and on the back marked with pewter touchmarks of the crowned Rose...

A heavy bronze not for table use, fine details cast decoration, probably Flemish, c. 1550!

The early piece of bronze art is decorated with what looks like saints (old bearded men) on the sides and a framed band of angels with spread wings among floral decor nearer the top.

SizE: 17 cm. tall and 14 cm. wide...

Unusual tile of a seated man in a flat cap holding a fishing pole while his wife in a bonnet cap seated beside him looks at him. A charming scene. The tile has tapered sides.5 ¼ inches (13.5 cm) square. ½ inches (1.5 cm thick).

Condition; major old restoration to the upper left corner, similar restoration along the right edge in the column and other very minor chips.

I think this is a fairly rare format with the columns and arch. The figures have a certain humor and art.

Interesting slim design iron key, came with the Roman and early medieval keys, but probably c. 17th. century.

Condition: Nice VF, excellent metal.

Ex. Important old Danish collection of keys.

A superb quality very large pottery figure of a male attendant or official, dating to the earlier Ming Dynasty, 1400-1500 AD.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure holds a blanket under his arm.

Si...

An exceptional and rare Italian cut and voided velvet panel, probably Genovese, done in a dark green on a beige foundation. The motif features mythological animals and urns, all surrounded by foliate scrolls.

The condition is quite fine, even for a textile 250 years younger. The length is 64 1/2", with a width of 10 1/2".

A superb piece for display or use as an accent, and should appeal to collectors and decorators.

One of a group of very large Ming Dynasty pottery horse riders.

The figure is of a military attendant, wearing a hat and carrying a book or an instrument in his hands. He wears a blue robe with turqoise sleaves. Thick and very beautyful glaze. The unglazed areas are covered with white and black pigmented colors.

Note that the painting is very detailed and the perfectly rendered facial features.

A very large figure, measuring c. 40 x 30 cm. The construction is ...

Antique Chinese 17th century Qing Dynasty Kangxi period. Large, Famille Verte porcelain charger signed with artemisia mark. Fine hand-painted and enameled with landscape scene of a mountainous river with trees, houses, a viewing pagoda, and various figures on a bridge and shore, including a fisherman seated in a boat. All surrounded by a band of twelve rectangular panels containing flower heads. The rim is adorned with a band of latticework.

The base with the unglazed channel foot rim enclo...

A Dutch Delft blue and white wall tile hand painted with a rabbit seated and eating. The animal is surrounded by a circle of a wavy line with dots in the wave troughs. Flowers fill the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front. This style of decoration was used in the 2nd quarter of the 17th century.

Condition: fairly severe chipping and losses along the right edge some on the bot...

Antique 17th-century large Russian Orthodox brass pectoral Cross Telnik (Крест-тельник). This cross features an intricate and ornate design that combines various ancient symbols, including the Suppedaneum (three-bar) and Saint Andrew's (X-shaped or "Saltire") Crosses, as well as the Crescent (half-moon) symbol known as Tsata. The Suppedaneum is a footrest used during the crucifixion of Jesus Christ, while the Saint Andrew's Cross is named after the apostle Andrew, who was crucified o...

Late renaissance memento mori skull ring. "Memento mori" jewelry translates to "remember thou must die", a reminder to all to live life fully, as death awaits. Memento mori rings were meant to encourage the practice of reflection on one's mortality. This is a very early ring with black enamel etching along the sides and back and a perfectly shaped skull in intaglio on the front. The ring is silver gilt with black enamel carving. Circa 1620. US size 8 1/2.

A blue and white hand painted wall tile of a dog rising up on its hind legs. The animal is surrounded by a circle of a wavy line with dots in the wave troughs and flowers in the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front. This style of decoration was used in the 2nd quarter of the 17th century.

Condition: damage along the edges, especially the right one with a big chip in the upper...

Lost wax cast bronze Christ. Probably original wooden cross. The fine quality sculpture is certainly the work of a good artist. It would be interesting and profitable to find out who it is. I don't know much about European art but the sculptor who thought of this bead of skin above the nail hole of the feet was not a simple craftsman. Beautiful cast , neat scraper finish. Beautiful original patina. Good condition, the original nails are missing which can be done free of charge on request. Total ...

This is a bronze miniature figure of Sri-Lakshmi, a Hindu goddess from 16th-18th century India. The figure stands in a sensual tribhanga pose on a round base over a square plinth. Her right arm is extended, and her left arm is raised with a lotus blossom.

She wears a long dhoti with incised foliate patterns and an elaborate pendant belt.

She is also adorned with jewelry and a breast band, and her hair is piled into a high chignon.

MEASUREMENTS: Height: 4.5 cm (1 3/4 in).

CO...

A superb quality very large pottery figure of a male attendant or official, dating to the earlier Ming Dynasty, 1400-1500 AD.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure holds his masters Ming hat in his arms.

