Aesthetically perfect in imperfection, this Ido chawan made by Korean potter Seon Gil Seo (b. 1910).

Ido chawan, also known as Ido tea bowl or Ido-style tea bowl, is a type of ceramic tea bowl used in the Japanese tea ceremony. It is named after the Ido kilns, which were located in the Mino region of Japan during the Momoyama period (late 16th century)...

A humble crackled white bowl by Koie Ryoji enclosed in the original signed wooden box titled simply Chawan. Inside drops of spilled ink and a bit of blank canvas (raw earth) like a minimalist painting from the 1950s. It is 14.5 cm (5-5/8 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition...

Like a previous chawan this hanaire vase is a lesson in texture, covered over in a thick feldspar Shino style glaze meant to imitate shark-skin on a form resembling bamboo with a flared mouth to complete the piece. The highly textural glaze is in constant motion with areas of small and large nodules colliding to animate the form that has iron added under the glaze to also create a moody, atmospheric presence to the pot...

A fabulous wan-gata chawan on prominent foot reminiscent of the forms from his Okinawan experience by pottery legend Hamada Shoji enclosed in the original signed wooden box titled Kuro-yu Sabi-zo Chawan. An undulating snake of rust color drapes from the rim over the glossy black glaze, the effect mirrored around the foot ring. It is 13 cm (5 inches) diameter, 8.8 cm (3-1/2 inches) tall and in excellent condition...

A set of five deep plates by Living National Treasure Kondo Yuzo decorated with pomegranates in blue on snow white porcelain. The are 20.5 cm (8 inches) diameter and in excellent condition, each signed on back. They come in a custom made contemporary box. Kondo Yuzo (1902-1985) was born in the Gojozaka district of Kyoto and studied alongside Kawai Kanjiro and Hamada Shoji at the Kyoto Ceramics Research facility, where he studied kiln technique directly under Shoji...

Serene yuteki temmoku conical chawan made in the Chinese taste, though Japanese. The chocolaty oil spots float on the darker iron glaze as if suspended, or frozen in motion. The clay is a a fine buff stoneware and the kodai, foot is well tooled. The chawan is signed, but has not been read, though it is a fine bowl...

This elegant Japanese seihakuji vase with peach bloom, shinsha accent, is by studio pottery master; Morino Kako. This vase measures 8.8” X 3.25” and is in excellent condition with original signed box. The contemplative decoration of this hanaire is boldly handled by an adept master of glazing and pottery form. Morino’s works are in numerous collections, museums and a wide variety of publications as well...

This contemporary Shiwan figure was made by Mr.Lin Wei-Dong. Mr. Lin is a well-known Shiwan potter. His signature appears on the bottom along with the notice that he produced this piece at Tao Lin Studio. There is a stamped seal on the straw mat close to the foot. The statue is a famous Chinese legendary figure called Ji Gong. As the story goes, Ji Gong was a real person. A Buddhist of the Southern Song, his dates are 1148~1209. His original name was Li Xin-Yuan...

A striking black and orange striped vase in simplified ovoid form by Mukunoki Eizo enclosed in the original signed wooden box titled Kokusai Tsubo. This was purchased at a Mitsukoshi Exhibition. It is 8 inches (20 cm) tall and in excellent condition.
Mukunoki Eizo Born in Shimane, and graduated the prefectural ceramics research facility before he apprenticed under Kawai Kanjiro in 1958. He would stay with Kanjiro until the masters death in 1966...

An early vase by sculptural legend Yanagihara Mutsuo enclosed in the original signed wooden box titled Heki-yu Tetsu-e Kabin. Hekiyu is a glaze made of copper and cobalt, which when fired takes on the color of Lapiz...

An oblong Oribe dish with striated designs by Kato Shigetaka enclosed in the original signed wooden box. It is 10 x 11 inches (26 x 27.5 cm) diameter and in fine condition.
Shigetaka was born the second son of Kato Tokuro in 1927. He graduated the Seto Industrial School of Ceramics and studied under his father. From 1959-1971 submitted annually to the Nitten where he received the Hokusho prize as well as the Modern Ceramics Prize among others. He also received the Japanese Ceramics Societ...

Mottled clay in lively matt colors blends on this square bottle by Living National Treasure Matsui Kosei enclosed in the original signed wooden box titled Fuhakuji Henko. It is 12 x 15 x 13 cm (4-3/4 x 6 x 5-1/4 inches) and in excellent condition.

A very large Kutani Vase decorated by eccentric Zen Priest and painter Shimizu Kosho enclosed in the original sgned wooden box. The outer surfaceis covered in genuine gold, overwhich has been brushed the decorative calligraphy reading……Hana mushin Maneku chocho, mushin tazuneru shin. The box lid is attributed within to having been fired at the Kutani Shoryu kiln by Kosho himself, and the pot is signed on the base Ryu. The vase is over 12 inches (31 cm) tall, 9 inches (22 cm) diameter and ...

Takiguchi Kiheiji (b. 1937) Momoyama Style Aka Oribe Chawan.
Of irregular Kutsugata shape with unglazed foot ring.
The mark of the potter is carved on the bottom.

