An elegant small 14K gold enameled flower pin featuring a pair of white four-leaf clovers with green veining. Each flower is centered with a seed pearl. During the Victorian era, flowers were used to symbolize specific sentiments, and the white clover meant “think of me.” Small pins such as this were often given as presents to new brides and are sometimes called honeymoon pins. The back of the pin is stamped with Hammerman’s mark and 14K.

Origin: America, ca. 1946...

A 14K white gold ring set with a .77-carat round brilliant-cut diamond (I color, SI2 clarity, VG cut) surrounded by a horseshoe motif set with .25 carats of rose cut diamonds over a pierced gallery. Tested and guaranteed 14K.

Origin: America, ca. 1940. Finger Size: 5-3/4. Dimensions: crown, 1/2" x 5/8". Weight: 4.2 grams. Approximate Total Diamond Weight: featured stone, .77 ct; mine cuts, .25 ct.

Stunning vintage 1940s unsigned Miriam Haskell memory wire bracelet by early Haskell designer Frank Hess. Guaranteed Haskell Hess design, pictured on page 157 of "Miriam Haskell Jewelry" by Cathy Gordon and Sheila Pamfiloff. With slightly marbled opaque glass beads simulating salmon coral, strung on memory wire, with a center element with goldtone metal leaves set with tiny rhinestones...

A lovely antique 14K yellow gold floral wide band depicting twining branches of roses, each set with a ruby at the center of the petals. The flowers are separated by round brilliant cut diamonds. The band is finished with scalloped edges. The diamonds range from SI1 to I1 with G color. As is typical of the wartime period, the gold has generous weight and the rubies are synthetic...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889...

This jelly belly gazelle brooch is unsigned. There is a signature which I cannot read or photograph. The body of the gazelle is lucite with a red eye.

Hallmark: none that I can read or photograph.

Dimensions: 3 5/8" x 1 3/4"

Circa 1944

Amazing huge vintage signed Ledo bracelet in rhodium plated metal with pave large and small brilliant strass rhinestones in an Art Deco design. Marked LEDO. This is the mark of the Polcini jewelry company, founded in New York in 1911. The Ledo mark dates from the late 1940s. With slide clasp and safety chain. Great size -- 1 3/4 inches wide and 7 inches wearable length. Excellent condition. All stones are bright and much better than the photos. Display form is life size...

Wonderful Staret piece! Square rhinestones of various sizes set in silver color metal, clear and sparkling, every single one. Heavy and chunky. Stamped Staret on the back. 3 3/4" wide, 1 7/8" high. Great reminder of the 1940's.

This beautiful necklace is pictured on page 137 of "Miriam Haskell Jewelry" by Cathy Gordon and Sheila Pamfiloff. It has seven clusters of genuine red coral spezzati, turquoise glass beads, and brass bell shaped caps, attached to a brass braided chain, with a spring ring clasp and extender chain. Each cluster has a large turquoise bead at the top, and three turquoise beads at the bottom. The turquoise beads have painted detail simulating the matrix in turquoise stone...

This elegant depiction of a Wiener Dog is c. late 1940’s. The sterling silver vermeil and marcasites compliment the beautiful ropetwist, open wirework of the body. The ear is set with marcasites, as is the eye. The back is marked “ALICE CAVINESS” and “STERLING GERMANY” on applied plaques. The pin measures 2” (from snout to tail) x 1/2". This wonderful piece is in excellent condition.

A chic pair of 18K rose gold earclips in bow form, each suspending a pair of tubular chains terminating in platinum-set diamonds. The bows are pave-set with small single-cut diamonds (J/K; SI2) and are accented with arches of round brilliant diamonds (I/J; SI2). The larger diamonds (I; SI1) at the ends of the chains dangle freely for added sparkle. The uneven lengths of the chains complements the asymmetric design of the bows...

Incredible very dimensional carved bangle with rose, leaf, and floral motifs. The floral motifs have "worm" style carving around the center flowers. Circa 1935. Tests positive for Bakelite. Guaranteed vintage and original. Standard 2 1/2 inches inside diameter, 15/16 inch wide, and 7/16 inch thick. Excellent condition. Photos enlarged to show detail.

Not sure if raisin is an "official" Bakelite color name, but it best describes the unusual rich deep brown with purple undertones color of this hinged bangle. Circa 1940. Tests positive for Bakelite. Guaranteed vintage and original. From a collection. With excellent very deep carving in a roses and leaves motif. Excellent condition. The hinge is tight. It is a bit dusty; I have brushed it but have not cleaned it further so as not to disturb the oxidized finish...

