Early 19th century ebony netsuke of a shishi (Buddhist lion) sitting foursquare on a base, its head turned to the right. Like any dark object does not photograph well. Wonderful netsuke carved with confidence and great detail - see its alert face, bushy tail, well defined ribs and paws. Wonderful sense of volume, beautiful lustre unique to ebony. Height 1 5/16 inches.

Chinese rock crystal scholar's brush washer. Carved into the form of a large heavenly peach with twisting leaves and branches bearing smaller peaches. A small monkey is carved hanging onto the edge of the large peach, in a playful frog like pose. The reticulated carved brush washer rests on two small carved peaches as the feet.

Dimensions: 6" x 4" x 2" Height

Highly interesting and artful stone carving of a couple, Indonesian, Java, before Indian influence, pre 8th. century AD.

A naked couple, they look to be in the act of lovemaking, finely carved with many details which reveals on a closer look, carved in a redish and grey stone, quite heavy. Attractive tribal style!

Size: 25 cm. long, 23 cm. tall and 12,5 cm. thick, weighing around 10 kilograms...

Japanese “Gosho Ningyo” doll of a plump male child in a kneeling position holding a colorfully painted rooster in his right arm. The boy is wearing a fabric bib with painted designs that has 2 ties in the back. He wears a black crinkled eboshi hat that’s secured by a thin rope that is tied in a bow under the chin. The eyes, eyebrows, and hair accents are painted in black while the pursed lips are accented in red...

19th century coral ojime (slide bead for tightening the cord going from netsuke to inro) of simple barrel shape. True coral of beautiful deep red natural color (not stained), nice patina on the surface. Height 3/8 inches.

The stone has a lustrous patina and has a very dramatic ‘splash’ of red on both sides. It has never been carved with a designation and the base has now a shallow flake as a result of an impact on the edge, with a little powdery material showing. Further along there is a tiny bruise to the edge. These could be taken out by reducing the length by 0.4cm. Personally the chip does not worry me...

Height: 7 cm (2.7 in)
Width: 5.1 cm (2 in)
Depth: 3 cm (1.2 in)

Chinese porcelain snuff bottle; iron red calligraphic script; Yongzheng mark to the base; some general wear to the sides and gilt top

Burmese wooden seated disciple on double lotus base, with gilded gold.

Age: Burma, Shan Period, 17th - 18th Century
Measurement: Height 51.5 C.M. / Width 23.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

It is a piece of embroidered kimono on the figured satin silk of the Edo period. It is embroidered with surihitta by hand, and it is represented by a very precise technique. Because there are many damage, we reinforced by sticking with Japanese paper on the back. I will recommend this to your collections and materials. And you can decorate it on the wall. size:: Length 63cm / 24.3" Width, : 36cm / 14.1"

This is a fine early Japanese cloisonne vase with an unusual reddish brown ground color. This vase has a lot of fine work and detail. It is actually better in person because it is only 4 3/4 tall and the details in the images have been enlarged. It is not signed and is in excellent condition.

A beautiful 19th C. Chinese rose canton porcelain mug with flower birds & people scene in excellent conditions. H: 14cm $385

Early 19th Century or Late 18th Century Chinese White Jade Carved Plaque with Cloud & Lily

It is 3.1 inches (8 cm) in diameter and 0.2 inch (0.5 cm) thick. It is 44.9 gram.

It has flea bite chips, inclusions, and surface wears (as seen in the photos).

Some of the photos were taken under the sun.

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A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

A well made Tang dragon handle vase .The vase has two well made dragon handles with a gargoyle type face on the body of the vase with an unusual glaze. Size: H.30cm. W. 17cm.

A Rare Han Dynasty large oval glass bead in shades of very pale blue to dark sky blue. Most of the front side of the bead has developed an intriguing beige patina. There are bi-toned (dark green & light blue) curvey line designs which are imbedded in the glass surface. The light blue line is now iridescent with age. The bead has two holes in the center for stringing.

Han Dynasty .

Size: Length = 5 cm, Width = 3.6 cm

Condition: Very good.

Japanese inro with a large standing bull, frontally positioned with head lowered and looking ahead at the viewer. From the ring in his nose is a rope leading off to the side. The reverse image is a scene, entirely in gold lacquer, of rolling hills and pine saplings in the foreground. The inro opens to reveal a compartment lacquered red on the inside with a small removable inset tray.

Meiji Period (1868-1912)

Dimensions: 2 3/8" high x 3" wide

Early 19th century wooden netsuke carved as standing Hotei (one of the 7 Gods of Good Luck, also considered to be the incarnation of Maitreya - the Buddha of the future) with his hand on his large belly. Wood is lacquered in Negoro style - red lacquer over black, so as it wears the black and then wood starts showing. Great quality carving - see his face with a crooked smile and finely textured stubble, fingers with well defined fingernails, flow of the robe folds...

These large beads with stratified eyes and trailed decoration are very rare. They were almost certainly made in one of the Hellenistic settlements around the Black Sea. They were traded to the Sarmatian and Scythian nomadic peoples who controlled vast inland territories, and who attached these beads as signs of status and wealth to personal clothing and to horse apparel...