Maru-wan style teabowl with Ao glaze over a black and white "grasses" pattern

Stoneware, slips and glazes

4.75" X 4.2"

Functional, decorative and food safe

A Banko ceramic vase fired at the famous Banko Kilns in central Japan, recently known for museum quality art deco vases. The kilns had their start in the Edo Period (17th, 18th and 19th centuries). This sensational modernistic piece is signed by Hiroshi Shimizu and in its original box. Shimizu, born in 1944, is from a long line of legendary Banko artists. His father was declared a human cultural asset by the Government...

Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height

At nearly 13" tall, this large Persian blue style glazed vase cuts a great figure flanked by bold and detailed brushed of owls rendered within medallions and further detailed with patterns of decoration and faint gold accents to complete the piece...

A very beautiful and attractive vase covered with a red, mottled glaze in the shape of a squat bottle with flat but slightly curving sides. Signed Eizo,* a disciple of Kawai Kanjiro. The piece is signed with the artist’s impressed seal in the bottom. Original, inscribed and signed box. H 21,5 x 20 x 12 cm. ca...

An interesting modern water dropper (suiteki ) for ink painting of sculptured form with a rough Bizen feel to it. The maker name Shozo impressed on the bottom and inscribed tomobako storage box. Water droppers are part of a scholar’s painting tools. Size: H 7 x 8 x 8 cm circa. Perfect condition. -------Saito Shozo Born 1952 in Ashio, Tochigi Prefecture, Kanto region. He studied ceramics at the Prefectural Ceramics Center of Mashiko, He built his own kiln in Ashio Town.

HIDA HIDA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Hida Hida’ is a perticular Japanese onomatopoeia and would be somehow translated to “So frilled” in English. H 4 x W 10.5 x D 12cm (1.57 x 4.13 x 4.72in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully...

Large, robust Madara-Karatsu mizusashi with undulating ribs around the circumference of the pot made by Karatsu specialist, Kojima Yoshiaki. In excellent condition with its original signed box, this mizusashi measures 22 x 18cm.

There is a nearly identical example of a mizusashi by Kojima Yoshiaki in the book, MODERN JAPANESE CERAMICS, pg.75, no.54.

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute...

A beautiful vessel / seashell Kara of organic shape with a sideways, seedpod opening in mat mottled turquoise glaze producing a feeling of underwater ambiance. The rest of outer body and the side, elongated shell is done with his usual technique of grooving the surface with needles and rubbing iron into the grooves resulting in those great dark brown and white lines. The contrast between the two techniques is producing a fantastic visual effect. Signed: Tanoue Shinya...

Rich Oribe influenced mizusashi with hakeme (hakame) and impressed design. In the firing, the glaze ran off the pot to form a dragonfly eye style drip. The drip makes the pot a bit uneven, but I could not bring myself to grind off the drip. The foot can easily be stabilized with the addition of two felt pads

Stoneware, slip and traditional Oribe glaze

5.75" X 8.6"

Rectangular stoneware vase decorated on sides with stylised flowers, one side also with geometric pattern in iron red and blue on whitish ground, the sides and shoulder in mottled blue and iron red for the neck. ----Made by Kawai Kanjiro’s student and nephew Kawai Buichi (1908–1989). He began his training as a potter under his uncle in 1928 in Kyoto. During the 2nd WW he was drafted and served with the army in North China for one year in 1942...

Large waisted form teabowl with hakeme slip decoration under a clear and iron yellow glaze. Where the iron glaze ends, the glaze has run into the clear glaze forming very decorative tendrils reminiscent of Japanese ferns.

Stoneware and glazes

5.5" x 4.25"

Functional, decorative and food safe

Shino Yunomi shape tea cup made by the Hayashi Shotaro, one of the top names of contemporary Shino ceramics. The cup is covered in irregular and thick bands of Shino glazes in white, blue, pink, russet iron and lavender colours. Measurements: H 9,5 x 8, 5 cm. Signed at the bottom and inscribed and signed tomobako storage box; the documentation paper and stamped cloth are also included. Perfect condition. Hayashi Shotaro (b...

Eye-catching Hirokazu Ichikawa art deco ceramic vase. B.1959 Ichikawa has won many prizes including the Kyoto Art Exhibition 4x, Asahi Pottery Exhibition twice and many more. With original box. Ask for shipping quote.

Generous Hagi chawan with a variety of colors infused within the white based glaze on a rich iron clay body by veteran potter, Udagawa Seikoku. This chawan is in great condition, measures 12.5 x 9cm and comes complete with its original signed wood box.

(I am keeping the description brief in an effort to get these put up in a timely fashion.)

An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape. Signed and dated: Takeuchi Kouzo 2009, a unique piece in the ‘Modern Remains’ series. Takeuchi Kouzo was born in 1977 in Hyogo Prefecture...

A modern, tokkuri-shaped vase of heavily thrown Shino-ware with thick white, partly covering, glazed over which are powerful, brown splashes. The body with raised tapering bands that turn clock-wise. The piece was made by artist Tsukamoto Haruhiko (b. 1959).* Fully signed kiri-box with artist’s seal and signature. Made around 1980...