Fabulous vintage Bakelite bangle with very complex carving. Cherry vanilla marbled, with pierced decoration around the edges. Tests positive for Bakelite. Guaranteed vintage and original. From a collection. Standard 2 1/2 inches inside diameter, 1 inch wide, and 7/16 inch thick. Excellent condition. It is a bit dusty; I have brushed it but have not cleaned it further so as not to disturb the oxidized finish. Photos enlarged to show detail.

An elegant pair of Retro 18K yellow gold earrings shaped as bows. Each of the dangling ribbons suspends an old European cut diamond. The diamonds are graded J color and I1 clarity. These earrings would look just as good with jeans as they would a cocktail dress. Tested and guaranteed 18K.

• Circa 1940
• Condition: excellent
• Dimensions: 1" x 9/16"
• Weight: 7.0 grams
• Approximate Total Diamond Weight: .4 carat

Stunning deeply carved bangle in cherry red. Circa 1940. Tests positive for Bakelite. Guaranteed vintage and original. From a collection. Standard 2 1/2 inches inside diameter, 7/8 inch wide, and 3/8 inch thick. Excellent condition. It is a bit dusty; I have brushed it but have not cleaned it further so as not to disturb the oxidized finish. Photos enlarged to show detail.

Stunning rare true black Bakelite clamper with a carved bow in the center, accented with engraved brass decoration. Tests positive for Bakelite and true black in that it has not oxidized to black from another color. Circa 1940. Guaranteed vintage and original. 1 1/4 inches wide at center, 6 3/8 inches inside circumference and inside diameters are 2 7/16 and 1 3/4 inches. Excellent condition. Spring is tight. Photos enlarged to show detail. Display form is lifesize.

A rare mixed material Art Deco necklace made in the 1930s or 1940s. Condition: excellent. 46cm (18 inches) long

Beautiful glowing marbled tequila sunrise bangle in the popular rope pattern. The color is much better than the photos. Circa 1940. Tests positive for Bakelite. Guaranteed vintage and original. From a collection. Standard 2 1/2 inches inside diameter, 1/2 inch wide, and 3/8 inch thick. Excellent condition. Photos enlarged to show detail.

Fabulous group of very similarly carved tube shaped Bakelite bangles, two in slightly different greens, one in rust, and one in milk chocolate. Circa 1940. All test positive for Bakelite. Guaranteed vintage and original. All are from the same collection. They make a stunning statement worn together. All are standard 2 1/2 inches inside diameter, 3/8 inch wide and 3/8 inch thick. All are in excellent condition. Photos enlarged to show detail.

A heavy Retro bracelet in 14K yellow gold set with amethysts by Tiffany & Co...

A rare early, large figural sterling silver pendant by Sam Kramer. Looks like an abstract man, maybe even a pirate. Measures 3 3/4" long and 2 3/4" wide. Signed with an impressed mushroom on the front of his leg. Heavy and substantial. Fine example of his work.

A wonderful, generously-sized Retro period 14K yellow gold charm or pendant depicting a spaniel. The dog is finely detailed and is offset with sparkling blue sapphire eyes. Ruser, the foremost Beverly Hills jeweler of his time, was a favorite of Loretta Young and Joan Crawford. His famous line of poodle jewels were inspired by Crawford's poodles. Other breeds of dogs are exceedingly rare. The back is marked "14K" and is signed "Ruser."

• Origin: America, ca. 1945
• Condition: excellen...

A lovely pair of vintage 14K yellow gold earrings by Tiffany & Co. Each earring is designed as a gold ribbon surrounding a stylized floral spray set with natural brilliant round cut rubies and brilliant oval cut aquamarines. The color combination is a classic Retro combination. The stones are very nice quality, as would be expected of Tiffany. The earrings retain their original screw backs, but posts or clips could be added. The backs are marked “Tiffany & Co. 14K”.

Origin: America, c...

A classic pair of French 18K yellow gold cufflinks in a variation of the "mors de filet" or "snaffle" design originally created for Hermès by Gaetan de Percin. Each of the flip-up ends is pierced in a diamond-cut design. De Percin's design was very popular and served as the basis for a number of closely related designs. These cufflinks are stamped with French 18K marks, an unidentified goldsmith’s mark and the notation for "breveté", indicating that the design was patented.

Origin: Fran...

