Beautiful, rare cuff with silver overlay and center deep red coral stone by Master Hopi Silversmith Victor Coochwytewa (1922- 2011) who began producing in the 40's and is best known for his traditional Hopi patterns. His career spanned over 50 years and he retired from jewelry making in 2006.This bracelet measures 5 1/4" around in the inside plus an additional 1 1/4 opening. It is 1 1/4" wide in the front, tapers to 3/4" in the back and weighs 64 grams...

"Mask" jewelry is not a rarity in the world of vintage Mexican silver yet the portrayals are almost always of ancient, Mesoamerican faces. And even though I am a very big fan of them as long as both the carving and the setting is interesting, I am thrilled to be presenting here a big brooch by A. Tobias housing the portrait of a more "contemporary" man...

It's been a while since I offered a vintage Italian silver cimaruta necklace but today I hope to prove the wait worth-while with this gorgeous set from the first decades of the 20th c.. An ancient talisman associated with Southern Italy, the cimaruta was used to protect against the evil eye and in our days, it has been re-invigorated as a powerful wiccan symbol...

Hallmarks date 1948-1962. Three chrysocolla stones and an edgy geometric design combine to make this a very unique bracelet. Easy to wear and very comfortable on the wrist, this piece goes with just about any outfit and occasion. Measures a closed, wearable length of 6 1/2". Width is just over 1/2". Signed and hallmarked "HA .940 Taxco Mexico", with the eagle assay 9. Weight is 44.1 grams. In excellent vintage condition.

This mid-century Salvador Teran bracelet features a silver man in the moon and star which appears to be floating against the darkened background, framed in a silver bezel of varying sides and angles. It's a seldom seen design and a standout piece. Has a large presence on the wrist. Measures a closed, wearable length of 6 1/2". Width in front is 1 5/8". Weight is 64.7 grams. Signed and hallmarked "Salvador Sterling Mexico", with the eagle assay 36 and design # 125.

A superb pair of 14K yellow gold bean-back cufflinks by Carter, Gough & Co., the faces decorated with a representation of Sandro Botticelli’s “Birth of Venus.” The jeweler took a few liberties with Botticelli’s design by having the goddess walking atop roiling waves rather than standing in a scallop shell, and fully baring her breasts instead of modestly covering them with her own flowing hair. The bean backs are designed with a swirling pattern that mimics the waves of the front faces...

A very fine and moving 18K gold and enamel locket in loving memory of Francis Mary, Viscountess Forbes who died on Christmas Day, 1877. She married the Viscount Forbes, 26 years her senior when she was just 21 years old. She was predeceased by her husband, and though she never became a Countess, their son inherited the title Earl of Granard...

This very early Los Castillo bracelet was likely designed by Margot. A very rare and monumental piece. Collector quality.

A large teardrop amethyst adorns the center front, and the swirls of silver have tiny beading. Can be worn either with the amethyst facing down from the wrist resting on the hand, or the opposite way higher on the wrist.

Width in front is about 2 1/2"...

Possibly the most "surrealist" early Mexican Deco "mask" brooch I have ever had, this piece is the source of so many questions for me. What is it exactly that it depicts with its "portrait" surrounded by an elaborate headdress, the two arms emanating right from its top with no actual body present? And what is the "mask" itself made of? It registers as a stone in my gem-tester but I am not sure if it is onyx or a different type of opaque, black stone...

Bearing the signature of maestro Barrera this carefully made figural brooch depicts a richly clad person, most probably a nobleman or priest, with hands forming a very distinct gesture as if he takes part in a ritual or is performing a dance. Barrera , I suspect, worked in Mexico City, and created some impressive jewelry in the style associated with it...

Four figural links featuring classic Italian monuments and city symbols adorn this long, Renaissance Revival silver chain. This is the style associated with the Peruzzi and Coppini Bros workshops of Florence and based on the quality of the castings, I would suggest that it was made by either one of them. The figural links are complemented by floral ones while perfect sodalite beads add their strong color to the necklace...