Takiguchi Kiheiji
Trained under the master of Mino ware Juemon Kato and became independent in 1965.
Also, after studying at Shinroku Tsuji pottery studio in Kyoto, he built a kiln in Ogaya, Mino. Moved to the U.S. in 1971 to work in Malborough, Vermont, where he built an anagama kiln in 1973 and a climb...

This large, bold and classical Shino vase was made by Mino legend and veteran potter, Hayashi Shotaro (b. 1947). Thrown out of traditional Mino mogusa clay, the throwing is both a blend of both casual and power. The form has areas of iron decoration under the beautiful and active white Shino glaze with lots of craters and crawling characteristic of great Shino pottery. The vase is an amalgam of classic Momoyama inspired design and Shotaro's genius for modern form and pushing the edges of contem...

An astounding work of singular design by renowned Shigaraki pioneering female artist Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ryukoku Tsubo (Natural Ash Glazed Carved Flowing Tsubo). The voluminous work is like a seed pod, rising up in tapering lines to an undulating open mouth. The body is covered in rich green ash glaze, flowing down the wavering clefts to pour out and collect in thin crystalline pools. I have never seen another work like this by ...

Each uniquely carved row of frets on this large textured vase is a variegated shade of raw clay by Mihara Ken enclosed in the original signed wooden box. The vase is 10 inches (25.5 cm) tall, 8-1/2 by 5-1/2 inches (22 x 14.5 cm) and dates circa 1994. Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23. He has been exhibited and or prized at the All Japan Ceramic Exhibition (Nihon Togei Ten), Asahi Ceramic Exhibition, the National Traditional Crafts ...

Modern Nezumi-Shino Chawan (made in 1995) by first class artist Shigemitsu Niwa, born in 1951. Niwa was accepted for 3 times at the Nitten exhibition, which is the most famous and importand art exhibition in Japan.

It comes with the originally signed and sealed wooden box and the profile of the artist.

No chips or cracks.

Size: 6,9 cm height x 13 cm in diameter.

Shipping included

Mystical heads adorn the four corners of this Persian-blue glazed open vase by Living National Treasure Kato Takuo enclosed in the original signed wooden box. It is 5 x 4 x 10 inches (11 x 13 x 25.5 cm) and is in excellent condition. Kato Takuo, I am sure, requires no introduction. He was trained in ceramics by both his father, Kato Kobei, and at the Kyoto School of ceramics. He was soon accepted and consistently displayed at any number of National and International Exhibitions, and was name...

An eight sided Shino Yunomi Cup by Suzuki Osamu (Kura) enclosed in the original signed wooden box decorated with triangles in red. A striking work, it is 3 inches wide, the same height (7.5 cm) and is in excellent condition. Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. That same year he was awarded at the 6th Dento Kogeiten Traditional Crafts Exhibition. One of the great researchers, he spent many years excavating old kiln s...

A masterpiece tea bowl by Iga master Tanimoto Kosei, accompanied by his signed and sealed original storage box.

Kosei was born in 1916 in Iga city, Mie Prefecure. He made his National Debut as an oil painter artist, his interest in traditional Iga-yaki ceramics started in 1945, and he becomes an Iga potter in 1947, enjoying a long apprenticeship under master potter Komori Shinobu and Sakuzo Hineno at the Institute of Nanagu Ceramics in Ueno, Mie Prefecture.

Tanimoto Ko...

Kenji Funaki (b. 1927) White Glaze Chawan (tea bowl) Studio Pottery
Elegant shape in the style of fine Joseon dynasty bowls covered with white glaze.

Kenji Funaki is known for his participation in the Mingei Movement led by Yanagi Soetsu and Kawai Kanjiro.
He studied under Hamada Shoji and Bernard Leach. Kenji Funaki received numerous awards including Kokuga Association Award, Japan Folk Crafts Museum Award, Japan Ceramics Society Award. He held many solo exhibitions at ...

A complete set of 12 Tokkuri sake flasks by Imaizumi Imaemon XII enclosed in the original signed wooden box. Each is uniquely decorated with a delicately rendered image of one of the 12 animals of the Chinese zodiac. With a diverse enough crowd, each person could drink from their own sign. Each piece is in perfect condition. They are all identical in height and shape. roughly 14 cm (5-1/2 inches) tall and in excellent condition.
Imaizumi Imaemon XII (1897-1975) was born the second son...

One of my personal favorite shapes for a chawan, the wa-nari (sometimes pronounced rin-nari) appears firmly grounded and balanced at all times. With round curving surfaces so natural in the hand—they conjure images of ripe fruit waiting to be devoured.

This piece was produced by Koizumi kiln in Aichi Prefecture, most likely by the head potter Kato Shineda—though it only bears the seal of the kiln and not the potter. The outside of the bowl displays a gray field with swaths of l...

Wonderful yakishime Shigaraki chawan by veteran potter; Tani Seiuemon.