A terrific pair of Retro 14K yellow gold cufflinks, the round faces set with large round cabochons of amethyst. The stones have very good, deep purple coloring. The faces are joined by hinged connectors to rectangular backs enhanced with stippling and rose gold banding. The connectors are marked “585” for 14K. The style of connector suggests that the cufflinks are Scandinavian in origin.

Ca. 1940. Condition: excellent. Size: faces, 3/4” diameter. Weight: 14.9 grams. Approximate ...

Vintage long necklace of graduated Gripoix poured glass beads in green and purple, wired with dark goldtone metal, with ornate filigree caps, and cylindrical stamped dark goldtone metal beads, with a screw barrel clasp, circa 1940. Marked MADE IN FRANCE. 37 1/4 inches wearable length. The largest center bead is just under 3/4 inch wide or 17mm. Excellent condition. Display form is life size. Photos enlarged to show detail.

This is a stately pair of vintage gold filled lozenge shaped tiger eye toggle back cuff links, the natural striations in the stone creating rich depth to the stone, marked 1/20 12K GF; Measures 3/4 in long, tiger eye-1/2 in x 3/8 in. Very good condition with original exposed glue on back, minor surface scratches.

Art Deco 18K gold and sapphire stirrup cufflinks in the style first popularized by Cartier. The heavy mesh sides are accented with two blue sapphire sugarloaf cabochons on each cufflink. Each is stamped with French 18K gold hallmarks.

• France, ca. 1950
• Excellent condition
• Dimensions:13/16" x 1-3/32"
• Weight: 16.9 grams
• Approximate Total Gemstone Weight: .72 carat

A handsome pair of reversible heavy 18K yellow gold flip-up cufflinks. One side of each end is finished smooth, while the reverse side is engraved in a zigzag pattern. The flip-up style was popularized by Cartier in the 1930s and continued to be popular in France through the mid-century. Each cufflink is fully hallmarked with the “tete d’aigle” stamp for 18K gold and with an unidentified maker’s mark.

Origin: France, ca. 1940. Condition: excellent. Size: 1/2” x 1/2”. Weight: ...

A handsome pair of 18K yellow gold cufflinks featuring collet-set rectangular garnet plaques in a deep wine red shade. The faces are connected by chains to classic baton backs. The cufflinks are stamped with French 18K gold marks and an illegible master goldsmith's mark.

• Origin: France, ca. 1940.
• Dimensions: faces, 9/16" x 11/16" (14x18mm).
• Condition: excellent.
• Weight: 13.2 grams.

This handsome pair of vintage crocodile cuff links will add a touch of class to any sleeve, featuring gold tone rectangular shaped toggle backs with crocodile centers, circa 1940, hallmarked ANSON, Pat Pend. Size: 7/8" x 1/4"; Condition is excellent.

Fabulous hefty bulls get the golden touch in 14K yellow gold. Handcrafted and highly detailed, these toggle back cufflinks weigh almost an ounce, circa 1940, marked 14k PAT. Weight: 29.2g; Size: 1"x 1/4"; Condition is excellent.

Fabulous French Art Deco beaded rope necklace with beads made of glass, glass based faux pearls, antiqued brass, carved stone, and composition or celluloid. Circa 1930 or 1940. From the estate of a serious glass collector. I've owned many of these necklaces, in rope and bib form. All the beads are wired on brass wire. Continuous strand, 18 inches wearable length. The largest beads are over 20 mm long. Excellent condition. Photos enlarged to show detail.

A masterfully crafted, meticulously finished frame of sterling lily pads accented with tiny beading and elegant little wire swirls surrounds a flat-top amethyst gem in the vintage studio ring I am presenting here. This type of silver-work and the specific foliate motif is easily identified as created by Mary Gage, one of the most talented - and indeed most eccentric - silversmiths of the late American Arts and Crafts movement. I have had a few pieces by Gage over the years - she does not seem to...

A very handsome pair of 18K yellow gold double-sided cufflinks, the faces simply set with round brilliant cut citrines. The prongs holding the stones are reeded for an added a touch of elegance. The citrines have good, deep lemon color with just a hint of orange, have excellent brilliance, and are well-matched. Despite the simplicity of the design, the cufflinks are heavy and feel substantial when being worn. They’re particularly attractive on a blue cuff. The connectors are stamped...

A fine Art Deco sterling silver pendant necklace by famed illustrator and jewelry designer McClelland Barclay. The square pendant shows a water lily and lily pad along with several buds in a stylized form. The pendant is suspended from its original silver chain. The reverse is marked "Sterling Silver" and is signed "McClelland Barclay".

Barclay was a noted illustrator, famous for his pin-up style advertisements for General Motors and for Hollywood movies. At the onset of World War II, he v...