This Antonio Pineda bracelet is a very rare find. The matching necklace is shown on p.179 of Silver Masters of Mexico.

Comprised of twelve panels, each with a heart and a turquoise cabochon. Hand-caved with oxidized recesses, it's a superb piece which looks and feels fabulous. Collector quality.

Closed, wearable length is 6 3/4"...

This Antonio Pineda "Silver by Toño" hallmark dates 1948-1953. It's a timeless design. elegant and classy, which works with any outfit and is quite flattering. Measures a closed, wearable length of about 6 7/8". Width is 3/4". Closes with a pin on a chain. Weight is 50.1 grams. Signed and hallmarked "Silver by Toño Mexico". In excellent vintage condition. Collector quality. Offered on consignment.

This is a beautiful pair of cufflinks from Antonio Pineda with an archer shadowbox design said to be inspired by the cave drawings of Lascaux. In excellent vintage condition. T-backs are tight and snappy. Measures 1 1/4" tall. Weight is 23.2 grams. Signed and hallmarked on each cufflink with the Antonio Taxco crown, Hecho en Mexico, 970, and the eagle assay 17. No issues whatsoever.

Nice and long at 27 1/2", this mid-century Antonio Pineda pendant necklace features a starburst design pendant with turquoise colored stones. The pendant itself measures 2 1/2" tall, just under 2" wide. Both pendant and chain are marked with with Antonio Taxco crown, and the chain can be worn on its own or with another pendant. Please see pics for additional hallmarks. Weight is 50.5 grams. In excellent vintage condition. On Consignment.

Classic in its elegance and the delicate filigree work that embellishes it, this vintage silver and sodalite pendant necklace dates in the first decades of the 20th c. and I believe it is an Italian piece. Very similar to work that came out of the Peruzzi and Coppini workshops of Florence, the necklace is anonymous yet exhibits very high levels of craftsmanship and its finishing is impeccable...

Distinctly Egyptian Revival in its inspiration, the set of Mexican Deco dangle earrings at hand reminds me very much of elements in Margot de Taxco's "Cleopatra" parure; more specifically, the feathers of the "vulture crown" the pharaoh is wearing. More stylized in our case they are here involved in an elaborate knot forming sculptural dangles that hang off the sweetest repousse rosettes...

Signed by a listed but still unidentified Taxco maestro, this pair of exuberant sterling silver chandelier earrings is set with some of the most vibrant turquoise teardrops I have seen. Yet it is not just the stones that elevate it above and beyond your everyday earrings...

A smashing duo in the index of mid-20th century Mexican jewelry design, Cecilia and Tono have created some of the most amazing pieces. More often than not their creations are re-interpretations of ancient motifs with a modernist twist and adaptations of old techniques and materials to fit their contemporary vision. In the long chain necklace presented here hefty sterling links lend their mod geometry to silver spheres and rich azur-malachite beads that have been cut in emulation of ancient bi-co...

I know and admire maestro C. Molina's work for its superb craftsmanship and its monumentality but I was still not prepared for this set of stupedying dangle earrings! There is big, there is massive and then, there is the pair of shadowbox stunners I am presenting here tonight. Maestro Molina excelled in the application of the shadowbox technique which allowed him to create jewelry which are generous in proportions and convey a dramatic sense of depth while at the same time being light and easy t...

A glorious emulation of Spratling's "Aztec Sun" design, the early Mexican Deco silver and amethyst cuff at hand combines repoussage and overlay with cleverly applied oxidation that adds more depth and drama to an already stunning bracelet. This is a generously proportioned piece so if you always craved a cuff like it but couldn't find one to fit, don't miss this opportunity. If its rich purple stones, the deeply chased repousse and appliques and those daring slender silver rays bursting out of t...

This ring is the match to the pair of Patania cuffs listed. The same gorgeous design and execution, it is a size 5 and weighs 20 grams. The face of the ring is 1 1/4" long and 1" wide. Fine condition. Signed as shown. This ring looks stunning all on its own but is a show stopper when worn together with the cuffs.

