An elegant Art Nouveau cross pendant worked in a foliate design of 18K yellow gold overlaid with a sunburst of milgrained platinum set with rose cut diamonds and centering a larger old mine cut diamond. The gold surfaces are enhanced with chasing to enhance the naturalistic look of the swirling leaves. The center diamond, .20 carat, is I/VS2. The remaining diamonds cannot be accurately measured for size, but face up at about .40 carat...

An amazing silver repousse necklace with a central moth pendant and turquoise oval cabochon by Matilde Eugenia Poulat. Signed MATL in block letters and 0.900 for the silver content. Measures 17 1/2" long and 2 1/2" at the widest. Spring clasp holds securely. Beautifully intricate work. This is the earliest mark for her Taller, (1934-40). Wonderful condition!

Intricately constructed of sterling silver & stone this piece was designed c. 1940's by American & Taxco, Mexico artist William Spratling. Measuring 2 1/2" X 2 1/2" the pin weighs 40 grams. This design was included in the museum exhibit William Spratling and the Mexican Silver Renaissance & is pictured on p.97 of the museum catalog by curator Penny Morrill. Also pictured on p.48 of Mexican Silver by Penny Morrill & Carole Berk...

A vintage modernist pendant necklace by noted mid century jeweler, Winifred Mason Chenet from her highly collectible Voodoo line. Pendant measures 3" long and 1 1/8" at the widest. Possibly pewter. Intricate chain is made up of silver colored squiggled links connected with brass rings and silver colored curved in links. Measures 32" long. No clasp, meant to go over the head. There is a little tarnish. Signed chenet on the back of the pendant. Interesting rare example.

With articulated detail & dimension this exceptional 980 sterling silver piece was designed & signed circa 1930's by American & Taxco, Mexico artist William Spratling (1900-67). Weighing 110 grams of near pure silver the necklace has a wearable length of 17 inches. The serpent pendant is 3 1/4" long X 2 1/8" across X 1" high. In mint condition with a beautiful patina that only comes with age. Hallmarked 980 WS TAXCO...

This hand crafted silver box was designed & signed c. 1940's by renowned artist Hubert Harmon during his short time in Taxco, Mexico. Weighing 265 grams or 9.4 oz. the piece measures 5" long X 3" wide X 1/2" deep. The hand carved amethyst stones & silver are in beautiful condition. Harmon's sense of humor & whimsy are evident in this design where he uses his trade mark "bare feet with wings" along with the face & body of an angel & a carved amethyst star in the sky above...

A rare and outstanding six-piece dress set in 14K yellow gold set with cat’s eye chrysoberyls by Larter for A. Sulka & Co. The gemstones are very dramatic and exhibit superior chatoyancy—the cat’s eye effect displayed when the stones are moved in light. Cat’s eye comes in a variety of colors, but the choice of this dark greenish-grayish black with the white eye is perfect for dress wear. The set comprises a pair of double-faced cufflinks and four shirt studs...

An elegant 18k yellow gold ring featuring an oval brilliant cut aquamarine accented at compass points with folds of gold nestling small round brilliant diamonds. The aquamarine has medium light pure blue color and eye-clean clarity. The cut is very good with excellent brilliance...

A gorgeous Art Deco platinum mounting sprinkled with diamonds and featuring a pair of round brilliant cut aquamarines. The crown of the ring rises well up off the finger, creating a sort of umbrella effect that nestles the aquamarines. The diamonds larger diamonds in the setting are old European cuts and the smaller ones are single cuts. All are in the H/I color range with VS clarity. The mounting is finished with expert milgraining and ornate piercing.

• Origin: America, ca...

An attractive pair of Retro 14K yellow gold dangle earrings fashioned as circles of gold balls centering round brilliant cut amethysts. The amethysts have rich deep coloring and excellent clarity. The earrings were originally screwbacks and have been converted to wires. The new look is much more wearable and provides tons of sparkly movement!