An elegant pair of Retro 14K yellow gold earclips by Tiffany & Co. The earrings are fashioned as a fold of pleated gold, each with a single 5-mm cultured pearl in the center. The pearls are of fine quality, with cream body color and pronounced rose overtone. The original clips are the patented adjustable style often seen on Tiffany earrings from the 1940s and 50s. The backs are marked “Tiffany & Co.” and “14K”.

Origin: America, ca. 1945. Condition: excellent, all original. Size: ...

This is a wonderful pair of vintage 14K yellow gold elephant head-form toggle back cufflinks, very finely crafted and highly detailed, featuring diamond eyes, textured matte face with shiny ears, tusks and trunk, marked with makers mark M and 14K, C 1940. Weight: 17.89g; Size:3/4 x 3/4; Condition is excellent. Very similar pair featured in major luxury store holiday catalog at four times the price.

For someone with a song in his heart, this vintage pair of sterling silver toggle back cufflinks takes the form of a G clef, marked on the link STERLING and Pat 2472953, circa 1940. Measures 1 1/4" high. condition is excellent. May need cleaning.

Dating in the first decades of the 20th c. this Italian Renaissance Revival necklace is wrought in .800 silver and adorned with flat-cut and cabochon sodalite. In the same style as “Grand Tour” jewelry popularized by the Peruzzi and Coppini houses in Florence, this piece features grape clusters and leaves while also showcasing shell, floral garland and rosette links in its ornate chain. Good casting and beautiful patina render the design three-dimensional and I do love the unexpected brown s...

A rare pair of World War II era 14K yellow gold double-sided figural cufflinks, the faces in the form of airplane propellers. The front faces have three blades, while the back faces have two. Cufflinks with an airplane theme would have been considered a patriotic statement in gentleman’s jewelry at the time. The connectors are marked “14K” and have the hallmark for Richardson Manufacturing Company, a Newark jeweler.

Origin: America, ca. 1940. Condition: excellent. Size: front faces,...

A very fine five-piece 14K yellow gold and sapphire dress set by Van Cleef & Arpels. Each piece is fashioned as a reeded baton circled by a collar of channel-set blue sapphires. The sapphires are of superb slightly violetish-blue color, with medium tone and vivid saturation. One baton on each cufflink is hinged for ease in putting them through the cuff. Each shirt stud is signed "VCA NY", and is stamped with the serial number and "14K". The cufflinks are marked only "14K". Van Cleef employ...

Fabulous vintage very long necklace of carved round creamy white or celadon jade beads graduating from 8 mm to 13 mm at the center. With original silver screw clasp. Circa 1940. Possibly Chinese. The beads have a slightly matte finish. Very weighty at 198 grams. It has been professionally restrung on very fine silvertone fabric covered soft flexible wire. 48 inches long and 1/2 inch wide at center bead. Excellent condition. Display form is life size. Photos enlarged to show detail. ...

A handsome pair of double-sided button-style cufflinks, the round faces formed from discs of mother-of-pearl surrounded by borders of opaque royal blue enamel. Each face is centered with yellow gold “stitches”. The mother-of-pearl has nice iridescence. The faces are joined by removable connectors. Marked “585” for 14K.

Origin: Europe, ca. 1940. Condition: excellent, no enamel damage. Size: 9/16” diameter. Weight: 7.0 grams.

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940. Condition: ex...

Sterling silver square pressed powder compact with mirror. Engraved lines on front outside of compact with engraved hearts in each corner, back is plain, no initials. Stamped "Elgin American Made in USA Sterling" on powder lid inside. Mirror has some age marks on the edges. Size: 3.5 x 3.5 inch square Weight: 180.8 grams (116.3 dwt)

In my last treasure-hunting adventure I ended up with a couple of really really nice cross pendants and necklaces. The first one to gain center stage is this two-sided Flli Coppini Italian silver example. Executed in the .800 alloy that was the Italian standard until 1934, the pendant is crisply cast and its profusion of detail and ornamentation is easily readable to the eye. A generously-sized piece, it is shown in one of the photos here with a Peruzzi / Coppini style silver chain so you can ge...

It's been a while since I offered a vintage Italian silver cimaruta necklace but today I hope to prove the wait worth-while with this gorgeous set from the first decades of the 20th c.. An ancient talisman associated with Southern Italy, the cimaruta was used to protect against the evil eye and in our days, it has been re-invigorated as a powerful wiccan symbol. Signed by a contemporary to the Peruzzi and Coppini Bros Italian maker whom I haven't been able to identify, the pendant has eye-catchi...