An elegant Art Nouveau bracelet comprising foliate shaped links set with round amethysts alternating with fleur-de-lis shaped links. The amethysts have the deep violet coloring typical of the best quality Siberian material. Tested and guaranteed 14K gold.

• Origin: America, ca 1895
• Condition: excellent
• Dimensions: 7-1/2” long
• Weight: 19.4 grams
• Approximate Total Amethyst Weight: 5.22 carats

A very handsome and heavy pair of double-sided 18K gold cufflinks, the oval faces decorated with stripes of engine-turned engraving and translucent royal blue guilloche enamel. The faces are joined by chains. Both the faces and the individual chain links are fully marked for Sheffield, 1905 and have an unidentified maker’s mark.

• Origin: Sheffield, England, 1905
• Condition: excellent, no enamel damage
• Dimensions; faces, 3/4” x 9/16”
• Weight: 11.0 grams

A colorful 18K gold pendant from H Stern’s “Rainbow Collection,” featuring rectangular garnet, topaz, citrine, peridot, green tourmaline, aquamarine, and amethyst to represent the color spectrum of visible light. The stones are contained within a simple gold border. The reverse is stamped with Stern’s star mark. Tested and guaranteed 18K.

• Origin: Brazil, ca. 1990
• Condition: excellent
• Dimensions: 1” long including bail
• Weight: 1.6 grams
• Approximate...

Hallmarks date this Hector Aguilar cuff 1943-1948.

Measures 2 3/4" wide at the ends, inside edge to edge at the center is 5 3/4", gap is 1 5/8" at the center, 1 5/16" at the ends.

Weight is 114.6 grams.

Twenty-seven turquoise cabs are set in three rows.

Should fit up to a 6 7/8" wrist. A jeweler can gently adjust this so that it will fit a smaller or larger wrist.

Signed and hallmarked "HA Made in Mexico Sterling".

In excellen...

I always preface Jose Luis Flores's jewelry by saying that, in my opinion, he was one of the most talented Taxco maestros during the town's heyday. His creations are usually modernist re-interpretations of ancient Meso-american motifs, always dynamic and quite often magnificently layered. The set of dangle earrings I am presenting here, though two-dimensional except for the repousse semi-spheres, impart a strong sense of fluidity and motion with their ribbon-like design twisting and turning in l...

An elaborate sterling silver knot hanging off a classic repousse semi-sphere takes center-stage in this set of vintage Mexican dangle earrings by renowned Taxco maestro Pedro Castillo. I love Pedro Castillo's work for its complexity and layering and the modernist twist it adds to motifs derived from Mexico's rich cultural past. And even though these beauties are of medium length, they do pack a strong visual punch with their strategically applied oxidation and the warm patina they have developed...

Perfect for the black turtlenecks and heavy coats of winter this vintage Mexican Deco silver and turquoise bird of paradise brooch is a stupendous work of art! Not only does its sheer size stun the eye, its layered sculpturality and curvaceous repoussage invites the touch and allows the light to play a thousand tricks hiding in its recesses and reflecting off its elevations. I was always a big fan of brooches and my focus on Mexican jewelry has rewarded me a myriad times over the years with amaz...

An absolutely extraordinary pair of vintage sterling cuff bracelets by Frank Patania Sr. from his Thunderbird Shop in Santa Fe, NM. Impeccable, precise craftsmanship and design speak in these pieces. Measuring 5 3/4" around in the inside plus an additional 1 1/4" opening, they are 2 1/2" wide and weigh 284 grams total. Only one of the cuffs is signed so will only be sold as a pair. Fine original condition and signed as shown. These are truly magnificent.

Extraordinary huge vintage sterling and turquoise petit point ring by Zuni Edith Tsatbetsaye , circa 1970. Many silversmiths created petit point pieces but this silversmith took the art to an extreme. The stones are cut with a semi-circular high domed arch that is her trademark, creating a lacework that wraps around the entire front half of the finger. This ring is a size 6 1/2 and measures 1 3/8" long and 1 " wide in the front. Weighing 10 grams, there are no missing stones and no chips or cra...