• Origin: America, ca...

A sterling silver hand wrought brooch by the mid century modernist studio jeweler, Ruth Berridge, (1921-2004). Looks like rows of randomly placed flattened pebbles. Curved for a multidimensional effect. Measures about 2 3/8" across and 1 1/2" high. Hand signed © Ruth Berridge, Handmade Sterling on the back. Rollover clasp holds securely. Fine condition with minor surface scratches and a little tarnish. This piece is from her estate. Classic Ruth Berridge design.

A very fine 14K gold stickpin in the form of a horse's head by Sloan & Co. They eye is set with a small ruby cabochon. The horse is entirely three-dimensional, worked with as much detail on the back as the front. The stick pin can easily be converted to a pendant or ring. The base of the neck is stamped with Sloan's 14K gold mark.

• Origin: America, ca. 1900.
• Dimensions: head, 7/8" 5/8"; overall length, 2 15/16".
• Weight: 3.1 grams.
• Condition: excellent.

A small 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950's to highlight the range of colored gemstones available from Stern's Brazilian mines. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957...

An outstanding Egyptian Revival 20K gold pendant necklace in the form of a uraeus, representing the Eye of Ra, set with a coral and turquoise cabochons and coral beads. The wings are highlighted with ropetwist and milgrained details. A pair of cobras flank the coral cabochon. The Eye of Ra personified the goddess Wadjet, who watched over childbirth and served as the protector of children. This piece was originally a brooch, but with the addition of an 14K gold chain, is now an elegant, colorful ...

A nice patina silver belt and gilt gold buckle worn by Peranakan straits Chinese during their wedding ceremony

Heavily hand carved, this vintage sterling silver necklace was designed & signed c. 1940's by Taxco, Mexico artist William Spratling. Weighing 140 grams the necklace has a wearable length of 18 inches. The center panel is 1 3/8" high. Professionally restrung on sterling silver fox wire chain the necklace is in beautiful condition. Pictured on p. 167 of the museum catalog WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penny Morrill. Also pictured on Phyllis Goddard's spratlingsilver.com....

A beautiful Art Nouveau 14K yellow gold locket, the front cover decorated with a maiden and songbirds. The woman has long, flowing hair in the typical Art Nouveau style, and wears a band of flowers at the top of her head. Groups of songbirds cluster on branches along the outer edges. The background is finely worked in a textured pattern. The interior retains both of its original frames. The back has a period three-letter monogram "GSB". Tested and guaranteed 14K.

• Origin: America, ca. 1900...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

A Victorian 14K yellow gold and coral pendant necklace in the Etruscan Revival taste. The central plaque is enhanced with a pair of natural color coral beads and suspends torpedo drops and a chain swag. The plaque was originally a brooch, but it has been given new life as an elegant necklace! Tested and guaranteed 14K.

• Origin: America, circa 1860,
• Condition: Excellent.
• Dimensions: overall length, 17"; pendant, 1" x 1.5".
• Weight: 5.2 grams.

A complete 9-piece dress set by Krementz, worked in 14K yellow and white gold with mother-of-pearl and seed pearls. Each face features a disc of mother-of-pearl with lustrous iridescence centering a small pearl and surrounded by an engraved border of white gold. The backs of the faces and the mechanical parts are worked in yellow gold. The set includes a pair of double-sided cufflinks, three shirt studs and four vest buttons. Today, many men would opt to wear the larger vest buttons as shirt...

For anniversary jewelry, there's nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with a single-cut diamond, and the word “moins” is s...

A pair of ducks takes flight from the lakeside marsh in this 18K yellow gold and diamond locket by renowned Swiss jewelers Huguenin Frères. The quality of the design and workmanship are astounding. The old European cut diamond (I/VS2) is set in platinum collet to enhance the color. Huguenin Frères was one of the leading makers of fine pocketwatch cases, and in 1899 expanded their range to include sporting decorations and other jewelry. It’s likely that a locket of this type was made for a ma...

