A handsome pair of double-faced cufflinks set with turquoise in 14K yellow gold. The turquoise stones have fine color and nicely arranged matrix. The bar connectors are marked “14K” and have an unidentified maker’s mark “D”.

Origin: America, ca. 1910. Condition: excellent, all original. Dimensions: 5/8” x 3/8”. Weight: 8.3 gr.

I have written in the past that Elna jewelry is more often than not very generous in proportions but this stunner of a bracelet goes above and beyond that! It is not just its sheer monumentality that impresses. It is also the classically "archaeological" character of the design itself which is expressed by the carved stone "mask" of an ancient Aztec Eagle warrior. Awesome in its military magnificence, the portrait is flanked by highly stylized butterfly (?) links with big cabochons set in bezels...

Dating 1930's-40's, this Fred Davis amethyst fish pin is, I believe, quite rare.

Measuring 2 3/4" x 2 1/8, with a weight of 47.6 grams, it's a very substantial piece. The amethyst stone has gorgeous grape hues, with natural inclusions and quartz marbling, measuring 1 3/8" x 1 1/8". The eye is a turquoise cabochon.

Exquisitely hand crafted and intricately detailed.

In fine vintage condition...

This mid-century necklace from Los Castillo is a heavy and very substantial seldom seen design.

Thirty-eight modernist twisted panels drape perfectly upon the neck, conforming perfectly with a fluidity which compliments the wearer. The wide J-hook closure forms an almost seamless appearance.

Measures 15 3/8" end to end, with a 1" width...

A handsome pair of 18K white gold cufflinks, the faces set with octagonal mother-of-pearl plaques centered by small square blue sapphires. The mother-of-pearl surfaces are finely crosshatched to match the engraving of the gold at the corners. The faces are joined by chains. Marked "18Ct."

Origin: England, ca. 1930. Condition: excellent. Size: 7/16" x 7/16". Weight: 7.0 grams

From Spratling's first design period, hallmarks date this pin 1040-1944. This eagle serpent pin has superb repoussé silver work. Oxidized recesses and a highly detailed design really make this a standout piece. Measures 2 5/16" x 1 7/8". Weight is 26 grams. Signed and hallmarked with the WS Print Circle and Spratling Silver. Pin closes with a roller.

A nice Victorian 14K yellow gold watch fob in the form of a pair of dolphin-like fish facing one another. The bodies are scaly and they have ornate flowing gills in the classical manner. The oval seal is engraved with a four-letter monogram and also T. E. Co. 1918. The fob retains its original reeded jump ring. Tested and guaranteed 14K.

Origin: America, ca. 1918. Condition: excellent, all original, sharp detail. Weight: 4.7 grams. Size: 1-5/8” x 1”.

A nice pair of 14K yellow gold and ruby cufflinks, the round faces accented with engraved lines and a stippled finish that suggests a quilted design. The intersections of the engraved lines are set with round brilliant-cut rubies. The backs are marked "14K". We have seen matching cufflinks, set with rubies or with sapphires, stamped with Tiffany's retailer mark, so it's likely they were made by one of the higher-level Newark jewelers.

Origin: America, ca. 1955. Condition: excellent...

Circa mid-century, this pair of amethyst bar earrings are stunning in every way. While I've seen this design by Antonio in a ring, I've not seen another pair of earrings quite like these, and believe them to be quite rare. You can also wear each earring as a ring. They look amazing either way.

A fabulous example of Mexican modernist design, these huggie earrings are hinged on one side and fit snugly and securely, yet quite comfortably, on the ear...

Margot de Taxco loved combination pin / pendant necklaces and she designed them so that you could take the brooch away and still link the two lengths of chain and wear them alone as an elegant choker. I suspect that many pieces were comprised of inter-changeable elements so if you had this set and a different pin/pendant out of her “hand-hammered” line, for example, you could theoretically attach to this chain and enjoy that second brooch as a necklace too...

A retailer active in the 1930s and 1940s, Ingrid's was - according to Bille Hougart - known for their high quality hollowware and jewelry which they commissioned from the best Taxco maestros...

Offered on consignment.........

Circa mid-century, this is a seldom seen clamper cuff bracelet from Margot van Voorhies Carr / Margot de Taxco.

It's a truly spectacular clamper with superb craftsmanship...

A Mexican version of the classic "giardinetto" jewelry, this set of Matilde Poulat earrings is rather unusual with its all-silver vase that holds the flowers...

A handsome pair of double-sided cufflinks, the faces set with with oval brilliant-cut amethysts set in simple 10K yellow gold collets. The amethysts have nicely saturated, even color that would look particularly good with a white or light blue cuff. The faces are fairly large, so they are connected with a removable s-link for ease in putting them through a buttonhole. Tested and guaranteed 10K.