12.8 x 9 cm

Perfect, unused condition with signed box and stamped tea cloth

The playful form of this pottery work by the ever lively Yangaihara Mutsuo seems to be overfull with joy, weeping out from the bottom to form a puddle below. It is enclosed in the original signed wooden box titled Kuro Oribe Choko and dated 1992. The vessel is 39 cm (16 inches) tall, 19 x 17 cm (7-1/2 x 7 inches) across the base and in excellent condition. This is a rare opportunity for one of the more greatly collected artists of recent years.
Yanigahara Mutsuo (b.1934) was raised in ...

Small Shigaraki kake-ire hanging vase made by Uda Rakuzan. The small uzukumaru like form, intentionally deformed with the face covered in ash and charcoal effects and an incised decoration around the should of the pot. the rear has hi-iro effects and a metal hanger.

This vase is in fine condition but does not have a box. The vase measures 4.5" x 4.8".

Rich, generous and timeless Aka-Raku chawan by veteran descendant of Honami Koetsu; Hon'ami Sokyu. This full and rounded form chawan is reminiscent of chawan from the edo period and was formed by hand molding, tebinari, the traditional manner in which Raku has been made for centuries. Relying on a tradition passed down from its founder, through his master, Honami Koson, Sokyu works in an unbroken line of transmission all the way back to Koetsu. The evocative red raku bowl has bold and intention...

Large, bold and timeless Shino chawan is by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Created in classical and timeless style guided by his master, Arakawa Toyozo, this chawan has a strong Momoyama inspired form with an aesthetic that is among the strongest of the 20th century Mino tradition. The intentionally distorted shape fits the hand well and the lip, mikomi and kodai all act to balance out a truly inspired work by a potter of the highest level.

Tsuk...

A pair of exquisite fluted porcelain bottles decorated in rich color by Tokuda Yasokichi II enclosed in the original signed wooden box. Flowers in various colors, red, yellow, purple blue and green rise up between patterned undulating bands of green and blue. Each is signed on the base in a yellow seal Kutani Yasokichi. They are 15 cm tall and in perfect condition.
The Tokuda family kiln was established by the first Yasokichi (1873-1956)、born into the house of a textile dying family....

The mouth of this vessel by Kato Yasuhide is placed off center, dissonant to the linear decoration which causes a tension between the two. It comes enclosed in the original signed wooden box titled Senmon Beni Hakusai Henko (Red and White Colored Odd Shaped Vessel with Line Decoration). It is 30 cm (12 inches) tall, 18.5 x 13.5 cm (7-1/4 x 5-1/2 inches) at the base and I excellent condition. Retaining the original Shifuu and Shiori.
Kato Yasuhide was born the eldest son of (to be) Livi...

A large deep bowl decorated in abstract underglaze blue imagery by Shibata Ryozo enclosed in the original signed wooden box titled Sometsuke Hachi and dating circa 1995. It is 35 cm (14 inches) diameter, 25.5 cm (10 inches) deep and in excellent condition.
Shibata Ryozo (b. 1952) completed advanced studies at the Kyoto Municipal University of Arts in 1978 (his work was purchased by the university the previous year for its permanent collection). In 1993 he first exhibited with the Nihon Den...

Overlapping crescents in pale colors decorate the textured white clay of this tall vase by Kamoda Taro enclosed in the original signed wooden box dated 1989 and titled Kaku (With Corners). It is 12 x 15.5 x 32 cm (5 x 6 x 12-1/2 inches) and in excellent condition, hand signed on the base in a colorful cartouche.
Kamoda Taro was born in Mashiko the eldest son of legendary ceramic artist Kamoda Shoji. The day to day of the family kiln was forced upon him with the early death of his father...

the silhouette of birds flit through the branches of the forest which rises up in white trunks on the verdant green of this flower receptacle by Yamaguchi Yoshihiro enclosed in the original signed wooden box titled Kasai Ju-in Mon Hanaike. The pebble textured surface is very unusual for Kutani ware, and bridges the glitzy world of porcelain and the more matte world of ceramics. The soft palette allows the vase to work in any decor, the abstract lines seeming to grow up randomly, without intent...

This piece is almost identical to the work submitted by the artist to the 7th Nihon Dento Kogei Ten in 1983 (featured as item number 116 in the catalog for that year) and indeed, shares the title Hi-iro In-mon Tsubo (Flame-Colored Stamp-Patterned Tsubo). It measures 34 cm (13-1/2 inches) diameter, 29.5 cm (12 inches) tall and is in excellent condition.
Kanzaki Muneaki (b 1949) is the fourth generation head of the traditional Mokusen Kiln in Koga, Shigaraki. His works have been exhibited...

Maple leaves swirl in a vortex on this large rectangular platter by Ando Hidetake enclosed in the original signed wooden box. Rich iron leaves seem to float on or just below the surface as if floating in a pond, the suction from a surfacing carp drawing down, pulling the leaves around it. Excellent for display or use, it is 17 x 10-1/2 inches (43 x 26 cm) and is in excellent condition. Hidetake was born third generation into a Mino pottery family in Gifu prefecture in 1938. He began an appren...