A noble poodle stands encircled in a ring of gold in this Art Deco period French 18K gold charm or pendant. The dog’s stylized design echoes the ribbed and twisted rope motifs along the edges. The pendant retains the original matching jump ring. Stamped with French 18K gold marks.

• Origin: France, ca. 1935.
• Condition: excellent.
• Dimensions: 13/16” wide; 1 1/8” height (including jump ring).
• Weight: 4.8 grams.

French gold and sapphire stirrup cufflinks never go out of style. The strirrup (étrier) design was popularized by Cartier in the Art Deco era and continues to one of the most stylish elements in a gentleman’s jewelry wardrobe. The sides are worked in the classic curb link chain style and the hinged closures are capped with bright blue sapphire sugarloaf cabochons. Each cufflink is stamped with French 18K gold marks and un unidentified maker’s mark (“Ste DC”).

• Origin: France, ca 1...

A classic sporting bracelet featuring three reverse-carved Essex crystals depicting a fox and a pair of horses. The gold mountings are formed from snaffle bits, horseshoes, riding crops, saddle belts and stirrups. The Essex crystals are expertly carved and painted with fine depth. The reverse is stamped with 14K marks and the maker’s mark for Carter, Gough & Co.

• America, ca. 1900.
• Excellent condition; no water damage or scratches.
• Dimensions: 7 1/2” long; 15/16” maxi...

Centered with an intensely violet amethyst, this Victorian pendant will add a pop of rich color to any wardrobe. The gold setting in a fleur-de-lis pattern is adorned with natural seed pearls that contrast beautifully with the intense color and brilliance of the large amethyst. This piece was originally a brooch, but now has new life as a wearable pendant. Tested and guaranteed 14K.

• America, ca. 1890.
• Excellent condition.
• Dimensions: 7/8” x 1-1/16” (excluding bail and ...

You can nearly hear this glowering lion roaring. Decorated in spectacular translucent enamels, the lion’s eyes are studded with old European cut diamonds and the mouth grasps an old mine cut diamond. The diamonds are graded as H/VS1. The brooch is deeply three-dimensional, with a lot of detailing in the mane. The back of the pin retains the original pinstem and a watch hook. The hook would have been used to suspend a pocket watch but could now be used to suspect a gemstone drop. It is also mar...

Napier silver plate over brass, c1955, three strand bracelet with center overlapping talon ends holding coral ceramic balls. It is 8 1/4" (20.9 cm) long and the three wheat chain strands together are 1 3/8" (3.8 cm) wide, not including the ceramic balls. They are each 3/4" (2.2 cm) in diameter. The bracelet was designed by Eugene Bertilli and is signed Napier on the clasp. It is in beautiful vintage condition with no plate loss that I could spot.

A very large, heavy 18K gold Venetian Etruscan fob charm pendant set with oval brilliant cut amethysts and pearls. The gold surface is heavily decorated with applied wire-work and rosettes. The amethysts have vivid, even coloring. The pearls display good luster with a slightly rose overtone that nicely complements the amethysts. The jump ring is marked "Italy 18K." This is easily the largest and heaviest Venetian Etruscan piece we've had.

• Italy, ca. 1955.
• Excellent condition.
...

A wonderful 18K yellow gold brooch depicting Diana (Artemis in the Greek pantheon), goddess of the hunt, animals (wild and domestic), and childbirth. She was also the protector of girls until marriage. Here she is shown with her The goddess is shown wearing her moon-studded tiara and with her bow and arrow attribute. This design was created by the nobleman Prosper, Comte d'Epinay de Briort, one of France's leading sculptors in the Art Nouveau style. He favored mythological subjects and sometim...

An elegant Art Nouveau silver brooch depicting a maiden smelling a rose. She is surrounded in a bower of climbing roses and enclosed in a frame of whiplash curves typical of French Art Nouveau. The clasp is marked for silver and bears the maker's mark of Fernand Boursot, who opened shop in Paris in 1894. THe brooch could be converted to a pendant with the addition of a bail at the top or a pair of bails and a split chain at the upper corners.

