A beautiful rendering of a Lohan Monk, Ming Dynasty or slightly earlier, 13th.-15th. century AD.

An excarvated head carved in very hard and dense black stone, in the round with oversized ears and pronounced arched eyebrows and downcast eyes. The head superbly polished, still with traces of the ancient carving methods and a deeply encrusted or embedded earthern patina.

The head is mounted on a modern and very attractive black marple base.

Size: 23 cm...

Very fine, unusually small Tang image of a courtier, excellent condition with complete original pigments. Lovely face with calm and dignified expression. H: 17cm/6.8in

Rare antique classical period Kandyan standing Buddha, carved from Jackwood, circa 18thCE. H: 18cm/7in, please note in enlargements outstretched hand in the abhaya mudra and unisha are missing.

Antique Japanese pair of geese made of bronze. A mated pair, the gander stands with with beak open in conversation. The goose stands nearby. Soft details of feathers and feet. Dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 9" wide x 6" deep

Antique Japanese set of five lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 27 1/4"hight (tallest leaf)

An antique Japanese Tansu chest made of Kiri (Paulownia) wood. Original hand forged iron hardware with an age old replacement lock on the bottom drawer. Hirute style drawer handles. Constructed using straight dovetail joinery with hardened wooden nails. With two side Warabite carrying handles.

Used by a merchant to store valuable small items and money.

Age: Early Meiji Era (1870-1880)

Dimensions: 29" Wide by 13" High 12 1/4" Deep

Antique Japanese Shō, mouth organ (flute) used in Gagaku (classical performances traditionally for the imperial court). A musician blows through the silver lined protruding mouthpiece. The air travels through the bamboo tubes creating notes (said to sound like the Ho bird or phoenix). Skillful musicians are able to blow air in and out of the mouth pieces creating sustained, uninterrupted notes.
The arrangement of bamboo tubes are said to resemble the folded wings of the phoenix...

Chinese Qing dynasty Kangxi marked baluster form cabinet vase densely decorated in underglaze blue on a white porcelain ground with four vertical rectangular landscape panels surrounded by a background of flowers floating on water. Geometric bands at the top rim. Slightly flared base and unglazed stepped foot. A robust and well executed six-character kaishu Kangxi period mark in a double ring is on the glazed base. 6 3/4" high. Possibly of the period and no later than circa 1900...

The deity is represented seated surrounded by his multiple arms holding various attributes. Excellent quality of sculpture, on its skull multiple small heads (10+1) pegged, pretty draping, beautiful facial expression, the eyes and the third frontal eye in glass or rock crystal. Thick, solid lacquer, beautiful gilding. Avalokitesvara wears all her jewelry. Complete set with its glory and its original base...

Chinese Qing dynasty Yongzheng to Qianlong period deep dish decorated in underglaze blue on a white porcelain ground with a long scaled four-clawed dragon at the center front extending over the rim from the reverse to chase a flaming pearl among clouds...

A large bronze incense-burner and cover well cast as two fighting Buddhistic lions. Chinese or Japanese, 19th century. 22 cms x 30 cms.

Japanese keyaki wood toad.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 11.2 C.M. / Width 16.7 C.M. / Length 21.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

An antique Japanese Kasane Tansu (2 section Kimono chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Hirute handles and Urushi lacquered body. Lock plates shaped in the form of the auspicious Paulownia leaf. Upper section has 2 drawers and a hinged safety door with two small drawers behind. Lower section has 2 full width drawers.

Age: Meiji Era (1880-1890)

Dimensions: 42 3/4" Wide by 38" High by 17 1/2" Deep

An antique Japanese temple plaque made from one large solid block of Keyaki (Zelkova) wood. Hand carved on both sides. One side depicts ocean waves which represents polar opposite ideas of peaceful tranquility and powerful ferocity. The opposite side features Sunflowers representing warmth and longevity and Chrysanthemums symbolizing immortality.

Age: Edo/Meiji Era (circa 1850-1900)

Dimensions: 46" Wide by 22 1/2" High

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula)...

Antique Japanese musha-ningo (samurai doll) of the Empress Jingū-kōgō (Okinagatarashi-hime no Mikoto 170 - 269). The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a ship wreck...

