Very glam statement making vintage sautoir with huge amber or tortoise color Lucite beads wired and mounted in goldtone metal. Top quality and very substantial. Great to wear alone or layer with other similar sautoirs. Circa 1970 or 1980. 44 inches long and 7/8 inch or 22 mm wide. Excellent condition. Display form is life size. Photos enlarged to show detail.

a vintage 1930s sterling silver hand engraved heart photo locket on chain c1930s. This 1-1/4 x 1-1/8" locket has fine hand engraving on the front (the back is undecorated), and it has two retaining bezels with celluloid windows. The 19-1/2" link chain has a hook and eye clasp, each piece is stamped STERLING, and this necklace weighs 14.6 grams and it is in excellent condition with no monograms, dents, bends, corrosion, losses, damage or repairs...

This mid-century ring is a very rare and possibly one of a kind piece from Antonio Pineda. It is absolutely stunning with a large presence, and it's collector quality. The face of the ring features nine dense green stones topped with four pearls. The face measures 1 1/16" x 7/8", and has a height of 7/16". The ring size is 7 1/4. Weight is 15.5 grams. Signed and hallmarked with the Antonio Taxco crown, 970 Hecho en Mexico, and the eagle assay 17. In excellent vintage condition.

These hexagonal 14Kt tri-color gold cufflinks were made circa 1930. One side of each cufflink is centered by an old-mine diamond, bezel set in pink gold. The hexagon around the center diamond is made of yellow gold, and the outer edge is finely engraved with a branch design made of white gold. The approximate total weight of the two diamonds is 0.12 Ct.

A fine Victorian 14K gold fob locket, the front cover worked in a deeply three dimensional design of a rose gold owl perched on a green gold branch. The eyes are set with garnet cabochons. The back cover has an engraved shield design that was never monogrammed. The hinged bail is engraved in a complimentary design. The interior of the locket retains its original frame and glass insert.

Origin: America, ca. 1870. Condition: excellent, sharp detail...

This Corocraft sterling jelly belly door knocker pin is 2 1/2" long x 1 5/16". This door knocker pin was patented in 1946 by G. Verrecchio.

Hallmarks date this Hector Aguilar pin 1940-1945.

It's a book-piece design, with a slightly different version shown in "Silver Masters of Mexico". Highly detailed and whimsical in appearance, it's a large stately piece. Collector quality.

Measures 4 3/8" x 3 3/8".

Weight is 27.2 grams.

Signed and hallmarked with a conjoined HA, Sterling, and Made in Mexico.

In excellent vintage condition. Pin closes with a roller.

A mid-Victorian pair of hand carved shell cameos of a mythological man and woman mounted on a later bar pin c1900. The two 7/8 x 5/8" cameos are thick and finely carved and the rolled gold plate pin has a safety clasp and it measures 1-7/8" long. It is unsigned and it is in excellent condition with no chips, cracks, dents, bends, corrosion, losses, damage or repairs...

A beautiful sterling and turquoise bracelet by Frank Patania Sr. This is a unique design with a center medallion featuring three saw tooth bezel set turquoise. The cuff sides have texturing in the middle, topped with silver dots. Measuring 5 1/2" around in the inside with an additional 1 1/4" opening , it is 1 1/8" wide and weighs 61 grams. It is in fine original condition and signed as shown. Frank Patania Sr. came to Santa Fe, N.M. from Italy and opened The Thunderbird Shop in 1927...

An exceptional 34 X 27 millimeter oval hard stone cameo broach circa 1910 with remarkably carved details, set in a very elegantly tailored 1 9/16” X 1 1/4" 14Kt yellow gold frame.

Circa 1960's - 1970's, this bracelet by Carmen Beckmann is a superb modernist piece. Produced with heavy gauge silver, it's a sleek slinky bracelet with nine tiger's eye stones. It feels luxurious on the wrist, and it shows up magnificently...

A 14k fleur-de-lys seed pearl chatelaine pendant pin. This well-made and attractive Victorian 1-1/4" x 7/8" fleur-de-lys pin is in 14k yellow gold with seed pearls. This brooch has a chatelaine hook, a folding swivel loop for wear as a pendant and a safety catch...

This beautiful pendant measures 7/8" x 5/8". It features a carved, mother-of-pearl, mother and child, set in sterling silver with a marcasite border. The bail is marked 925. This piece is in excellent condition.

A fine pair of Art Nouveau 14K yellow gold cufflinks by Krementz, both the front and back faces with repousse decoration of a roaring lion’s head. The backs are more typically plain bean-backs rather than decorated. The cufflinks are marked with Krementz’ 14K hallmark.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: front faces, 1/2" x 3/4"; back faces, 3/8” x 1/2". Weight: 5.0 grams.

This Trifari sterling alfred Philippe jelly belly spider pin is sterling vermeil,with rhinestones and lucite. It was designed by Alfred Philippe in 1943. It is 2" by 1 7/8". Lucite jelly bellies were copied from figurals originally done in gold and rock crystal.

Bearing the signature of Sanborn’s, the legendary Mexico City department store’s over whose antiquities and fine arts division Fred Davis was a supervisor in the mid-1930s, this wide, exuberant cuff bracelet is a classic for the genre. Repousse cuffs of this style came to be closely associated with Sanborn’s and Maciel though they were made by other, anonymous and “less celebrated” makers as well...

Very early Kenneth Jay Lane hinged cuff with the earliest K.J.L. mark. Covered with pave white rhinestones and green, red and ruby cabochons, as well as emerald color square cut accents. A hair under 1" (2.3 cm) wide, the interior diameter is 2 3/8" (6.4 cm) x 2 1/8" (5.3 cm). The snap closure is tight and the cuff is in original vintage condition. This is the Moghul style at its best.

A vintage hand wrought brooch of lightly hammered sterling silver with a pearl bead by MCM studio jeweler, Toni Catanzaro. Looks like an abstract bird. Measures 2 1/2" across and 1 3/4" high. Has a rollover clasp that holds securely. Marked Toni Catanzaro on the back. You can see the light hammering on the flattened surfaces. Has some tarnish and light surface scratches. Fine example of her work.