• France, ca 1895.
• Excellent condition; ...

French Art Nouveau 18K gold and sapphire cufflinks, the triangular faces pierced in a decoration of stylized flowers and set at the centers with cabochon blue sapphires. The gold surface has a very handsome matte finish that allows the sapphires to shine. The connectors are stamped with French 18K marks and an unidentified maker's mark (SAS).

• France, ca 1895.
• Excellent condition; sharp detail.
• 5/8" x 5/8".
• 7.3 grams.
• Approximate Total Sapphire Weight: 1.04 ...

Three glowing opals punctuate each this pair of Art Nouveau 14K gold dress clips. Triangular in shape, the clips are entirely hand-pierced and chased in a swirling foliate pattern. The leaves extend beyond the triangular borders to create a slightly assymetrical shape. The opals are much more attractive in person than in the photos, and have fine play of green, blue, orange and red color, evenly spread over the gemstones. Clips of this sort would have originally been worn on either side of a nec...

Fabulous 1960s or 1970s big glass beaded necklace with jewel tone art glass beads, most likely French. Also from the same estate, coordinating pierced earrings with black and white glass cabochons which are very similar to the black and white embedded in some of the beads on the necklace. There is a silvertone bead at the back that looks like a French style screw barrel clasp, but it appears to be a faux decorative clasp. It is not needed as the necklace is long enough to go over the head easily...

Rare vintage Thierry Mugler Couture runway festoon necklace. Large cascading rhinestones with even larger pear shaped, unfoiled drops. 15 1/2" (39.5 cm) long from the toggle to the square holder. The center drop is 6 '' (15.6 cm) long. All the stones are brilliant and the necklace is in pristine vintage condition. A truly amazing piece!

Very early Kenneth Jay Lane hinged cuff with the earliest K.J.L. mark. Covered with pave white rhinestones and green, red and ruby cabochons, as well as emerald color square cut accents. A hair under 1" (2.3 cm) wide, the interior diameter is 2 3/8" (6.4 cm) x 2 1/8" (5.3 cm). The snap closure is tight and the cuff is in original vintage condition. This is the Moghul style at its best.

Three rich deeply-colored pear-shaped sapphires for the petals of the trefoil in this elegant pendant necklace. The flower is centered with a rose cut diamond. The sapphires are excellent quality with a velvety violetish-blue appearance. The trefoil’s stem curls around on itself to for the Art Nouveau styled border of the pendant. The 18K pendant was originally a brooch but has been given new life as a pendant necklace with the addition of a 14K gold cable chain.

• Origin: France, ca 1900...

This spectacular necklace is the work of Matilde Poulat, produced before 1960.

A true statement piece which drapes perfectly upon the neck, measuring about 17" closed wearable length, with a width just over 1 1/2". Composed of thirteen panels studded with pyramidal amethysts and turquoise stones, all original, with a tight and secure tongue in box closure.

Signed and hallmarked Matl Mexico 925 Patente 10569 M Reg 142093, along with the eagle assay 129.

Weight is ...

Circa mid-century, this parure is an extremely rare design from Margot van Voorhies Carr / Margot de Taxco.

The original design drawing is shown in the Penny C. Morrill book "Margot Van Voorhies: The Art of Mexican Enamelwork".

The necklace consists of three tiers alternating with two round button links, and a thick chain on each side with a ball tassel on one and a hook on the other. This is original to the necklace. You can see this same chain and ball closure on the M...

Pre-eagle, circa 1930's-early 1940's, this necklace is a gorgeous statement piece.

It's entirely hand-wrought, with a center medallion measuring 4" wide. It's studded with tiny silver beading, and the oxidized background provides great depth and dimension.

Closed, wearable length is 15 3/4"". Centerpiece is 4" x 2".

