An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family...

Ripples cover the archaic surface of this flattened vessel by Sakata Jinnai enclosed in the original signed wooden box titled Hakudeisai Hajomon Henko (White Clay Wave Patterned Henko) It is 11 x 23 x 32 cm (4 x 9 x 13 inches) and is in excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966...

A playful sculpture which challenges the viewers perception by Hayashi Yasuo enclosed in the original signed wooden box titled simply Sakuhin (work). It is 12.5 x 9 x 12.5 cm and in perfect condition. According to a description of a similar work in the collection of the Met: Hayashi’s series of black and gray coil-built trompe l’oeil “boxes,” a group that was inspired by his experience flying without lights at night as a kamikaze pilot.....

Lavender tinged glaze covers the sandy clay of this Hagi platter by Miwa Eizo enclosed in the original signed wooden box titled simply Sara (Dish). The glaze crawls and pulls back here and there, leaving raw edges and windows of sunburnt or blackened clay exposed. It measures 32.5 x 32.5 x 6 cm (13 x 13 x 2 inches) and is in perfect condition.
Miwa Eizo (1946-1999) was born the second son of Living National Treasure Miwa Kyusetsu XI...

A haunting orb reminiscent of the Korean Moon Jars by important Sodeisha member Yamada Hikaru enclosed in the original signed wooden box. It is 22.5 (9 inches) the same height and in excellent condition.
Yamada Hikaru (1924-2001), was born into the family of layman potter and priest Yamada Tetsu, and raised in Gifu after the family home was destroyed in the Great Kanto Earthquake...

Classic Showa era bowl by Ichikawa Kodo (B.1925) this gama-yohen chawan shows a wide variety of textures and colors with wonderful iridescence and copper flashes across the bowl with areas of streaking and feather patterns as well as banded lines flowing across the surface. This chawan is in great, original condition and measures 13.15 x 7.2cm and comes with its signed box...

Fine Oni-Shino chawan by Mino traditional potter, Murata Juko (b.1922). The Oni-Shino surface is a wonderful blend of fissured Shino with areas of rich iron about the exterior and covering most of the interior. The robust and inviting form has a very purposeful stance and displays well and feels great in the hand...

We like to offer this large and stunning Tea Pot by famous Takeuchi Shugo, enclosed in the original signed and stamped wooden box.

Like most of the best contemporary potters, Takeuchi Shugo is a true artist and creator, and his work reflects his strength and his dynamism.

This great item is another splendid evidence of the mastery of this artist.

Takeuchi Shugo, born in 1938, is a worldwide acclaimed Mashiko based potter...

Pleasant crackle style chawan with Rimpa influenced design under and over the glaze. This chawan was made by veteran Kyoto native potter, Suzuki Soji who was a student of Tomimoto Kenkichi. Suzuki's chawan now days can cost 200,000 yen and more.

This chawan is in excellent condition and does not have a box.

4.6" X 3.2"

Exceedingly well fired Shigaraki mizusashi resembling two ash covered stacked stones. This ash and charcoal covered mizusashi is an enigma. The signature is illegible but the piece is obviously a work of one of the most talented Shigaraki potters of the post-war period. Possibly Furutani Michio, Ueda Naokata or Juho, Sugimoto Sadamitsu or at least someone of that caliber. I will leave the sleuth work to the next owner.This piece is positively medieval in appearance...

A complete set of the twelve animals of the zodiac by Miyashita Zenji, each enclosed in the original signed wooden box retaining the original Shifuku and Shiori. Sizes vary from 8 up to 16 cm (3 to 6 inches) and all are in excellent condition.
Miyashita Zenji (1939-2012) was born into the family of potter Miyashita Zenju, and graduated the Kyoto Municipal University of Art under Kiyomizu Kyubei and Kusube Yaichi...

Exceptional teadust style temmoku chawan by noted temmoku specialist, Kimura Moriyasu. This chawan is a very potent piece in excellent and unused condition and measures 4.75" X 2.65"...

Robust, medieval styled mizusashi by veteran Shigaraki potter; Furutani Churoku IV (b. 1922)...

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled simply Hai (Sake cup). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 4.8 cm (2 inches) tall, 6.5 cm (2-1/2 inches) diameter and in excellent condition. For a similar work in this style see the collection of the Metropolitan M...

This contemporary Shiwan figure was made by Mr.Lin Wei-Dong. Mr. Lin is a well-known Shiwan potter. His signature appears on the bottom along with the notice that he produced this piece at Tao Lin Studio. There is a stamped seal on the straw mat close to the foot. The statue is a famous Chinese legendary figure called Ji Gong. As the story goes, Ji Gong was a real person. A Buddhist of the Southern Song, his dates are 1148~1209. His original name was Li Xin-Yuan. He came from Tai-Zhou in modern ...

Enigmatic lines score the martian landscape of this large slab platter by innovative Japanese artist Teramoto Mamoru enclosed in the original signed wooden box. The slab measures 53.5 x 16.5 x 5 cm (21 x 6-1/2 x 2 inches) and is in perfect condition. The box itself is a testament toteh value placed on it by the artist, double the thickness of a usual box and of a fine grade of kiri. The moonscape style is haunting, and Mamoru is a must for any modern Japanese ceramic collection.
Mamoru (...

Splendid Keshiki, it is difficult to describe this stunning square platter by Bizen master Kakurezaki Ryuichi (b. 1950) which comes enclosed in the original signed wooden box. The massive dish is torn and scraped from a single thick slab of clay. Spattered with natural ash glaze, it is a true masterpiece by this most sought after artist. The piece is 16-1/2 inches (42 cm) square and in excellent condition. It is likely that Ryuichi needs no introduction, one of the most well known of Bizen p...

A cascade of flowers descends from a branch hanging into the dark matt night of this large pate by Kondo Yutaka enclosed in the original signed wooden box titled Funka-sara. In the upper right a white intrusion on the dark surface, is that a crook in the tree…or perhaps the corner of the rising moon? It is 32 cm (12-1/2 inches) diameter and in excellent condition dating circa 1980.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living Na...