A whopper of a bracelet, this early Taxco Deco beauty was wrought in fine, 980 silver and has still evident the Spanish Colonial influence in its design. Bold yet simple in its constitutive motifs, the silver-work is made up of three massive curved links that are adorned with traditional wire appliques and a touch of deliberate oxidation. It is the stones that center each one of those links, however, that are the pieces-de-resistance here! Two huge amethyst cabochons, with saturated color and ri...

This Hector Aguilar masterpiece dates to mid-century. Collector quality, with six large onyx cabochons and a tongue in box clasp. Measures a closed, wearable length of 7 1/8", with a width of 1 1/16". Weight is 91.7 grams. Signed and hallmarked "HA 940 Taxco ", with the eagle assay 9. In excellent vintage condition.

Not much is known - if anything at all - about Ars Plata whose signature is found on the Mexican silver and amethyst dangle earrings at hand. Bille Hougart lists an "Art Plat." in his book on Mexican silver hallmarks but I am not sure the two workshops / retailers (?) are the same. This lack of information is part of the field's reality yet it is always exciting to find a name not often encountered. Especially if it is stamped on beautifully made, slick jewelry like this set ever so reminiscent ...

A rarely surfacing pair of stunning Miguel Martinez earrings, this set reinterprets neo-Aztec elements in a modernist, almost surrealist way. I consider Martinez's jewelry to be among the best examples of 20th c. Taxco design and silver-smithing, always a feast for the eyes and perfectly finished. Here two different finishes in the silver combine with purposefully applied oxidation to lend body to the appliques and render the fan-shaped element at the top more dramatic against its black backgrou...

A graduate of the Parson's School of Design in Paris, Erika Hult de Corral is one of my favorite modernist designers and silversmiths in the context of Mexican silver jewelry. Spanning a few decades, her work is unfailingly of the highest quality with attention paid not only to materials but also to finishing and, of course, imaginative design. The ring presented here, wrought in sterling and centered by a scrumptious tiger's eye stone, can also be found with Enrique Ledesma's signature. Since ...

This mid-century pendant/pin/necklace can be worn several different ways. Pin on its own, necklace with pendant, and pin and necklace separately.

It's a very rarely seen design, and it is most certainly collector quality.

The shadowbox design has a darkened background which is absolutely flawless.

Pendant/pin measures 1 7/8" x 1 3/8". Closed, wearable length is 17".

Weight is 79.7 grams.

Signed and hallmarked "Sigi Tasco Sterling Hecho e...

Circa pre-1948, this tour-de-force cuff bracelet is the work of Silver Corpus Artisans of Mexico.

I know this mark to be associated with Doris Silver, although this piece is not marked as such.

Quite possibly one of a kind, this is an amazing cuff with superb silver work. Measuring 4" tall, the design has koi fish with bubbles coming out of their mouths, amidst huge waves.

Should fit up to a 7" wrist. A good jeweler can adjust the size smaller or larger to fit th...

Offered on consignment.......

Hallmarks date this William Spratling bracelet 1951-1956.

From his third design period, this cuff features half discs which alternate with azur-malachite and silver, with a band of three striated lines across the center. Shown on the Spratling Silver website as well as in the book "Spratling Silver: A Field Guide, Spratling described this bracelet as "slip-on heavy forged azurite half discs."

Inside edge to edge measures 5", with an ...

An elegant pair of 18K yellow gold earclips by Haroldo Burle Marx set with intricately carved jelly tourmalines in the “forma livre” (free form) style. Burle Marx was particularly known for his use of stones fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The tourmalines have greenish blueish overtones. The elongated shape of the stones, mirrored by the shape of the settings looks very good on the ear. The gold surfaces are worked in both the stippled...

Hallmarks date this Hector Aguilar pin 1940-1945.

It's a book-piece design, with a slightly different version shown in "Silver Masters of Mexico". Highly detailed and whimsical in appearance, it's a large stately piece. Collector quality.

Measures 4 3/8" x 3 3/8".

Weight is 27.2 grams.

Signed and hallmarked with a conjoined HA, Sterling, and Made in Mexico.

