A stunning 18K yellow gold festoon necklace featuring dozens of ornately intertwined swags and drops studded with small natural pearls and Mediterranean coral beads. The necklace is finished with an Etruscan style box clasp of the sort associated with Luigi Pallotti e Fratelli, one of the most exclusive jewelers in late 19th century Venice. This particular style of festoon necklace is particularly associated with his work...

A beautifully romantic French Art Nouveau heart-shaped coin purse, bordered in square cut blue sapphires and centered with a heart-shaped sapphire. The sapphires have very slightly violetish-blue sapphires color and eye clean clarity. The frame is engraved in a geometric pattern and the closure is set with cabochon sapphires. The frame's interior is engraved with a pair of serial numbers, indicating the purse was made by one of the more important French joailliers at the turn of the century...

A classic pair of 18K yellow gold and sapphire cufflinks by Van Cleef & Arpels. The square faces are worked in a herringbone motif surrounding sugarloaf cabochons of blue sapphire. The smaller faces are hinged for ease in putting through a cuff. The sapphires have eye-clean clarity and are graded as medium dark, strong violetish-blue (vB6/5)...

Spratling designed this stunning sterling silver piece during a period of time when he worked to develop a plan modeled on what he had done in Taxco, to help create an economic base for native Alaskans writes Penny Morrill in her book WILLIAM SPRATLING AND THE MEXICAN SILVER RENASSIANCE p.239. Inlaid with azur-malachite the pendant measures 4" X 3". The necklace is 18" long. Signed SPRATLING DE MEXICO & Eagle 13, hallmarks used by Spratling from 1949-51. All in beautiful condition...

A spectacularly fine, museum-quality Victorian figural watch fob worked in 18K yellow gold and platinum depicting Aesop's fable "The Fox and the Grapes." The seal shows the fox's head, jaws agape, straining to reach a juicy cluster of grapes that are just barely out of reach. Every tiny detail of the fox's fur, teeth, tongue is beautifully worked, as are the leaves and distinct individual berries making up each cluster of grapes...

Matilde Poulat signed her pieces with the hallmark Matl as this one is and it is an early mark. In the design we have her iconic birds and jeweled in the center with a gem quality amethyst representing a flower. There is a natural dark patina that has grown evenly over time. The size is medium large with the drop and lead in link being 4in. across and 3.25in. tall. Approximately 17.5 in. of wearable length. There is 92 grams of masterfully executed silver work on this treasure...

A rare early, large figural sterling silver pendant by Sam Kramer. Looks like an abstract man, maybe even a pirate. Measures 3 3/4" long and 2 3/4" wide. Signed with an impressed mushroom on the front of his leg. Heavy and substantial. Fine example of his work.

This striking sterling silver & azurite or chrysocolla "North Star" necklace was designed & signed circa 1949 by American and Taxco, Mexico artist William Spratling (1900-67). The pendant measures 2 1/4" X 2 1/4". The elongated link chain measures 16 1/2". Weight 60 grams. Beautiful condition & patina. Signed on reverse WS 925. Each of the four points of the pendant are planed creating dimension. This design is pictured on p. 63 of MEXICAN SILVER by Penny Morrill and Carole Berk...

This exquisite French Victorian pendant/brooch features a fine onyx cameo depicting a fairy-winged woodland nymph, her translucent gown pulled aside to expose her breasts, dancing and tossing boughs of flowers. The cameo is surrounded by an ornate shield-shaped border of rose-cut diamonds and a single natural pearl set in silver over 18K gold. The diamonds are of very good quality with excellent brilliance and clarity...

Unique Victorian bracelet done in a snake motif made of 14k yellow gold, with natural emerald, and rose cut diamonds. Intricately woven gold "body" and highly decorated "head". The bracelet will fit a 6.75" wrist. There is approximately 0.25 cttw of rose cut diamonds and 0.15 cttw of natural emerald. It is marked "585" on the underside of the "head." It has a secure clasp and a safety chain. It is in excellent condition and the overall weight is 12.5 grams. Circa 1890.

Three glowing opals punctuate each this pair of Art Nouveau 14K gold dress clips. Triangular in shape, the clips are entirely hand-pierced and chased in a swirling foliate pattern...

Gorgeous on angles at a V and known to be a Valentin Vidaurreta design signed and produced by William Spratling. Inner diameter 2.25in. 2.5in. at highest point. The gap is 1.25in. and can be warmed by a professional jeweler to make smaller or larger. This silver is higher than 925 and is silky to the hand. The stones are Azure Malachite and shows off the natural silver sparkles that are within the the blue Lapis. A published and documented design in Penny Morrill's books on Mexican Silver. Condi...

A fine Victorian 18K yellow gold fancy link long chain necklace. The 47” chain has ornate scrolling plaques separated by smaller simple links. The fancy links are further highlighted with rope-twist and beaded decoration. The generous length allows the chain to be worn doubled or tripled. Necklaces of this style are distinctly French and were popular from the Second Empire through the beginning of the 20th century. This example is stamped with French 18K gold hallmarks.

• Origin: France,...

This hand crafted silver box was designed & signed c. 1940's by renowned artist Hubert Harmon during his short time in Taxco, Mexico. Weighing 265 grams or 9.4 oz. the piece measures 5" long X 3" wide X 1/2" deep. The hand carved amethyst stones & silver are in beautiful condition. Harmon's sense of humor & whimsy are evident in this design where he uses his trade mark "bare feet with wings" along with the face & body of an angel & a carved amethyst star in the sky above. An informative section ...

An extremely fine Victorian tiger claw bracelet mounted in 20K gold filigree. Tiger claws were popular souvenirs of visits to India, especially after Queen Victoria took the title “Empress of India” in 1876. They were sometimes set into jewelry in England or America, but also in India. This bracelet is mounted in the traditional Indian style of ornate filigree work. The claws are finely matched in terms of color and size and are in excellent condition. Tiger claw bracelets are difficult...

An elegant Art Deco platinum filigree ring centered by a .70 old European cut diamond mounted in an octagonal surround of caliber cut synthetic sapphires (typical of genuine Art Deco period rings). The platinum setting is beautifully pierced at the front and the shank is engraved in a foliate pattern completely around. The diamond is graded as G/H color and VVS1 clarity, and has excellent cut with fine brilliance. The sapphires are bright and provide a nice pop of color. The interior of the s...

An extraordinary late Georgian 18K gold ring set with a carnelian carved into the leering face of a satyr classically portrayed with a goatee, a snub nose and pointed ears. The carved gemstone was likely already several centuries old when it was set into this ring. The expert carving is only eclipsed by the extraordinary artistry of the goldsmith. The bold shank is entirely covered in flower and foliage appliques expertly worked in rose, green and yellow gold. The carved stone is set in a bezel ...

A stunning late Victorian or Edwardian reverse carved crystal depicting a collie dog. The crystal is set in an alternating border of French cut rubies and rose cut diamonds. Following the practice of the period, the rubies are set in gold, whereas the diamonds are set in platinum--a technique used to enhance the colors of the stones. The crystal is expertly carved and painted with tremendous depth and detail. Reverse carved crystals are most often set in plain gold mountings and it is quite ...