An interesting and modern vase of raw, hard-fired clay with natural fire pattern by Terada Teppei (b. 1975). The gaping, irregular sprout stricking outline some sort of volcanic vent. Shaped as a bamboo root, it is one of the “Carbon trapped” series. Signed on the bottom: Fe (Teppei’s signature on his carbon-fired pieces). Terada Teppei is son of Terada Yasuo 4th generation of the Bizan Kiln in Seto, Aichi. Enclosed in the inscribed and signed box with paper, made in 2010. H 23.5 cm. Cond...

Large wan-gata form saffron glazed neriage teabowl with vivid pattern and mossy glaze effects.

Stoneware and glazes

5.75" X 4.10"

Functional, decorative and food safe

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

Elegant modernism art deco ceramic vase with signed box by one of the Japanese masters, Norio Azuma. Created at the turn of the century, ca. 2000. 13" tall x 10" in diameter. ask for shipping quote.

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 13 x W 13 x D 13cm (5.11 x 5.11 x 5.11in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully. (So, as long as you want to receive 100% complete actualy piece, please don't order it since I can't guarant...

Japanese 20-21st century large ceramic vase by Ito Shin. Ito Shin was born in Chiba, Japan in 1952 and has lived in worked in Mashiko in Tochigi Prefecture. He studied under KIKUCHI AKIRA, another Mashiko artist. He is a member of the DENTOKOGEIKAI, or traditional arts guild and also the Japan Ceramics Exhibition and has been selected to exhibit in these shows since 1977. Signed by artist on bottom. The vase comes with TOMOBAKO, or original artist signed wooden storage box. The vase measures 10 ...

Lyrical blue and white teabowl with a droozy rich blue decoration representing Sengai's Universe from his Zen parable and zenga. The circle/square/triangle is repeated twice around the apex of the chawan

Porcelain, underglaze gosu blue and glaze

5.25" X 4"

Functional, decorative and food safe

A powerful Bizen sculptural vessel by Motoharu Kurokawa Of a trapezoidal shape, with irregular cut away parts on both sides. Kurokawa Motoharu ( Tokyo, 1957 - ) is an innovative craftsman from Okayama, who works with Bizen, he has won numerous prizes for the originality of his works. Member of Japan Kogei Association. Impressed artist’s mark in the bottom and information of the artist. Size: H 30 cm, W 30 cm, bottom: L 18 x 7 cm. Perfect condition

A large Silent Shadows Series Sculpture by Sugitani Keizo in his signature oxidized copper green glaze. It is 46.5 x 27.5 x 14.5 cm (18-1/4 x 11 x 5-3/4 inches) and is in excellent condition, directly from the artist this summer. It is signed on the base Sugitani Keizo 210909 and comes with an artists certificate as well. The price includes an artist signed wooden box.
Although imbued with the rustic sheen of metal, Sugitani’s works are in fact creations in Shigaraki clay that are hand...

Generous medieval galena style yunomi, teacup with a rich galena style glaze over an incised "intersection" design. Though galena influenced, this is a lead free glaze!

Stoneware and glazes

4.5" X 3.5"

Functional, decorative and food safe

Japanese Contemporary Ceramic, Progressive Ceramic Art Form. Watanabe Taichiro. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 16,5 x 15 x 15 cm circa. From 2015. Perfect condition. He never sign his pieces, they are sign...

Stoneware covered dome box form glazed in my Kuro-Oribe surface and cornucopia inspired knob.

Box measures approximately 17 x 14.5cm

Stoneware and glazes

Decorative, functional and food safe

Medieval styled jug form with a rich and lusterous temmoku glaze and haiyu ash accent decoration

Stoneware and glazes

10.8" X 7"

Functional, decorative and food safe

Of squat shape with a centre hole, inspired by the cosmic black hole. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 11 x 19,5 x 19,5 cm circa. From 2015. Perfect condition. The last picture show both pieces. Watanabe T...

Stoneware covered box form glazed in my Kuro-Oribe surface with Johnny Hart B.C. and Prometheus inspired finial.

Box measures approximately 17.5 x 13.5cm

Stoneware and glazes

Decorative, functional and food safe

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 17.5 x W 17.5 x D 17.5cm (6.88 x 6.88 x 6.88in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully. (So, as long as you want to receive 100% complete actualy piece, please don't order it since I can't g...

Large waisted form teabowl with heavy tataki (paddled) texture under a rich temmoku and haiyu glaze with tamadare style effects and in the style of Karatsu or Tamba chawan

Stoneware and glazes

5.5" x 3.8"

Functional, decorative and food safe

“Sacred Clay” (Red Lightning World, 2006) brings together three highly acclaimed artists in an intimate and improvisational dialogue that gives voice to our primal origins within the earth, and breathes life into all things created of the earth; our vesels, our instruments, ourselves. Ceramic Artist Rod Kendall of Olympia, WA creates ceramic versions of traditional ethnic instruments from the modern and ancient worlds as well as his own unique creations. Native-American cedar flutes, Afric...