• Origin: probably America, ca...

An unusual 18K yellow gold pendant in the Sputnik design by H Stern. Most examples of Sputnik jewelry are set with multi-colored gemstones, but occasionally a piece turns up with a single color—in the case amethyst. The design was created in the 1950s to highlight the colored gemstones available from the Stern mines in Brazil. It later earned the nickname “Sputnik” for its resemblance to the spike Soviet satellite launched in 1957. Tested and guaranteed 18K.

Origin: Brazil, ca. 1955...

A handsome pair of 14K yellow gold cufflinks in the classic button style. Each round face is fashioned as a button, complete with gold stitches. The faces are lightly decorated with a crosshatched surface for contrast with the shiny, raised borders. The toggle backs are marked “14K”.

Origin: America, ca. 1980. Condition: excellent. Size: 3/4" diameter. Weight: 9.9 grams.

Circa 1930's-40's, here is an early obsidian moth pin from Matilde Poulat.

This is a superb piece, with hand-wrought repoussé silverwork and seven dangles. Centered with a round obsidian cabochon, the stone is truly beautiful, with a glowing gold sheen throughout.

Measures 3" tall, 2 1/16" wide.

Signed and hallmarked "Matl".

Weight is 29.4 grams grams.

In excellent vintage condition. Pin closes with a roller.

Circa 1949-1953, this is a very rare pin from Antonio Pineda, bearing his "Jewels by Antonio" hallmark. It's a superb piece, with two huge amethyst cabochons on either side of an "X", creating an OXO design. Pin closes with a roller. You can add a pin/pendant adaptor to hang this from a chain if desired...

This elegant work of art is a 1940's Spratling design. The ring stands a bit over 1" high. The ring size is about 7 1/2. It is in beautiful condition with some surface wear. Hallmarked SPRATLING SILVER MADE IN MEXICO.

A classic pair of Edwardian almandite garnet cufflinks, the oval gemstones set simply in 18K yellow gold collet settings. The faces are attached by chains to torpedo backs. The garnets are of nice quality, having a slightly more orange coloring than is typical of almandite--nearly in the color range for spessartite garnet. Tested and guaranteed 18K.

Ca. 1910. Condition: excellent, all original. Size: 5/8" x 5/16". Weight: 6.6 grams. Approximate Total Gemstone Weight: 5.78 carats.

An elegant pair of Retro 18K yellow gold earrings shaped as bows. Each of the dangling ribbons suspends an old European cut diamond. The diamonds are graded J color and I1 clarity. These earrings would look just as good with jeans as they would a cocktail dress. Tested and guaranteed 18K.

• Circa 1940
• Condition: excellent
• Dimensions: 1" x 9/16"
• Weight: 7.0 grams
• Approximate Total Diamond Weight: .4 carat

Circa 1930's to early 40's, this is a crazy killer gorgeous ring and ultimate statement piece from Fred Davis. The amethyst measures 1 3/16" x 15/16, and it is huge. Silver tests out to be just over 97% purity. Quite substantial at a weighty 22.8 grams. Measures a size 7.5 on a ring sizer. Signed and hallmarked with the conjoined FD, Silver, and Made in Mexico. It's in excellent vintage condition. Has never been sized.

A handsome Art Deco 14K yellow gold man's ring, the stepped crown featuring a square synthetic sapphire in a millegrained collet seeeting flanked on either side by a round diamond. The diamond are graded as I/SI2. The sapphire has bright blue coloring and very good saturation. Men's rings from this period nearly always used synthetic sapphires mixed with diamonds. The interior of the shank is marked "14K".

Origin: America, ca. 1940. Condition: excellent. Finger Size: 10-1/2. Weight: 6.0...

This mid-century necklace was produced by Margot van Voorhies Carr / Margot de Taxco.

It’s a book-piece design, with a stained glass appearance and amazing attention to detail. There are three separate pieces. The center pendant can be worn as a pin, or simply add the two sides to wear as a necklace.

Composed of tiny enamel squares which are black, blue, and teal with light blue within the center of each square.

Measures a closed, wearable length of 16”. The...

A nice, heavy pair of 14K gold cufflinks, the faces constructed as ornately interlocking square knots worked in both yellow and rose gold. The baton backs repeat the color theme. The cufflinks are marked “14K”.

Origin: America, ca. 1935. Condition: excellent. Dimensions: front faces, 1/2” x 9/16”. Weight: 12.6 gr.