An antique Huanghuali Chinese grain storage coffer in a square design. The hinged cover has a floating panel with time honored shrinkage surrounded by a frame. There are four protruding grooved square posts, one per corner that adds a decorative element. Hardware has brass mounts. Through mortise and tenon joinery construction and a beautiful patina acquired over its history. Front slatted moldings and 2 panel replacements using Jichimu wood...

An antique Japanese Tansu chest in 3 sections called Ishodansu made of Tochi (Horse Chestnut) and Hinoki (Cypress) woods. This chest was used for Kimono and clothes storage. Original bronze hardware and wiped lacquer finish. The front has a smooth channeled frame. Behind the sliding doors of the upper section lies a small drawer to the left and a corner shelf to the right side. Center section has 3 drawers and the bottom section has 2 drawers...

It's two eye genuine Dzi bead, it measures 31 mm and the stone is opaque. The bead has perfect patina and I personally had this for over 20 years. It's a time for me to let it go and I am looking for a new owner.

A nice pair of brass figures of deities, Krishna dancing on the Cobra and female deity dancing, India or Nepal, c 19th.-20th. cent.

Size: 8,8-10,2 cm.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1950s-1980s.

Rare Chinese Yuan Dynasty Early "Blue & White" Vase

This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...

A finely made and substantial glass flask, Roman Emperial, 1st.-3rd. century AD.

In green glass with a wide folded mouth and slightly curving walls.

Size: c. 10,3 cm. tall and 4,4 cm. wide.

Condition: Extremely fine, intact with fine silver irridescence and sound.

Ex. European Collection, comes with COA.

Fine lot of two early bronze figures, probably 18th. century or earlier.

Size: 57-53 mm.

Condition: Near Very fine intact with fine wear from worship.

Provenance: Ulf Gudmundsen, 1950s-2012.

Large fragment of a Greek red figure Crater, c. 4th. cent. BC.

Figural decoration with part of a female.

Size: c. 15 cm. long and 8 cm. wide.

Ex. Old private Collection, comes with COA from Clive Sawyer 'Antiquities and Ancient Coins'

An interesting and finely made 'Kissing Bird' opium weight, Late Shan, 19th./20th. cent.

Weight: 10 Tical / 167,62 grams

Condition: Good Very fine, attractive with a nice brown patina.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1950s-1980s.

The urn is made of very hard porcelain stoneware, the body and lid were turned. 5 cases were glued to the slip on the shoulder, as they are deeply hollow, without however crossing their support, I think that they must have served as a receptacle for incense sticks, a decoration of petals and stylized flowers is vigorously incised before firing, then covered with a cracked celadon glaze. Chinese work from the Song dynasty around the 11th-12th century. A chip in the setting, 3 of the five cases ...

Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims. The external reserves are decorated with figures and characters, each of which is represented with great care and precision. Signed Kyoto Satsuma with Shimazu clan mon under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 15 cm. State of conservation: Very good

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside. On the outside, there are vaults that come together to form a single chrysanthemum, with reserves decorated with spirals that seem to support the bowl. Signed Kozan under the base. Origin: Japan Period: Meiji end ...

Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold. Signed Senzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6.5 x 15 cm. State of conservation: Very good

A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head. I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement. Signed Harumitsu (Seikō) entered a square uppercut. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30 x 11.5 x 10 cm. – Weight: 2.3 kg. State of conservation: Very goo...

Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position. The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving. Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 26 x 49 x 14 cm. ...

Okimono of the Tokyo school made in bronze, depicting a farmer returning home after the harvest. He carries two fruit baskets, which are filled with harvest products. To carry the baskets, the farmer has a long stick over his shoulder, with the ends of the baskets hooked to it. Origin: Japan Period: Meiji end of 19th century. Dimensions: 31.5 x 23 x 13 cm. State of conservation: Very good

Marine ivory okimono depicting Shoki grasping an Oni, who is attempting to take a rolled scroll on top of a box. Shoki holds the demon with one hand while in the other he holds a sword, a symbol of his courage and his will to protect what is sacred. Signed under the Gyokushi base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 6 x 4 cm. State of conservation: Very good

Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food. The scene involves nine characters, three of whom receive sticks, umbrellas and punches. One of the most curious moments is the character at the top, who loses a geta during the battle. In a gesture of instinct and necessity, he clings to the closest companion below him to maintain his balance, while firmly clutching a large umbrella as a defensive weap...