A rare, modernist pendant necklace in 830 silver designed by Jorma Laine for Kultateollisuus Ky of Turku Finland.

Has four dangling stylized apples. It measures 2 7/8" long and 1 7/8" at the widest. Original chain measures 23" long and has a secure spring clasp. Pendant is marked 830S for the Finnish silver standard, and Finland. Chain is marked 830S.

This design has been documented as a Jorma Laine design and produced by Kultateollisuus Ky...

American modernist sterling cuff bracelet made by Frank Miraglia, c.1950s. The cuff is in excellent condition and measures 2" wide.

This bracelet exhibits a classic Scandinavian style extremely popular during the 1950s and 1960s. The dramatic enameling is in vivid colors, featuring panels of Nordic scenes alternating with blue and white cloisonne panels. The tongue and groove clasp is very secure and bears the mark of Ottar Hval, of Oslo. The bracelet measures 7 ½ inches long by 5/8 inch wide. Weight: 26.4 grams

This ring is a great example of modernist jewelry circa 1950's. It is a size 7 and has the wonderful modernist, biomorphic, brutalist design. It is adorned with a carnelian bead. The band is marked STERLING. This piece has good heft and is in excellent condition.

This 1960-s 14Kt white gold open heart necklace is 17” long. The 14Kt white gold heart is prong set with 16 full cut diamonds with the approximate total weight of 0.50Ct. The hart measures ¾” wide and 15/16” high including the rabbit ear bail.

A striking 14K Gold Three Tiered Chain Necklace featuring Oval shaped Semi Precious Stones of varying sizes. These stones include Chrysophase, Citrine, Moonstone & Amethyst. The graduating gold chains measure 18 inches, 19 inches, and 20 ½ inches respectively and all connect to a rectangular bar clasp at the nape of the neck. American. Circa 1930’s. Excellent Condition.

Marked, "Silver," this is a Chinese bracelet that is adorned with coral and turquoise stones. It measures 7 inches long and 1 inch high. Beautiful scrolled silver work. No stones missing. It dates circa 1935

This is a beautifully executed, thick silver bracelet that is 1in. wide on the side panels. The piece weighs 29.7 grams and has an airy cut out design and features an amethyst cabachon. It is slightly sizable and fits a 6.5in. to a 7in. the best. Marked Silver Mexico which dates the piece to pre-1948. This example of early Taxco silver work is a classic and displays an aura of elegance to those who gaze upon it.

A heavy, outstanding pair of Victorian figural cufflinks in the form of acorns and oak branches, all worked in 14K yellow gold. The larger front faces are fashioned as highly detailed acorns, while the backs are branches. The quality of engraving is excellent and really brings out the subtlest textural details. In the Victorian "language of flowers", the acorn symbolized life and immortality while the oak tree and its branches represented strength and virility...

Dramatic large vintage Chanel clip earrings in finely worked goldtone metal in the style of the Roman/Byzantine era primitive gold jewelry which was one of Chanel's many influences. Circa 1970. Marked CHANEL in block letters. I am also listing the matching necklace. Probably designed by Robert Goossens. They lie flat and hug the ear and neck. 1 3/4 inches long and 1 7/8 inches wide. Excellent condition. Photos enlarged to show detail.

This mid-century buckle bracelet is based on a design which originated with Antonio Pineda. It's a stunning, rarely seen design. Striking, edgy, modernist, gorgeous. Opens wide to easily fit on the wrist. The buckle swings over the notch which fits into the groove on the buckle. Closed, wearable length is about 6 3/4"...

Choice of a sterling silver floral neck ring or a modernist sterling and 14K gold brooch by Ed Levin.

The neck ring measures about 14" around with an opening of 2". Measures 3/8" across. Embossed with a repeating stylized flower design. Signed with a partial script © Ed Levin, Sterling. In fine condition. Could probably be somewhat adjusted due to the open nature of the design.

The brooch measures about 2 1/2" across and 1" at the widest. Has an interesting textured finish...

Beautiful 18K yellow wide gold diamond eternity ring by Chaumet (hallmarked Chaumet Paris inside,750 18K outside), with approx 2/3 carats t.w.diamonds, 4 brilliant cut diamonds estimated at 7 pts each, 8 brilliant cut diamonds estimated at 5 pts each. Width approximately 7/16 inch, size 7-7.25, weight is 13.4 grams. Great condition, rare!

Signed Fred Davis Amethyst brooch measuring approximately 3.25 in. tall and at the widest point across 3.25 in. also. No cracks or damage to stone or silver. Natural patina making it a warm and stunning piece. I use these larger brooches to hold a shawl together for a magnificent look. Davis designed his with work with a wind swept flow making it very lifelike.

Amazing bangle in solid cast resin in oyster white with light beige marbling, in a classic 1970s asymmetrical molten form. Marked GIVENCHY PARIS NEW YORK on a goldtone metal plate attached to the interior. Stack with other bangles or wear alone for a stunning statement. It looks different from every angle. 1 3/8 inches wide, 1 inch thick at thickest point, and 2 916 inches inside diameter. Excellent condition. Photos enlarged to show detail. Display forms are life size.

With their centers of crossed silver wire, these 1920s cuff links have the look of stitched buttons. They feature mother-of-pearl discs with black enamel dotted borders. They bear European silver marks on the back, and though they are hard to make out, they likely indicate .800 silver. Each button measures ½ inch in diameter; they have sturdy bridge chains. Gross weight: 6.9 grams

This beautiful little 1920’s stickpin is done in 14 karat gold filigree. The circular top is set with 4 square cut sapphires and one single cut diamond. It will make a stunning accent to any outfit.

Crafted in the late 1950s or in the 1960s, this sterling silver Mexican necklace is signed by Victoria or Ana Maria Nunez de Brilanti. Victoria is one of the few female designers and silversmiths of Taxco’s 20th c. Silver Renaissance that we know of and she is credited, among others, for perfecting the “metales casados” or “married metals” technique. In this necklace, however, she adds a modernist twist to an otherwise “archeological” design...