Circa 1940-1945, this is a heavy solid 940 silver bracelet from Hector Aguilar. It's an iconic early design, known as "Fertility". A book piece design, it's shown in the Morrill/Berk book "Silver Masters of Mexico", as well as "Mexican Silver". Executed in 94% pure silver, it's entirely hand-wrought, with deeply incised links and oxidized recesses. Measures a closed, wearable length of 6 3/4", with a width of 15/16". Closure is a pin on a chain. Weight is 99.5 grams. Signed and h...

Circa 1930's - 1940's, this easel frame is the work of Matilde Poulat / Matl. It's entirely hand-wrought and exquisitely crafted, with two beautiful repoussé birds. There is a faceted amethyst along with branch coral and turquoise and coral cabochons. It's very rare to find one of these frames which was made by Matilde Poulat, herself, in this early time frame, and this one pulls out all the stops. Measures 4 1/4" wide, 3 1/2" tall. Oval opening is 2 1/8" x 1 1/2". Weight is 92.3 grams...

Circa pre-1948, this is a gorgeous bracelet from Fred Davis. It's a modernist design, with exquisite repoussé silver work.

Six turquoise cabochons are nestled within opposing silver "V"s which form diamond shaped panels, tiny silver beads between them. Alternating with these panels are large silver domes. Closure is a tight and secure tongue in box. Recesses are oxidized. This is a bracelet which really shows up beautifully on the wrist.

Measures a closed, wearable length...

I have had this ring in my personal collection for several years now - always meaning to get it sized so I can enjoy - but I finally deciding to let it go. I have only seen this design once before, with a obsidian cab and a different shank but I really love how it looks with the “feathered serpent” jealously guarding an amethyst. Coiled around the stone, Quetzalcoatl is rendered in Mexico City-style repousse with bold recesses and hand-worked details, looking at the world out of a suspicious...

Circa mid-century, this is a seldom seen design from Margot de Taxco. The original drawing is shown in "Margot Van Voorhies : The Art of Mexican Enamelwork", and is called "Intricate Knot". This is collector quality. The two shades of enamel are blue with gold flecks, and white with silver flecks. Necklace is blue with gold flecks. The pendant doubles as a pin. It's a stunning necklace, nice and long at just over 20" closed, wearable length. Pendant / pin measures 2 5/16" x 1 1/2". ...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow”) a line from the love poem written by Rosemond Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem, and his designs became iconic. In this example, the word “moins” is represented by a...

Signed SFC with eagle 3 and weighing in at 87 grams is this really bold pectoral of repousse beaded elegance. Striking with the drop being 3.5in. tall x 4.0in. across and the wearable approximately 16in. Comes with matching earrings that are one inch long and 8.5 grams. Please inquire as the matching clamper is also available by the same artist. All of these repousse beads and silver work and NO dents. Really magnificent, just LOOK AT THAT NECKLACE!

This mid-century set of three bangle bracelets was produced by Antonio Pineda. Executed in 970 silver, two of the bangles have four twisted stations, the third bangle is flat and smooth. Wear them all together, or split them up on both wrists. They are solid silver, weighty and stunning. They measure a size 8 on a bracelet sizer, and should be easy to fit over most wrists. Weight is 97.1 grams for the set. Each is signed and hallmarked with the Antonio Taxco crown, 970, and the eag...

A classic Pforzheim school silver Jugendstil brooch decorated with plique-a-jour enamels, moldavite and seed pearls. The translucent enamels have the velvety texture and very subtle coloring typical of many Pforzheim jewels of the period. The reverse is marked "Depose 900" and has the maker's mark for Karl Hermann (Hermann & Speck), one of the leading German Art Nouveau jewelers.

Origin: Germany, ca. 1900. Condition: very good, some light crazing to enamel, but no unstable or missing pieces...

This iconic sterling silver brooch was designed & signed circa 1950's by Taxco, Mexico artist William Spratling (1900-67). The eyes of the dragonfly are finished with a copper wash. The pin measures 2 1/2" across & 2" high. The pin is in beautiful condition. Hallmarked WS 925 eagle #30. Pictured in MEXICAN SILVER by Penny Morrill & Carol Berke & on Phyllis Goddard's spratlingsilver.com.

This exceptional bracelet by Antonio Pineda has a unique design and was created during a brief period when he was in a collaboration with the taller Los Castillo to jointly produce jewelry (1962-1963). It is beautifully constructed with sculpted round links set with deep blue stones at the circles edge. It measures 6 7/8" long by 7/8" wide and weighs 44.5 grams. Hallmarked with the Antonio Taxco Crown, 970, Soc, Coop Sec, Los Castillo, and the eagle 58. In good condition with light age related w...