A handsome pair of 18K yellow gold cufflinks worked in the Etruscan Revival style with applied bead rosettes. The spherical faces are attached by chains to baton backs, also decorated with applied bead rosettes. The gold surfaces have a slight matte finish. The cufflinks are hallmarked with the French “hibou” import mark.

Ca. 1940. Condition: excellent, each sphere has an intentional vent hole and one sphere has a second small hole original to the casting; neither the vents nor the ext...

A fascinating pair of 14K yellow gold cufflinks set with emeralds. This is only the second pair we've seen with this particular type of mechanism. The "wheat-style" chain is inserted through the cuff and then wrapped around the emerald-set head. It works much like the more traditional stirrup-style, but with more flexibility. Each head is set with a pair of rectangular emeralds. As is typical of the Retro period when trade was restricted by World War II, the emeralds are synthetic. The sto...

A lovely Art Deco ring of 10K yellow gold enhanced with a geometric pattern of apple green and black champlevé enamel. The mounting holds a cushion cut synthetic spinel of a pale green color that beautifully accents the enamels. Art Deco enameled rings were popular for a short period around 1930, but are extremely difficult to find now, especially without enamel damage. They are usually set with colored gemstones, often of a synthetic nature, chosen for their color rather than their innate v...

Spratling often used the arrow in his silver necklace, bracelet, pin and container designs. This hand forged arrow was made in his very early years in Taxco, Mexico. The pin measures an impressive 3 inches long and is beautiful condition. Both the pin back and safety lock are in fine working order. Spratling designs can be seen in many permanent museum collections.

Elegant and "quiter" than most Matilde Poulat jewelry, this early repousse bracelet by the big maestra exhibits nonetheless all the attributes Matl's work is avidly sought after and venerated for. Repoussage that creates a body with impeccable texture and perfect finishing, a gorgeous golden sheen obsidian cabochon and, of course, the Mexico City style silver-work which to me represents Mexico's Arts and Crafts movement. What is there not to love here? I am very attracted to the size which allow...

This amazing and beautiful necklace by Hector Aguilar is crafted in his favorite 940 Silver and is known as his "Six Spheres" design. It measures 19" long by 1 1/2" wide and weighs an impressive 233.4 grams. Hallmarked "HA, Taxco, 940". Secure box clasp. No damage noted. This necklace is featured in many books on Mexican Silver and is a fine example of this style.

Gorgeous vintage translucent rich dark genuine cherry amber necklace with graduated round beads. 1930s. Tested with acetone. It weighs 27 grams. The largest center bead is 13mm and the smallest beads are 6mm. Wearable length is 19 1/8 inches. 1/2 inch wide at center. Excellent condition. It has been professionally restrung with the original matching amber screw barrel clasp. One bead has a small depression, pictured. Display form is life size. Photos enlarged to show detail.

It looks like this is a Matl year for One Good Eye Silver and I couldn't be happier about it! A few months ago I presented a Deco Matilde Poulat cross pendant necklace with kneeling angels and today I am featuring another, possibly earlier, variation of the design but this one wrought in fine, .980 silver. There are some additional motifs to the candle-holding celestial beings and the "jewels" in the pendant at hand - the cross is flanked by repousse little doves fluttering above its two arms an...

A reminder to be timely, this novelty pair of Art Deco milk glass and rhinestone toggle back cufflinks features a circular clock face with four rhinestones depicting the quarter hour, raised dial with black detailing framed in gold, unmarked, American, Circa 1930. Size: 7/8" dia. Good vintage condition with minor wear to gold, adhesive exposed on back.

A heavy and finely made pair of 18K yellow gold stirrup (étrier) cufflinks set with calibre-cut blue sapphires designed by the Russian émigré jeweler Olga Tritt for sale at her Park Avenue boutique in New York. The arches of the cufflinks are set with rows calibre-cut intensely-colored blue sapphires.

Tritt specialized in antique jewelry, but supplemented her selection with an array of her own luxury designs, mostly made in France to her specifications. Her client roster included many ...

Fabulous early Art Deco Egyptian revival necklace with five tiers of colorless round beads festooned between two sterling silver mounted incredible green glass paste scarabs, with sterling filigree slide clasp. 1930s. The clasp is marked STERLING. Probably French. The colorless beads are probably rock crystal. They don't look like glass. There were a few missing beads when I acquired it and I had it completely restrung with matching rock crystal beads which are scattered randomly amo...