Poesy rings were popular in England and France during the 16th through the 17th centuries as lover's gifts. The quotations were often from courtship stories and are usually inscribed on the inner surface of the ring as is the case in this one. This ring amusingly reads "A virtuous Wife Preferreth Life". We imagine that in the 17th century, a woman was indeed better off being virtuous! We think this could make a more unusual and unique wedding band than a gold band. As all gold jewelry in England...

Antique 17th century Baroque Crucifix cross, composed of wood clad by a sheet of repoussé pewter with cast pewter figure of Christ in the center the head of the Christ with long hear and out of crown of thorns, adorned by very unusual in style radial Eye of Providence and INRI monogram scroll, a windswept perizonium is tied at the waist of the lord. The hands and uncrossed feet are nailed to the cross. Beneath finely repoussé in low relief is a Miter or "Pope Hat “and depicting the heavily d...

An amazing matching pair of a male and a female glazed pottery attendants from the Ming Dynasty, 1368-1644 AD.

This type & size is very rare and were made as tomb figures for wealthy and prominent people during the Ming Dynaasty.

The male attendant with greyish-black robe over a cobolt blue and torquoise glazed dress and a round red hat and with black rim. Many nice details. He is standing a tray and a mug or cup in his hands. Around his waist he carries a special b...

This is an antique ecclesiastical illustrated manuscript, in Latin, from earlier centuries, commonly called an "antiphonal" or simply an antique manuscript. These are normally seen as hand painted manuscripts on vellum (animal skin). The present example (21" by 13" inside the mats, 26" by 19" framed) is a rather typical example, with generally brown/sepia lettering, and a few capital letters and other letters in colors (red, and blue). It does appear to be a double-sided piece, also common, as ...

A superb 'Bartmanns Krug', Germany, Rhineland, probably Cologne, 16th.-early 17th. century AD.

Exceptional quality 'tigerskin' glazing, nice details and typical of the later renaissance German wine or beer jugs.

Size: 20,5 cm. tall and 14-15 cm. wide.

Condition: Extremely fine for type, no repairs.

Ex. Old Danish Estate collection.

A Spanish Brass Candlestick, circa 1700. Dimensions; 8.5" high x 5" square base. Weight, approximately 1 pound 14 ounces. Very fine condition. Note, although not a pair, it may be used in conjunction with item 1848.

Two-handled celadon jarlet; the glaze extending halfway down the body and in a soft green shade. The exposed earthenware is a reddish hue. Two applied strap handles connect the jar's lip to the shoulders. 15th-16th century. Origin: Southeast Asia, possibly Thailand. Size: 2.5" tall. Condition: Excellent.

The Vũng Tàu shipwreck is a shipwreck that was found in the South China Sea off the islands of Côn Đảo about 100 miles from Vũng Tàu, Vietnam in 1692. The wreck was of alorcha boat—a Chinese vessel with Portuguese influences that has been dated to about 1690. It was found by a fisherman who had picked up numerous pieces of porcelain from the wreck while fishing. Sverker Hallstrom identified the wreck and its cargo in 1990. Australian diver Michael Flecker took charge of the archaeologi...

A very nice and intact bellarmine jug or Bartmannskrug as they are called in Europe, c. 1660-1680.

A fearsome head on the neck of a bearded man with fangs as teeth. Below is a floral medallion. Fine Tiger-glaze ware piece.

A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured in Europe throughout the 16th and 17th centuries, especially in the Cologne region, in what is today we...

This is antique ecclesiastical sheet music in Latin, from earlier centuries, commonly known as an "antiphonal". These are normally seen as hand painted manuscripts on vellum (animal skin). The present example (17 1/2" by 13 1/2") is a rather typical example, with red bars, and brown/sepia lettering and notes. Condition is good considering the advanced age of the sheet, with overall wrinkling/rippling. See the net for more information on these early music sheets, which were an important part of...

A renaissance bronze figure, Italian, Venice, and in a superb style with the stylistic hallmark of the Roccatagliata workshop, c. 16th.- early 17th. century.

The figure is made of bell metal and depicts a Cupid with spread wings holding a scroll with the portrait bust of Christ. He is standing on a stepped podium and mounted to a heavy black base.

Size: 15 cm. tall including the black stone base and 10,4 cm. for the figure alone.

Extremely rare antique, 16th century Renaissance Period part of the European Knight armour (Arm Harness Vambrace). The armour is extremely well made in typical European style, composed of five steel plates engraved with tulips flowers springing from leafy tufts. The tulips are one of the characteristic Ottoman decorative motives of the 16th century and frequently appear on Turkish Art during the 16th century such as on Iznik ceramic, metal work, and textiles in Sultan Suleiman the Magnificent pe...

A very rare antique 17th century European Baroque, German Nuremberg repousse brass Jug The bulbous slightly waisted body with short spout rising from a short-splayed foot to a hinged domed lid with bud finial.

Decorated with repoussé and punched ornament of flower heads and scrolling tendrils, the front adorned with a green man mask, and applied at the rear with serpentine handle.

MEASUREMENTS: Height: 16 cm (6.3 inches). Width: handle to spout: 12 cm (4.72 inches)

CONDITION:...