In excellent vintage condition. Pin closes with a roller.

Circa 1940's, this bracelet was produced by Hector Aguilar for Coro at the Taller Borda.

In 1943, Hector Aguilar formed a financial partnership with Gerald Rosenberger, the owner of Coro, to design and produce jewelry at the Taller Borda. This partnership was dissolved by 1950.

The bullet bracelet is one of the most elusive and iconic designs produced by Hector Aguilar. This bracelet is identical to the Aguilar, with the exception of the tongue in box closure instead of a p...

From Spratling's first design period, hallmarks date this pin 1040-1944. This eagle serpent pin has superb repoussé silver work. Oxidized recesses and a highly detailed design really make this a standout piece. Measures 2 5/16" x 1 7/8". Weight is 26 grams. Signed and hallmarked with the WS Print Circle and Spratling Silver. Pin closes with a roller.

This bold and edgy Margot de Taxco bracelet is heavy and very substantial, with wide incised oxidized recesses. It's a design which is not often seen and most certainly a statement piece.

Will fit up to a 7 1/8 wrist, and has a width of 2 1/8".

Weight is 121.2 grams.

Signed and hallmarked with a partial Margot de Taxco "De Taxco", Hecho en Mexico 925, with the eagle assay 16 and design # 5634.

In excellent vintage condition. No safety chain, but loo...

Circa mid-century, this Margot de Taxco ring has exquisite repoussé silver work with scrolls and tiny beading.

This is Margot's design #5337. The face of the ring measures 1 3/8" x 1", with a band that is adjustable. Current size is 9 1/4.

Weight is 19.1 grams.

Hallmarked with the eagle assay 16 and the design # 5337.

Beautiful patina, excellent vintage condition.

Circa 1940's, this large brooch is said to be named after Spratling's parrot "Lorenzo". It's a huge and spectacular pin, measuring 4 1/2" tall and 1 3/16" wide, with a weight of 49.4 grams.

This left facing parrot has a 1 1/2" long amethyst body and exquisite repoussé silver work. Pin closes with a roller. All original and collector quality.

It's a published bookpiece, shown on p. 38 of "Mexican Silver", as well as on the spine of the dust cover. Also shown on p. 46 ...

A rare, spectacular Erika Hult de Corral set consisting of two square sterling silver bangles with wood inlay (I believe probably rosewood) this pair is a feast for the eyes and such a treat for the vintage Mexican jewelry collector who also seeks out the few (but amazingly talented) female designers of the field. Ric (as Hult de Corral signed her pieces) studied at the Parson's School of Design in Paris and before opening her own workshop during Taxco's "middle period", she worked for both Sigi...

Calling the vintage Mexican silver and black stone "mask" ring I am presenting here massive is not an exaggeration. It is not just the actual ring size (9.5 US) that makes it so; it is also the textured, solid setting, quite masculine in design, and the beautifully carved, stupendous effigy it houses. I am not sure what the stone is - I think it might be onyx but it could also be black agate. I am fascinated by its opaque gravity and the way its satin finish invites the touch. And what about tho...

Circa 1930's, this Fred Davis pin is very striking, with a design which I've not seen previously. The craftsmanship is superb with exquisite repoussé silver work. Measures 2 11/16" tall, 2" wide. Weight is 25.3 grams. Signed and hallmarked with a conjoined FD Made in Mexico Silver. In excellent vintage condition. Pin closes with a simple early spiral C clasp, and is very secure.

An unusual and elegant sterling bracelet with saw tooth bezel set carnelian by Frank Patania. Measuring 5 3/4" around in the inside plus an additional 1 1/2" opening, it is 1 3/8" wide and weighs 85 grams. Fine original condition and signed as shown. A bold mid-century design with great stones.

Bearing the signature of Pedro Castillo this bracelet is, for me, a fusion of classic Taxco "arhaeological" as well as modernist elements. The overlay is immaculately crafted - one would never expect less from a Castillo - and the design lends itself to several readings. Is it a stylized butterfly? Two human forms positioned sideways, mirroring each other? An elaboration on ancient Mesoamerican motifs with a mod twist? Be that as it may, the bracelet has an intense visual presence that is only e...