Weight is 66.7 grams.

Hallmarked "Sterling Taxco Mexico", with a design # 15.

In excellent vintage condition, with a beautiful ...

This is an exceptionally rare piece produced by Antonio Pineda, with his early "Silver by Tono" hallmark which dates 1948-1953. The design speaks to the influence of Valentin Viadurreta, for whom Antonio Pineda apprenticed in Mexico City.

Entirely hand-wrought, with open-back repoussé, this cuff is a collector's dream. In excellent vintage condition, with no issues whatsoever. This can be gently adjusted for a larger or smaller fit, but should be done by a professional jeweler.

The Clouds is one of the most sought after Spratling designs. It is shown full page in the book WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penney Morrill. With a silver quality of 980 and weighing 132 grams it displays a rich presence. An inner diameter of 4inches which is approximately 16.5 + inches allows the necklace to fit most. The links are built on a curve and are 1in. tall. The stones are a lovely well matched and warm teal colored turquoise. There is no damage to the silver...

With hallmarks dating 1940-1944, this necklace is an iconic piece from William Spratling's 1st design period.

It's very rare to see this design complete with the original five strand tubular silver necklace, and it is collector quality. The large amethyst cabochon measures 1 1/4" in diameter, and is a gorgeous stone with natural inclusions and quartz marbling. The five strand chain connects at the sides with the signature turtle back Spratling clasp.

This is a spectacular...

Reminiscent of Frank Lloyd Wright Art Deco designs this silver & stone necklace was created & signed c. 1949-52 by American & Taxco, Mexico artist William Spratling. Weighing 100 grams, the necklace has a wearable length of 18 1/2 inches. The central element is 2 1/2" X 1 1/2". Signed on the clasp SPRATLING DE MEXICO STERLING. Both stones & silver are in beautiful condition. Clasp is tight & secure. This design is pictured on p. 242 of WILLIAM SPRATLING & THE MEXICAN SILVER RENAISSANCE by Penny ...

Circa 1930's - 1940's, this bracelet is a stunner. Hallmarked simply "Silver Made in Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one.

Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box.

Weight is 78 grams.

Closed, wea...

This brooch by Matilde Poulat features a large amethyst front and center, with turquoise cabochons and coral branches in a butterfly design with dangles.

Measures 2" tall x 1 1/2" wide. Pin closes with a rolling "C" clasp.

Weight is 11.8 grams.

Signed and hallmarked "Matl Mexico 925", with the eagle assay 129. Dates to pre-1960.

Circa mid-century, here is a very seldom seen book-piece design from Antonio Pineda.

Shown on page 148 of Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", this is a magnificent bracelet with a stunning modernist design. Composed of eight thick sleek rectangular links which have bezel-set carnelian gemstones, each with a silver disc rising from the center. It's a very unusual piece, and a real attention grabber. It also has a completely seamless appear...

A nice and perfect Peranakan silver belt with Phoenix and flora pattern , repousse work

Beautifully fluid, this hand crafted design was called the "Collar Gola" by Taxco, Mexico artist William Spratling circa 1948-52. Weighing 70 grams the necklace has a wearable length of 19 inches. The center element is 4" across at the top & 1 1/2" high at the center. Spratling used a subtle vermeil wash adding to the 3 dimensional effect of the design. All in beautiful condition with excellent patina. Fully hallmarked with the rare eagle # 1 & WS. Featured on p. 245 of WILLIAM SPRATLING AND THE...

Hallmarks date 1940-1944 on the superb William Spratling bracelet from his first design period. Tested to be 980, or 98% pure silver.

This is a heavy, gorgeous, luxurious bracelet which looks and feels amazing on the wrist. It's an extra large size, measuring a closed, wearable length of 7 1/2" and a width of 7/8".

Weight is 116.6 grams.

Signed and hallmarked with the WS Print Circle "WS Spratling Made in Mexico", and "Spratling Silver".

In ex...

This is a very rare and spectacular necklace from Hector Aguilar, hand-wrought and executed in 940 silver.

It's a stunning piece which won't fail to be noticed and looks magnificent on the neck.

It's composed of two separate pieces, one measures 1 3/4" and the other at 14", combining to 15 3/4". It's wide at just over 1 1/4". Fits more like choker because of the width, but a jeweler could easily make an extension to wear longer.

Weight is a very substantial 154.1...

An early design by Margot van Voorhies Carr, this necklace features a design of hammered niello hearts framed with thick raised silver edges. The centerpiece measures 3" wide and 2 1/2" on the diagonal. The side hearts alternate with silver beads, and each side finishes with rectangular silver tubes. Closure is a tight and secure tongue in box.

Measures 15" closed, wearable length.

Signed and hallmarked "Margot de Taxco Sterling Made in Mexico", with the eagle assay 16...

This Antonio Pineda wave bracelet is a spectacular masterpiece.

It's a book piece design, shown in "Silver Masters of Mexico", among others. Composed of twelve silver "waves", each of which is formed from a single sheet of heavy gauge silver.

Weighing in at a massive 202 grams, this is the ultimate showpiece that commands instant attention, compliments, and envy. It's also the largest version of this design, with a closed, wearable length of 7 3/8" and a width of 1 3/8". ...

A fine green-toned cat's eye chrysoberyl cabochon surrounded by delicate scalloped border set with seed pearls centers this Victorian stickpin conversion ring. The stone displays excellent chatoyancy, with a clear milky white streak down the center of the stone that seems to "wink" as it is rocked from side to side. The surrounding pearls pick up the creamy color of the eye. The setting is 18K gold attached to a 14K shank.

• Origin: France, ca 1890.
• Condition: converted to a ring; n...

A striking 14K gold peridot ring converted from a Victorian stickpin. The oval brilliant cut peridot has superb intense green coloring and is bezel-set in a elegantly-engraved gold collar. The ring has a 14K gold shank.

• Origin: America, ca. 1890.
• Condition: converted from a Victorian stickpin; excellent condition.
• Dimensions: crown, 1/2" x 7/16".
• Finger Size: 6 1/2.
• Weight: 2.2 grams.
• Approximate Gemstone Weight: 2.16 carat.

Circa pre-1960, this necklace produced by Matilde Poulat has a generous length of 23", with a 3 1/4" wide center. There are amethyst stations on each side, with double chains continuing up the neck. The palomas sit next to a vase with turquoise flowers. Length on the center is 2 1/2".

Weight is a substantial 91.1 grams.

Signed and hallmarked "Matl Mexico 925 Patente 10966", along with the eagle assay 129.

Circa mid-century, this Los Castillo bracelet is a book-piece design, known as "Fish in Waves".

Entirely hand-wrought, with amazing detail which is second to none, this bracelet is composed of eight copper domes., each with applied silver work of two fish swimming in the waves, with their tails wrapping around the sides.

Measures a closed, wearable length of 6 3/4", and a width of 3/4". Closure is a "J" hook and eye. Original safety chain attached.

Weighs 46.6 g...

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect!

Origin:...

An extraordinary and rare 14K yellow gold bangle bracelet by Krementz adorned with enameled white and pale blue forget-me-nots. Krementz made some of the best Art Nouveau enameled jewelry, and continued producing enamels well into the 20th century. Blue and white forget-me-nots, a particularly popular motif in the early 1900s, frequently appeared in small pins and pendants. This piece, however, is the first bangle bracelet we've seen. Bangle bracelets are notoriously subject to damage and it is ...

Art Nouveau 14K gold crescent pendant necklace set with round brilliant cut diamonds and rubies. The quality of the gemstones is superb, with VVS2/G diamonds and vivid very slightly purplish-red rubies that show no indications of heat treatment. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoons. This cresent was originally a brooch and has been ...