Felipe Martinez was a sculptor, then a stone cutter for Hubert Harmon, before he opened his own taller "Piedra Y Plata" in 1950. This is a gorgeous necklace with highly polished onyx stones and a modernist design making this a standout piece. Measuring just over 16" wearable length, it lays perfectly on the neck and will not fail to be instantly noticed. The centerpiece is 3" wide, 3 3/8" tall. Weight is 79.4 grams. Signed and hallmarked "Taxco Martinez Sterling". In excellent vi...

Hallmarks date this Matilde Poulat pin to the 1950's. Measuring 2 1/2" wide, 2 3/4" tall, this pin has two stately doves on each side, with a center teardrop amethyst, turquoise cabochons, and five dangles with coral. Pin closes with a roller. Weight is 18.1 grams. Signed and hallmarked Matl Mexico 925 M Reg 10592, along with the eagle assay 129. In excellent vintage condition.

This sterling silver necklace was designed and signed (c.1940) by Taxco, Mexico artist William Spratling (1900-67). The pendant measures 3 1/4" X 3 1/4" and can be worn as a brooch by easily detaching the 20" long sterling silver chain. The pendant with chain weighs 110 grams. Both silver and the beautiful amethyst stones are in excellent condition. Shown and described on spratlingsilver.com. Also pictured in SPRATLING SILVER: A FIELD GUIDE by Phyllis Goddard and in MEXICAN SILVER by Penny Mor...

Bold, clean lines on this sterling and coral ring by Frank Patania. The center coral is a deep, dark Mediterranean coral at its best. The ring is a size 6 1/2, measures 1" long and 5/8" wide and weighs 13 grams. Fine original condition with no chips or cracks to the stone. Signed as shown. A great mid-century design.

Elegant peaked link necklace in 940 silver by Mexican silversmith Hector Aguilar. This necklace is a choker style that sits perfectly on the neck and terminates with a hook closure. It is 14 1/2" end to end and the links are 1" wide and 7/8" long. Surprising hefty, it weighs 123 grams and is in fine original condition. Signed with the 1940-48 Aguilar hallmark as shown. A very wearable and beautiful piece.

Spectacular execution in this sterling and saw tooth bezel set coral ring by Santo Domingo silversmith Julian Lovato. He began working in 1938 and was a silversmith for Frank Patania Sr. in the Thunderbird Shop. This ring was made during his time there as it has his own signature as well as the Patania Thunderbird Shop mark, sterling IHM (Indian Hand Made). Julian Lovato was the winner of numerous awards for his fine creations during his lifetime. This ring is a size 8 and the face measures 3/4"...

A very fine French Art Nouveau 18K yellow gold festoon necklace comprising three gold plaques exquisitely engraved in a pattern of roses and their foliage. The plaques are curved to create a "festoon" look, and are suspended from a gold chain set with natural seed pearls. The backs of the plaques are lightly engraved with a reverse image of the roses—a hidden luxury that speaks to the quality of the piece. Each plaque also includes stems with pronounced thorns, perhaps as a reminder of the sel...

Sets of bangle bracelets are bound to lighten the spirit and brighten the day with their music and, if they are also studded with stones like the ones at ... hand, the splashes of color they scatter around. Made in the middle period of Taxco's 20th c. Silver Renaissance and signed by listed yet still unidentified maestros, these two came to me as a pair and this is the way I would like to send them out to their next new, loving home. Perfect to wear as a duo but also ideal to bring the vibrancy ...

Stunning Los Castillo "doorknocker" dangle earrings, these beauties are breath-taking and beguilingly curvaceous. I love this design and it has been a long time since I had a similar set. Sensual curves, sculptural teardrops, discrete little scrolls and confident, masterful repoussage - there is nothing about the pair that was not paid attention to. Even the concave round elements that hide the screw-back at the earrings' top have been enhanced with oxidation. Measuring 2 1/4" long by 1 1/8" wid...